IMDb > The Postman Always Rings Twice (1946)
The Postman Always Rings Twice
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The Postman Always Rings Twice (1946) More at IMDbPro »

Videos (see all 2)
The Postman Always Rings Twice (1946) -- A married woman and a drifter fall in love, then plot to murder her husband... but even once the deed is done, they must live with the consequences of their actions.
The Postman Always Rings Twice (1946) -- Trailerfan.com - Trailer (Flash)

Overview

User Rating:
7.6/10   5,521 votes
MOVIEmeter: ?
Up 89% in popularity this week. See why on IMDbPro.
Director:
Writers:
Harry Ruskin (screenplay) and
Niven Busch (screenplay) ...
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Contact:
View company contact information for The Postman Always Rings Twice on IMDbPro.
Release Date:
2 May 1946 (USA) more
Tagline:
Their Love was a Flame that Destroyed! more
Plot:
A married woman and a drifter fall in love, then plot to murder her husband... but even once the deed is done, they must live with the consequences of their actions. full summary | add synopsis
NewsDesk:
(3 articles)
10 Sexiest Non-Sex Scenes
 (From Spout. 19 February 2009, 2:00 PM, PST)

Stone Hits Out at Zeta-Jones Casting
 (From WENN. 31 August 2005)

User Comments:
Very oddly structured movie more (87 total)

Cast

  (Complete credited cast)
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Additional Details

Runtime:
113 min
Country:
Language:
Aspect Ratio:
1.37 : 1 more
Sound Mix:
Mono (Western Electric Sound System)
Certification:
Australia:PG | Canada:18A (video rating) | USA:Passed (National Board of Review) | Finland:K-16 | Germany:16 | USA:Approved (PCA #11240) | Sweden:15 | UK:A (original rating) | UK:PG (video rating) (1996)

Fun Stuff

Trivia:
This caused a stir amongst 1940s audiences who were shocked when it seemed clear to them that John Garfield uses his tongue in one of his kissing scenes with Lana Turner. more
Goofs:
Revealing mistakes: During the second part of the car tumbling down the mountain, wires connected to the back bumper are visible. more
Quotes:
Nick Smith: [about his plan to sell Twin Oaks and move to Canada to take care of his sister] My mind's made up.
Cora Smith: So, you've given it a great deal of thought, your mind's made up? Without even talking it over with me, your mind's made up. Well, mine isn't!
Nick Smith: [coldly] That's too bad.
more
Movie Connections:
Spoofed in The Seven Year Itch (1955) more
Soundtrack:
There is a Tavern in the Town more

FAQ

What does the title mean?
How was James M. Cain's book received?
What did Fred Allen write after he received a copy of the book?
more
24 out of 43 people found the following comment useful.
Very oddly structured movie, 23 January 2003
6/10
Author: Itchload from Ma

I was not expecting a classic film noir along the lines of "Double Indemnity" or "Out of the Past" when I put this movie in, and for awhile, I thought I might have been wrong. Maybe the cover was too cheesy, I'm not sure, but I didn't have extra high hopes for this movie. Then my mood brightened when it actually started to become very entertaining. I wasn't being blown away, but I did start to enjoy the film noir 101 plot. The reviewer who noted MGM's dramatic lighting of Turner is right, it's ridiculous, but it does come with the territory I guess. Other than that, things seemed to be moving in place very smoothly.

Then an odd thing happened. The movie refused to end. It wasn't that the pace was slow, it moved speedily. Something was always happening, and there was plenty of suspense/overblown MGM music blaring out of the speakers at any given moment. But the plot was way too top-heavy. They get caught doing the murder. Okay, time for trial, some final irony, then the movie's over. But it's not! It just kept going. New subplots turned up, bribes, plot twists, double crosses, it just kept happening and happening. It was too much. I was literally standing up sweating by the final scene, wanting it to end so much. The problem was, nothing of any substance was given to the events that kept happening. It was like the screenwriters noted "okay, this happened in the book, but we have to trim it a bit, so we'll make a small 2 minute scene including it in the movie" and suddenly the movie is full of these large occurrences given very brief sketched out screen time. Garfield runs off for a weekend in Tijuana with some random women? What just happened? Things just grew too implausible. I realize that complaining the movie went on too long and claiming that not enough screen time was given to all the events in the second half is hypocritical, but there must have been ways to flesh things out. I haven't read the book, but I suspect it's much better than the movie, just based on other reviewer's comments.

During the final embarassing "what does God make of all this" speech to the priest (hey, I thought film noirs where supposed to be existential!), I happened to look at the video case and glance at the title. Realizing it hadn't been referenced in the movie yet I stared at the screen and muttered "out with it" and in return got some over-reaching ramblings concerning how "he always rings twice, always rings twice" ext. Yikes.

I have to say though, the movie had some very good irony and employed a load of classic film noir tricks (the final outcome must have influenced the Coen Brothers with "The Man Who Wasn't There"), but I can't help believing the book must have been a lot better. I'd chalk this one up for noir completists and Golden Age MGM enthusiasts only.

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