| Wed. Nov. 18 | 8:00 PM | TCM |
| Judy Garland | ... | Susan Bradley | |
| John Hodiak | ... | Ned Trent | |
| Ray Bolger | ... | Chris Maule | |
| Angela Lansbury | ... | Em | |
| Preston Foster | ... | Judge Sam Purvis | |
| Virginia O'Brien | ... | Alma from Ohio | |
| Kenny Baker | ... | Terry O'Halloran | |
| Marjorie Main | ... | Sonora Cassidy | |
| Chill Wills | ... | H.H. Hartsey | |
| Selena Royle | ... | Miss Bliss | |
| Cyd Charisse | ... | Deborah Andrews | |
| Ruth Brady | ... | Ethel | |
| Jack Lambert | ... | Marty Peters | |
| Edward Earle | ... | Jed Adams | |
| Morris Ankrum | ... | Rev. Claggett | |
| William 'Bill' Phillips | ... | 1st Cowboy (as Wm. 'Bill' Phillips) | |
| Ben Carter | ... | John Henry | |
| Norman Leavitt | ... | 2nd Cowboy | |
| Stephen McNally | ... | 'Goldust' McClean (as Horace McNally) | |
| rest of cast listed alphabetically: | |||
| Jane Allen | ... | Harvey Girl (uncredited) | |
| Amos Arnet | ... | (uncredited) | |
| Jean Ashton | ... | Harvey Girl (uncredited) | |
| Frank Austin | ... | Rancher (uncredited) | |
| Eleanor Bayley | ... | Harvey Girl (uncredited) | |
| Hazel Brooks | ... | Dance-hall girl (uncredited) | |
| Rand Brooks | ... | Townsman at saloon (uncredited) | |
| Ewing Miles Brown | ... | Townsman at saloon (uncredited) | |
| Lucille Casey | ... | Harvey Girl (uncredited) | |
| Ruth Clark | ... | Harvey Girl (uncredited) | |
| Jack Clifford | ... | Fireman (uncredited) | |
| Tex Cooper | ... | Townsman at saloon (uncredited) | |
| Georgia Davis | ... | Dance-hall girl (uncredited) | |
| Virginia Davis | ... | Harvey Girl (uncredited) | |
| Dona Dax | ... | Dance-hall girl (uncredited) | |
| Vernon Dent | ... | Engineer (uncredited) | |
| Gwen Donovan | ... | Dance-hall girl (uncredited) | |
| Vivian Edwards | ... | Specialty performer (uncredited) | |
| Mary Jo Ellis | ... | Harvey Girl (uncredited) | |
| Virginia Engels | ... | Dance-hall girl (uncredited) | |
| Kay English | ... | Dance-hall girl (uncredited) | |
| Mary Jane French | ... | Harvey Girl (uncredited) | |
| Sam Garrett | ... | Trick roper (uncredited) | |
| Vincent Graeff | ... | Boy (uncredited) | |
| Virginia Gumm | ... | Harvey Girl (uncredited) | |
| Jane Hale | ... | Dance-hall girl (uncredited) | |
| Jane Hall | ... | Dance-hall girl (uncredited) | |
| William Hall | ... | Big Joe (uncredited) | |
| Byron Harvey Jr. | ... | Train conductor (uncredited) | |
| Gloria Hope | ... | Harvey Girl (uncredited) | |
| Virginia Hunter | ... | Jane (uncredited) | |
| Dorothy Jackson | ... | Specialty performer (uncredited) | |
| Thelma Joel | ... | Dance-hall girl (uncredited) | |
| Joe Karnes | ... | Townsman at Saloon (uncredited) | |
| Jack Kenny | ... | Townsman at saloon (uncredited) | |
| Al Kunde | ... | Rancher (uncredited) | |
| Janet Lavis | ... | Harvey Girl (uncredited) | |
| Vera Lee | ... | Dance-hall girl (uncredited) | |
| Maxine Leslie | ... | Dance-hall girl (uncredited) | |
| Mitchell Lewis | ... | Sandy (uncredited) | |
| Johnny Luther | ... | Townsman at saloon (uncredited) | |
| Peggy Maley | ... | Dance-hall girl (uncredited) | |
| Claude Martin | ... | (uncredited) | |
| Judy Matson | ... | Specialty performer (uncredited) | |
| Catherine McLeod | ... | Louise (uncredited) | |
| John Merton | ... | Player (uncredited) | |
| Mary Moder | ... | Specialty performer (uncredited) | |
| Daphne Moore | ... | Harvey Girl (uncredited) | |
| Edith Motridge | ... | Dance-hall girl (uncredited) | |
| Paul Newlan | ... | Station agent (uncredited) | |
| Loulie Jean Norman | ... | Harvey Girl (uncredited) | |
| Robert Emmett O'Connor | ... | Conductor (uncredited) | |
| Shirley Patterson | ... | Harvey Girl (uncredited) | |
| Lee Phelps | ... | Player (uncredited) | |
| Tom Quinn | ... | Player (uncredited) | |
| Dorothy Raye | ... | Harvey Girl (uncredited) | |
| Charles Regan | ... | Dealer (uncredited) | |
| Al Rhein | ... | Dealer (uncredited) | |
| Kenneth Rundquist | ... | Townsman at saloon (uncredited) | |
| Erin Selwyn | ... | Dance-hall girl (uncredited) | |
| Harry Semels | ... | Townsman at saloon (uncredited) | |
| Emily Smith | ... | Dance-hall girl (uncredited) | |
| Nevada Smith | ... | Dance-hall girl (uncredited) | |
| Melba Snowden | ... | Dance-hall girl (uncredited) | |
| Ray Teal | ... | Conductor (uncredited) | |
| Joan Thorsen | ... | Harvey Girl (uncredited) | |
| Jim Toney | ... | Muleskinner (uncredited) | |
| Eleanor Troy | ... | Dance-hall girl (uncredited) | |
| Dorothy Tuttle | ... | Harvey Girl (uncredited) | |
| Dorothy Van Nuys | ... | Dance-hall girl (uncredited) | |
| Bunny Waters | ... | Dance-hall girl (uncredited) | |
| Jacqueline White | ... | Harvey Girl (uncredited) | |
| Eve Whitney | ... | Dance-hall girl (uncredited) | |
| Dorothy Wilkerson | ... | Harvey Girl (uncredited) | |
| Herberta Williams | ... | Dance-hall girl (uncredited) | |
| Dallas Worth | ... | Dance-hall girl (uncredited) | |
| Katherine Yorke | ... | Dance-hall girl (uncredited) | |
Directed by | |||
| George Sidney | |||
Writing credits | ||
| Samuel Hopkins Adams | novel "The Harvey Girls" and | |
| Eleanore Griffin | story and | |
| William Rankin | story | |
| Edmund Beloin | (screenplay) and | |
| Nathaniel Curtis | (screenplay) and | |
| Harry Crane | (screenplay) and | |
| James O'Hanlon | (screenplay) and | |
| Samson Raphaelson | (screenplay) | |
| Kay Van Riper | (additional dialogue) | |
Produced by | |||
| Roger Edens | .... | associate producer | |
| Arthur Freed | .... | producer | |
Original Music by | |||
| Lennie Hayton | (uncredited) | ||
| Conrad Salinger | (uncredited) | ||
Cinematography by | |||
| George J. Folsey | (as George Folsey) | ||
Film Editing by | |||
| Albert Akst | |||
Art Direction by | |||
| William Ferrari | |||
| Cedric Gibbons | |||
Set Decoration by | |||
| Edwin B. Willis | |||
Costume Design by | |||
| Helen Rose | |||
| Valles | (costumes: men) | ||
Makeup Department | |||
| Jack Dawn | .... | makeup designer | |
| Irma Kusely | .... | hair stylist (uncredited) | |
| Dorothy Ponedel | .... | key makeup artist (uncredited) | |
Production Management | |||
| Dave Friedman | .... | production manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| George Rhein | .... | assistant director (uncredited) | |
Art Department | |||
| Mildred Griffiths | .... | associate set decorator | |
Sound Department | |||
| Douglas Shearer | .... | recording director | |
Special Effects by | |||
| Warren Newcombe | .... | special effects | |
Camera and Electrical Department | |||
| Cliff Shirpser | .... | assistant camera: Technicolor (uncredited) | |
Costume and Wardrobe Department | |||
| Irene | .... | costume supervisor | |
Music Department | |||
| Robert Alton | .... | musical numbers staged by | |
| Lennie Hayton | .... | musical director | |
| Conrad Salinger | .... | orchestrator | |
| Kay Thompson | .... | vocal arranger | |
| Sidney Cutner | .... | orchestrator (uncredited) | |
| Robert Franklyn | .... | orchestrator (uncredited) | |
| Wally Heglin | .... | orchestrator (uncredited) | |
| Joseph Nussbaum | .... | orchestrator (uncredited) | |
Other crew | |||
| Henri Jaffa | .... | associate technicolor color director | |
| Natalie Kalmus | .... | technicolor color director | |
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| McCabe & Mrs. Miller | Original Sin | Giant | Woman Haters | It's a Wonderful Life |
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This movie is a darn shame. Judy Garland, Ray Bolger, Cyd Charisse and Angela Lansbury in an Old West setting should have been a dream come true. Instead it's a lackluster movie with a forced romance.
All of the songs are weak and forgettable with the exception of The Atchinson, Topeka & the Santa Fe. Knowing that, the filmmakers put strains of it in virtually every other song. Bolger gets one fun (but unspectacular) dance sequence, and Charisse's one dance is more flowery than impressive. The rest of the numbers are mostly a matter of Look At Us Wave!, Look At Our Costumes!, with no dancing and very little singing.
The morality play has not aged well, as a town is divided between "virtue" (the virginal Harvey Girls) and "sin" (the saloon with its "dancers"). Every moment of the plot is permeated with the single unspoken notion that Nice Girls Don't. Puh-leeze. Normally I'm very forgiving of old-fashioned plots in old-fashioned musicals, but in this case, there's simply nothing else there.