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Directed by | |||
| David Lean | |||
Writing credits | ||
| Charles Dickens | (novel) | |
| Anthony Havelock-Allan | adaptation | |
| David Lean | adaptation | |
| Cecil McGivern | adaptation | |
| Ronald Neame | adaptation | |
| Kay Walsh | adaptation | |
Produced by | |||
| Anthony Havelock-Allan | .... | executive producer | |
| Ronald Neame | .... | producer | |
Original Music by | |||
| Walter Goehr | |||
Cinematography by | |||
| Guy Green | (photographed by) | ||
Film Editing by | |||
| Jack Harris | |||
Casting by | |||
| Pat MacDonnell | (uncredited) | ||
| Adele Raymond | (uncredited) | ||
| Maude Spector | (uncredited) | ||
Production Design by | |||
| John Bryan | |||
Art Direction by | |||
| Wilfred Shingleton | |||
Costume Design by | |||
| Sophie Devine | (as Sophia Harris of Motley) | ||
Makeup Department | |||
| George Blackler | .... | makeup artist (uncredited) | |
| Ernest Gasser | .... | makeup artist (uncredited) | |
Production Management | |||
| Norman Spencer | .... | production manager | |
Second Unit Director or Assistant Director | |||
| George Pollock | .... | assistant director | |
| Eric Braun | .... | third assistant director (uncredited) | |
| Philip Shipway | .... | second assistant director (uncredited) | |
| Victor Wark | .... | second assistant director (uncredited) | |
Art Department | |||
| John Elphick | .... | chief assistant art director (uncredited) | |
| T. Hopewell Ash | .... | draughtsman (uncredited) | |
| William Hutchinson | .... | assistant art director (uncredited) | |
Sound Department | |||
| Stanley Lambourne | .... | sound recordist | |
| Gordon K. McCallum | .... | sound recordist | |
| Winston Ryder | .... | sound editor | |
| Bill Daniels | .... | dubbing crew (uncredited) | |
| John Dennis | .... | production sound mixer (uncredited) | |
| Desmond Dew | .... | sound recordist (uncredited) | |
| Charles Knott | .... | maintenance engineer (uncredited) | |
| Gordon K. McCallum | .... | sound mixer (uncredited) | |
| John W. Mitchell | .... | sound effects recordist (uncredited) | |
| George Paternoster | .... | boom operator (uncredited) | |
| Jack Slade | .... | assistant sound editor (uncredited) | |
| J.B. Smith | .... | dubbing crew (uncredited) | |
| C.C. Stevens | .... | production sound mixer (uncredited) | |
Visual Effects by | |||
| Les Bowie | .... | matte painter (uncredited) | |
| Syd Howell | .... | back projection (uncredited) | |
| Douglas Woolsey | .... | models (uncredited) | |
Camera and Electrical Department | |||
| Robert Huke | .... | camera operator (as Nigel Huke) | |
| Jim Body | .... | focus puller (uncredited) | |
| Peter Davies | .... | music sound camera (uncredited) | |
| John Godar | .... | focus puller (uncredited) | |
| Tony Hermes | .... | clapper loader (uncredited) | |
| Alan Hume | .... | second camera operator: second unit (uncredited) | |
| Arthur Ibbetson | .... | camera operator: second unit (uncredited) | |
| Skeets Kelly | .... | second camera operator (uncredited) | |
| Robert Krasker | .... | director of photography: second unit (uncredited) | |
| Henry Slagter | .... | clapper loader (uncredited) | |
| Cyril Stanborough | .... | still photographer (uncredited) | |
| Ernest Steward | .... | director of photography: second unit (uncredited) | |
Costume and Wardrobe Department | |||
| Margaret Furse | .... | assistant costumer | |
Editorial Department | |||
| John Cook | .... | second assistant editor (uncredited) | |
| Margery Saunders | .... | assistant editor (uncredited) | |
Music Department | |||
| Walter Goehr | .... | conductor | |
| Roy Douglas | .... | additional orchestrator (uncredited) | |
| Roy Douglas | .... | orchestrator: title sequence (uncredited) | |
| John Huntley | .... | music technician (uncredited) | |
| Kenneth Pakeman | .... | composer: additional music (uncredited) | |
Other crew | |||
| Suria Magito | .... | dance arranger | |
| J. Arthur Rank | .... | presenter (as J.Arthur Rank) | |
| Maggie Unsworth | .... | continuity (as Margaret Sibley) | |
| John Alderson | .... | location manager (uncredited) | |
| Yvonne Axeworthy | .... | script supervisor: second unit (uncredited) | |
| Vicky Fuggle | .... | production secretary (uncredited) | |
| Martita Hunt | .... | voice: cow (uncredited) | |
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| The Night of the Hunter | Gone with the Wind | Giant | The Notebook | Novecento |
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The Dickens novel is given classic treatment in David Lean's "Great Expectations". The opening scene is so atmospheric it sets the tone for the convoluted story to follow. The earlier scenes with young Pip are the most enjoyable for me--especially those involving Estella (Jean Simmons) and Miss Havisham (Martita Hunt).
Brilliant performances from all concerned. John Mills is wholly satisfying as the adult Pip and Valerie Hobson as the adult Estella--but it is Martita Hunt's Miss Havisham, sitting among the ruined finery of a wedding that never took place, everything exactly the way it was on that fateful day--and waging war on men ever since--that lingers in the memory.
Some of the best black and white photography seen until that time and an absorbing story with twists and surprises that have logical explanations. Compares favorably with the other great British film, "Oliver Twist" and, by all means, recommended viewing.
Not only worthy of its Best Picture nomination, it should have won over "Gentleman's Agreement" which now seems preachy and artificial.