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23 out of 23 people found the following comment useful :-
Perfectly Cast Gem of Film Noir, 22 April 2002
10/10
Author: mackjay from Out there in the dark

"Nobody Lives Forever" has so many good qualities is it hard to know where to begin the list. The film's basic plot-line is not the most original, but the intelligent and witty script gives it plenty of excitement and interest. There is an effective and pleasing musical score by Adolf Deutsch (with Jerome Moross) and the film is beautifully, atmospherically shot as well.

Most impressive of all is the cast of "Nobody Lives Forever". There is not a single weak link in this one. Supporting players include the likes of Walter Brennan (world-weary and philosophical), George Tobias (an amiably amusing sidekick), George Coulouris (more than suitably menacing), Faye Emerson (a sassy ,would-be femme fatale), James Flavin and Grady Sutton, the latter in a memorable cameo as a short order cook

Geraldine Fitzgerald brings exactly the right mixture of innocence and sophistication to a newly rich recent widow. Her potential victimizer is brilliantly played by John Garfield. This is one of Garfield's most conflicted characters. The actor is convincing at every turn, capable of being both sympathetic and despicable.

"Nobody Lives Forever" really lives up to its existential title. It's a rare gem to be sought out by every aficionado of film noir.

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15 out of 15 people found the following comment useful :-
one of Garfield's better and more under-appreciated films, 2 August 2005
9/10
Author: planktonrules from Bradenton, Florida

This is certainly not one of John Garfield's more famous films and it's very possible you have never heard of it or seen it. It is about a con man who finds a rich woman who he intends to swindle. And, due to his smooth and effortless way of lying and ingratiating himself, she soon falls head over heels for the rat! However, despite his supposed heart of stone, he finds that he really does care for the woman and can't bring himself to hurt her. This is a serious problem, as Garfield's cohorts are definitely NOT nice people and he knows they will kill him if he double-crosses them.

This film is a satisfying mix of romance and film noir that deserves a chance.

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14 out of 14 people found the following comment useful :-
Meanwhile, back on the home front..., 29 November 2006
8/10
Author: imogensara_smith from New York City

Many films from the mid-forties deal with men struggling to readjust to their civilian lives after their wartime service. NOBODY LIVES FOREVER offers a twist: the hero's pre-war career was as a successful con artist. He doesn't have any trouble getting his job back, but does he still want it? World War II is a source of anxiety and moral confusion in many postwar noirs, but this film (set during the war) suggests that a stint with Uncle Sam can straighten out a crooked guy.

In contrast to the convoluted plots so common in noir, this is a simple story. Just out of the army, Nick Blake (John Garfield) returns to New York to find his girlfriend has given the money he left in her keeping to another man. After clearing up that little business, he takes off for Los Angeles, where he is talked into fleecing a rich widow, Gladys Halvorson (Geraldine Fitzgerald.) Guess what? He falls for her and wants out, but has to deal with his vengeful accomplices. The plot is unoriginal but also foolproof, and the film's leisurely pace and rich characterizations are the primary appeal, evoking a raffish, Runyonesque world. Leading the troupe of colorful character actors is George Tobias as Blake's sidekick Al Doyle, who doesn't do much except tag along for the ride, cracking wise in thick New Yorkese and complaining bitterly when he realizes Nick has "gone overboard for this tomato." Walter Brennan is Pop Gruber, Nick's boyhood mentor in crime, now down on his luck and scraping a living with a telescope, selling "the moon and stars for a dime" and picking the pockets of his drunken customers. Then there's cadaverous, sinister George Colouris as Doc, a has-been con man consumed by jealousy of Nick. Even the smallest characters—from an ex-jockey bellboy to the counterman in an all-night diner who can't stand to hear the words "java" or "pal"—add flavor; they're a great bunch of "cheap, hungry chiselers." Richard Gaines (Jean Arthur's fiancé, Mr. Pendergast, in THE MORE THE MERRIER) is also amusing as Manning, the widow's business manager, whose only interest in life is golf. Only Faye Emerson, as the nightclub singer who betrayed Nick while he was overseas and keeps turning up for vague plot purposes, misfires; she sings well, but she's a little too bony, toothy and disgruntled for a femme fatale.

When someone suggests that after his sabbatical in the army Nick might not be up to conning the widow, he snaps scornfully, "For me that would be like turning over in bed." The same is true for Garfield playing this morally-conflicted-tough-guy role—but he never lets you feel he's just going through the motions. His performance is split between his "Jewish Jimmy Cagney" persona, spitting out lines like, "Come up with a rod and I'll make you eat it," and his sexy romancer mode. When he turns on the charm, his mark starts to melt like a snowman under a sun lamp. (I can sympathize, being a pushover for Garfield myself.) Geraldine Fitzgerald is lovely and gracious, with a frail, childlike innocence guaranteed to soften the toughest guy.

There are some scenes in smoky back-rooms, and a terrific show-down on a misty oil rig, but this noir is really about as dark as chocolate ice cream. It's full of low-key charm, often stemming from the culture clash between the mugs and the ritzy world they invade. Nick belies his pose as a sophisticate by making paper airplanes out of his program during a concert of classical music. ("Don't you adore Bach?" Manning asks, and Al, awoken from a deep slumber, replies, "Bock? Yeah, cold, with a nice big head on it.") Nick is also uncomfortable leading Gladys through a rumba ("A man looks sort of silly doing this") and looks like a fish out of water when she takes him to the mission of San Juan Capistrano. As was the case with Garfield (the former Julie Garfinkle) in Hollywood, it's precisely Nick's streetwise grit and bad-boy charm that win over the classy dame.

NOBODY LIVES FOREVER was the last film at Warner Brothers for both Garfield and Fitzgerald, who were equally thrilled to escape the studio. Garfield went on to form an independent company that produced his finest films, including BODY AND SOUL and FORCE OF EVIL. He and many others had good reason to resent the studio's relentless pigeonholing and the poor material they were sometimes forced to accept; but this farewell film is a reminder of what the factory system had going for it: a reliable output of supremely watchable movies. With its witty script, easy craftsmanship and excellent cast, NOBODY LIVES FOREVER is a prime example of how good an average, formulaic studio product could be during Hollywood's "golden age." It's a shame that, like so much of Garfield's output, this film is so hard to find.

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12 out of 12 people found the following comment useful :-
An ex-soldier finds returning to his old life of swindling difficult, 31 July 2005
8/10
Author: blanche-2 from United States

Geraldine Fitzgerald gets the glamor treatment here as a young widow about to be bilked by ex-soldier John Garfield in this post-war film. Both stars give wonderful performances and are ably supported by a neat cast consisting of Walter Brennan, Faye Emerson, George Coulouris, George Tobias, and Richard Gaines. Garfield, an experienced con man, comes back from the war changed. Drawn into a scheme to con a rich widow, he finds himself falling for her instead.

The stars are lovely together, and the film has a rich atmosphere throughout, each setting clearly defining the moment. The nightclub scenes evoke the '40s postwar feeling, the California scenes are bright and sunny, and the scenes on the pier are spooky and dense with fog. A very good film.

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6 out of 6 people found the following comment useful :-
The Genius of W.R. Burnett, 4 March 2008
Author: ilprofessore-1 from United States

Of all the Hollywood writers now associated with classic film noir --among them James M. Cain, Raymond Chandler & Dashell Hammett— the least known and perhaps least appreciated is W.R. Burnett who was responsible for the story and often the screenplay of a number of film crime classics, among them the films Scarface, Little Caesar, High Sierra and Asphalt Jungle. Burnett's dialog is as sharp and tough as the others, and he often displays a finer insight and even greater sympathy for the criminal mind than the others whose stories feature and sometimes romanticize the hard-boiled detective. This excellently directed and photographed film tells the story of a charming con-man, perfectly played by John Garfield, who falls for the widow he is trying to cheat. The petty crooks who people his world played by a superb cast of character actors (George Coulouris, Walter Brennan, George Tobias) are all clearly drawn and don't resemble the usual cliché gang members of other films. Burnett obviously knew this world better than his colleagues.

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4 out of 4 people found the following comment useful :-
Great 1946 Classic, 5 March 2008
7/10
Author: whpratt1 from United States

This is a great film about an Ex-Gi named Nick Blake, (John Garfield) who goes back to New York City and gets back with his gal, Toni Blackburn, (Faye Emerson) who is a very attractive blonde gal. Nick soon finds out that the $50,000 dollars he gave her is gone and was given to her new boyfriend. Nick manages to get his money back and heads to Los Angeles and starts his con-artist career all over again. Nick travels with his sidekick, Al Doyle, (George Tobias) who is his bodyguard and good friend. Nick meets up with an old buddy of his named Pop Gruber, (Walter Brennan) who tells him about a very rich woman who is a widow and named Gladys Halvorsen, (Geraldine Fitzgerald). Gladys has a fortune of 2 million dollars and Nick decides to become much closer to this gal. This is when the story gets very involved and you will never be able to figure out how this film will end. Faye Emerson was the wife of famous band leader, Skitch Henderson in real life and she gave a great supporting role. Enjoyed the great acting by veteran actor Walter Brennan and last but least, John Garfield.

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3 out of 6 people found the following comment useful :-
When You Fall For The Mark, 25 July 2008
5/10
Author: bkoganbing from Buffalo, New York

Nobody Lives Forever finds John Garfield as a former Broadway sharpie just discharged from Uncle Sam's Army and sort of at loose ends. He's not sure what he wants to do with himself. Personally I'm kind of surprised he's not taking advantage of the benefits of GI Bill if he's interested in starting over. That's one of the weaknesses of the film.

In the meantime his girlfriend, nightclub singer Faye Emerson has given John the air and taken his money and invested it with her new boy friend Robert Shayne in a nightclub. Disgusted with the way she's two timed him, Garfield and pal George Tobias leave New York and head for the west coast and Los Angeles.

They run into another old time con man Walter Brennan who's now barely scratching a living, but who's heard of big score in the making involving taking recent wealthy widow Geraldine Fitzgerald. The idea is that of another grifter George Coulouris who has no scruples at all about doing what has to be done, but he hasn't got the technique to romance Fitzgerald. That's where Garfield comes in.

Of course he falls for the mark and I think you can see where the rest of this is going. It's not a bad story, but has a few glitches in the script. For one thing when Emerson is reintroduced coming west herself later and setting her to be the one to rat out Garfield's change of heart to the rest, it's clumsily done. Secondly again, not a mention of the GI bill for a returning veteran looking to reinvent himself.

Garfield does make an appealing con man with a conscience and between Fitzgerald and Emerson he was certainly doing all right. Best performance in the film is that of Walter Brennan and given the wide divergence in their politics between Garfield and Brennan, it must have been an interesting set.

Nobody Lives Forever is all right, but it had the potential to be so much better.

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1 out of 5 people found the following comment useful :-
Nobody Lives Forever-Just Too Bad ***, 7 March 2008
7/10
Author: edwagreen from United States

A very usual plot covers this story. A manipulator wants to fleece a wealthy widow but falls for her instead. The problem is that he had made previous commitments with other hoods to take this woman for a ride.

John Garfield is perfect as Nick. He falls for Mrs.Halverson, a wonderful Geraldine Fitzgerald.

The gang is in top form with Walter Brennan as Pop, George Coulouris'Doc is excellent. By the way, for a hood Coulouris speaks very well and in fact sounds like a very educated person in some scenes. George Tobias really provides some comic relief, but in a straight role as Nick's sidekick.

You wonder why the Fitzgerald character can't fall in love with her financial adviser, nicely played by Richard Gaines. The two seem to be a perfect match but I guess there would be no story if that occurred.

Faye Emerson is the dame that Nick had previously hooked up with. She is a real hot number here. Few realize that in real life she had been married to Eliot Roosevelt, FDR's son.

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3 out of 10 people found the following comment useful :-
Weak attempt at mixing gangster, love story, 16 May 2006
5/10
Author: groening-2 from United States

Though John Garfield and the gorgeous Geraldine Fitzgerald turn in strong performances, this film can't seem to decide whether it wants to be a film noir/gangster flick or a love story. There's even a bit of war propaganda thrown in, as we're pointedly told a couple of times that Garfield's Nick has grown in character from his service overseas. Plot-wise, not much develops, and there are few surprises along the way. Nick's old girlfriend (Faye Emerson) shows up again late in the film, but plays no real part in the action of the final act. George Tobias as Nick's sidekick is annoyingly one-dimensional, and offers little in the way of the comic relief the director intended. This movie feels like it was written by committee. It's worth seeing only for real Garfield fans.

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