| Photos (see all 15 | slideshow) |
| David Niven | ... | Peter Carter | |
| Kim Hunter | ... | June | |
| Robert Coote | ... | Bob Trubshawe | |
| Kathleen Byron | ... | An Angel | |
| Richard Attenborough | ... | An English Pilot | |
| Bonar Colleano | ... | An American Pilot (also as Bonor Colleano) | |
| Joan Maude | ... | Chief Recorder | |
| Marius Goring | ... | Conductor 71 | |
| Roger Livesey | ... | Doctor Frank Reeves | |
| Robert Atkins | ... | The Vicar | |
| Bob Roberts | ... | Dr. Gaertler | |
| Edwin Max | ... | Dr. McEwen | |
| Betty Potter | ... | Mrs. Tucker | |
| Abraham Sofaer | ... | The Judge / The Surgeon | |
| Raymond Massey | ... | Abraham Farlan | |
| rest of cast listed alphabetically: | |||
| Robert Arden | ... | GI Playing Bottom (uncredited) | |
| Robert Beatty | ... | US Crewman (uncredited) | |
| Tommy Duggan | ... | American Policeman (uncredited) | |
| Erik | ... | Spaniel (uncredited) | |
| John Huntley | ... | Extra in Celestial Courtroom (uncredited) | |
| John Longden | ... | Narrator of introduction (uncredited) (voice) | |
| Howard Marshall | ... | Cricket commentator on radio (voice) (uncredited) | |
| Lois Maxwell | ... | Actress (uncredited) | |
| Wally Patch | ... | ARP Warden (uncredited) | |
| Roger Snowden | ... | Irishman (uncredited) | |
| Spangle | ... | Spaniel (uncredited) | |
| Wendy Thompson | ... | Nurse (uncredited) | |
| Geoff van Rijssel | ... | Extra in Celestial Courtroom (uncredited) | |
| Joan Verney | ... | Girl (uncredited) | |
Directed by | |||
| Michael Powell | |||
| Emeric Pressburger | |||
Writing credits | ||
| Michael Powell | (written by) and | |
| Emeric Pressburger | (written by) | |
Produced by | |||
| George R. Busby | .... | assistant producer (as George Busby) | |
| Michael Powell | .... | producer | |
| Emeric Pressburger | .... | producer | |
Original Music by | |||
| Allan Gray | |||
Cinematography by | |||
| Jack Cardiff | (photographed by) | ||
Film Editing by | |||
| Reginald Mills | |||
Casting by | |||
| Pat MacDonnell | (uncredited) | ||
| Adele Raymond | (uncredited) | ||
Production Design by | |||
| Alfred Junge | |||
Costume Design by | |||
| Joseph Bato | (uncredited) | ||
| Hein Heckroth | (uncredited) | ||
Makeup Department | |||
| George Blackler | .... | makeup artist | |
| Ida Mills | .... | hair stylist | |
Production Management | |||
| Robert C. Foord | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Parry Jones Jr. | .... | assistant director | |
| Paul Kelly | .... | second assistant director (uncredited) | |
| Laurie Knight | .... | third assistant director (uncredited) | |
| Pat Marsden | .... | third assistant director (uncredited) | |
Art Department | |||
| Arthur Lawson | .... | assistant art director | |
| Joseph Bato | .... | assistant painter (uncredited) | |
| William Hutchinson | .... | draughtsman (uncredited) | |
| William Kellner | .... | draughtsman (uncredited) | |
| Terence Morgan II | .... | assistant property maker (uncredited) | |
| Don Picton | .... | draughtsman (uncredited) | |
| Roger Ramsdell | .... | assistant art director (uncredited) | |
Sound Department | |||
| C.C. Stevens | .... | sound recordist | |
| Michael Colomb | .... | assistant boom operator (uncredited) | |
| Peter Davies | .... | dubbing sound camera (uncredited) | |
| Roy Day | .... | sound maintenance (uncredited) | |
| John Dennis | .... | pre-dubbing (uncredited) | |
| Desmond Dew | .... | dubbing crew (uncredited) | |
| David Hildyard | .... | boom operator (uncredited) | |
| Harold Rowland | .... | sound camera operator (uncredited) | |
| G. Sanders | .... | assistant boom operator (uncredited) | |
| Alan Whatley | .... | dubbing crew (uncredited) | |
Special Effects by | |||
| W. Percy Day | .... | additional effects (as Percy Day) | |
| Henry Harris | .... | special effects | |
| Douglas Woolsey | .... | special effects | |
| William C. Andrews | .... | special effects (uncredited) | |
| George Blackwell | .... | special effects (uncredited) | |
| Stanley Grant | .... | special photographic effects (uncredited) | |
Visual Effects by | |||
| Peter Ellenshaw | .... | assistant matte artist (uncredited) | |
Camera and Electrical Department | |||
| Geoffrey Unsworth | .... | camera operator | |
| Bill Wall | .... | chief electrician (as William Wall) | |
| Dick Allport | .... | clapper loader (uncredited) | |
| Eric Besche | .... | focus puller (uncredited) | |
| Jim Body | .... | focus puller (uncredited) | |
| Christopher Challis | .... | second assistant camera (uncredited) | |
| Fred Daniels | .... | still photographer: portraits (uncredited) | |
| Eric Gray | .... | still photographer (uncredited) | |
| George Minassian | .... | assistant camera (uncredited) | |
| Johnnie von Klotze | .... | assistant camera (uncredited) | |
Costume and Wardrobe Department | |||
| Hein Heckroth | .... | costumes | |
Editorial Department | |||
| David Powell | .... | assistant editor (uncredited) | |
Music Department | |||
| Walter Goehr | .... | conductor | |
| Lambert Williamson | .... | assistant conductor (as W.L. Williamson) | |
Other crew | |||
| Joan Bridge | .... | associate color control | |
| Michael C. Chorlton | .... | motor-bike shots (as Michael Chorlton) | |
| Natalie Kalmus | .... | color control | |
| John Seabourne Jr. | .... | liaison editor | |
| Alan Brook | .... | advisor: table tennis (uncredited) | |
| Alan Brook | .... | trainer: table tennis (uncredited) | |
| Andrew Donally | .... | support team (uncredited) | |
| Bernard Kaplan | .... | technical advisor: operating theatre (uncredited) | |
| Vivienne Knight | .... | publicist (uncredited) | |
| Ainslie L'evine | .... | assistant continuity (uncredited) | |
| Bunny Parsons | .... | continuity (uncredited) | |
| Bill Paton | .... | assistant: Mr Powell (uncredited) | |
| Maggie Unsworth | .... | continuity (uncredited) | |
| Jack Whitehead | .... | projectionist: back projection (uncredited) | |
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| Map of the Human Heart | The Life and Death of Colonel Blimp | Orlando | Air Force | Across the Universe |
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Few movies can be viewed almost 60 years later, yet remain as engrossing as this one. Technological advances have not dated this classic love story. Special effects used are remarkable for a 1946 movie. The acting is superb. David Niven, Kim Hunter and especially Roger Livesey do an outstanding job. The use of Black and White / Color adds to the creative nature of the movie. It hasn't been seen on television for 20 years so few people are even aware of its existence. It is my favorite movie of all time. Waiting and hoping for the DVD release of this movie for so many years is, in itself, "A Matter of Life and Death".