One More Tomorrow (1946)

User Rating:

6.6/10   

Director:

Peter Godfrey

Writers:

Philip Barry (play)
Julius J. Epstein (additional dialogue)

Release Date:

1 June 1946 (USA)

Genre:

Comedy | Drama

Plot:

Shiftless playboy Tom Collier lives to jump from party to party--until he meets photographer Christie Sage...

Plot Keywords:

Magazine | Playboy | Woman Photographer | Beautiful Woman | Triangle

Cast

Ann Sheridan	...	Christie Sage
Dennis Morgan	...	Thomas Rufus 'Tom' Collier III
Jack Carson	...	Patrick 'Pat' Regan
Alexis Smith	...	Cecelia Henry
Jane Wyman	...	Frankie Connors
Reginald Gardiner	...	Jim Fisk
John Loder	...	Owen Arthur
Marjorie Gateson	...	Aunt Edna Collier
Thurston Hall	...	Thommas Rufus Collier, II
John Abbott	...	Joseph Baronova
Marjorie Hoshelle	...	Illa Baronova
Sig Arno	...	Poppa Diaduska

Also Known As:

The Animal Kingdom (USA) (working title)

Runtime:

USA:87 min

Country:

USA

Language:

English

Color:

Black and White

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono (RCA Sound System)

Certification:

Finland:S | USA:Approved (PCA #9358)

Company:

Warner Bros. Pictures

Trivia:

Filmed in the autumn of 1943, but wasn't released until 1946, allegedly because of Warner Bros.' lack of confidence in its box office potential.

Quotes:

Tom Collier: You're unusually charitable for a woman. I like that.

Movie Connections:

Version of The Animal Kingdom (1932)

Remake of the infinitely superior THE ANIMAL KINGDOM (1932) suffers the comparison.

Warner Bros. apparently tried to buy up and/or surpress all existing prints of the zingy pre-code classic THE ANIMAL KINGDOM (1932) when they decided to remake it as ONE MORE TOMORROW (1946). And no wonder--this turgid remake definitely suffers the comparison. While adding a bit of the Warner Bros. panache and moving a bit more quickly (the earlier version was more faithful to the original stage play, and thus more talky), ONE MORE TOMORROW takes out all the zing, bite, and--most disturbingly--the very real human grappling with opposite desires--that THE ANIMAL KINGDOM managed to transpose so successfully to the screen from Philip Barry's equally successful play. Barry, the author of such gems as HOLIDAY and THE PHILADELPHIA STORY, seemed fascinated with the moral dilemmas faced by the rich and the not so rich as they struggle to come to terms with who--and what--is the most important guiding force in their lives. Unfortunately, the production code forced Warner Bros. to temper the life out of Barry's still timely ideas about the perils of "selling out" in love and business. The result is, sadly, a film that plays as a standard Warner Bros. soaper, with little emotional or mental involvement involved. If you're a fan of stars Smith, Morgan, and Sheridan (who all do the best they can with the material), you'll want to see this one. If you're more interested in the idea behind it, or in Philip Barry, check out the infinitely superior THE ANIMAL KINGDOM--an unjustly forgotten precode classic guaranteed to appeal to both the heart and mind.