| Photos (see all 32 | slideshow) | Videos (see all 3) |
| Rita Hayworth | ... | Gilda Mundson Farrell | |
| Glenn Ford | ... | Johnny Farrell / Narrator | |
| George Macready | ... | Ballin Mundson | |
| Joseph Calleia | ... | Det. Maurice Obregon | |
| Steven Geray | ... | Uncle Pio | |
| Joe Sawyer | ... | Casey | |
| Gerald Mohr | ... | Capt. Delgado | |
| Mark Roberts | ... | Gabe Evans (as Robert Scott) | |
| Ludwig Donath | ... | German Cartel Member | |
| Donald Douglas | ... | Thomas Langford (as Don Douglas) | |
| Lionel Royce | ... | German | |
| Saul Martell | ... | Little man (as S.Z. Martel) | |
| George J. Lewis | ... | Huerta | |
| Rosa Rey | ... | Maria | |
| rest of cast listed alphabetically: | |||
| Julio Abadía | ... | Newsman / Waiter (uncredited) | |
| Enrique Acosta | ... | Gambler (uncredited) | |
| Ed Agresti | ... | Nightclub Patron (uncredited) | |
| Sam Appel | ... | Blackjack dealer (uncredited) | |
| Sam Ash | ... | Gambler (uncredited) | |
| Nina Bara | ... | Girl at carnival (uncredited) | |
| Edward Biby | ... | Gambler (uncredited) | |
| Robert Board | ... | American cartel member (uncredited) | |
| Symona Boniface | ... | Gambler at roulette table (uncredited) | |
| Eugene Borden | ... | Blackjack Dealer (uncredited) | |
| Paul Bradley | ... | Man (uncredited) | |
| Argentina Brunetti | ... | Woman (uncredited) | |
| Jack Chefe | ... | Assistant croupier (uncredited) | |
| Eduardo Ciannelli | ... | Cartel member (uncredited) | |
| James Conaty | ... | Gambler (uncredited) | |
| Jean De Briac | ... | French cartel member (uncredited) | |
| Jerry De Castro | ... | Doorman (uncredited) | |
| Leander De Cordova | ... | Servant (uncredited) | |
| Jack Del Rio | ... | Cashier (uncredited) | |
| Jean Del Val | ... | French Cartel Member (uncredited) | |
| Carli Elinor | ... | Waiter (uncredited) | |
| Fernanda Eliscu | ... | Bendolin's wife (uncredited) | |
| Herbert Evans | ... | English cartel member (uncredited) | |
| Nobel G. Evey | ... | Banco dealer (uncredited) | |
| Sam Flint | ... | American cartel member (uncredited) | |
| Bess Flowers | ... | Gambler at roulette table (uncredited) | |
| Curt Furburg | ... | Gambler (uncredited) | |
| Fred Godoy | ... | Bartender (uncredited) | |
| Sam Harris | ... | Gambler (uncredited) | |
| Lew Harvey | ... | Policeman (uncredited) | |
| Ed Haskett | ... | Gambler (uncredited) | |
| Ted Hecht | ... | Holdup man (uncredited) | |
| Ernest Hilliard | ... | English Cartel Member (uncredited) | |
| Stuart Holmes | ... | Gambler at banco table (uncredited) | |
| Rodolfo Hoyos Jr. | ... | Peasant (uncredited) | |
| George Humbert | ... | Italian (uncredited) | |
| Robert Kellard | ... | Man at masquerade (uncredited) | |
| Kenner G. Kemp | ... | Gambler (uncredited) | |
| Frank Leigh | ... | Man (uncredited) | |
| Frank Leyva | ... | Argentine cartel member (uncredited) | |
| Max Linder | ... | Gambler (uncredited) | |
| Oscar Loraine | ... | French cartel member (uncredited) | |
| Wilbur Mack | ... | Gambler (uncredited) | |
| Herman Marks | ... | Waiter (uncredited) | |
| Alphonse Martell | ... | Roulette croupier (uncredited) | |
| Frank Mayo | ... | Gambler (uncredited) | |
| John Merton | ... | Policeman (uncredited) | |
| Harold Miller | ... | Gambler (uncredited) | |
| Ramon Munox | ... | Judge (uncredited) | |
| Forbes Murray | ... | American cartel member (uncredited) | |
| Ralph Navarro | ... | Waiter (uncredited) | |
| J.W. Noon | ... | Banco dealer (uncredited) | |
| Alfred Paix | ... | Waiter (uncredited) | |
| Lou Palfy | ... | Assistant croupier (uncredited) | |
| Joe Palma | ... | Waiter (uncredited) | |
| Alexander Pollard | ... | Gambler (uncredited) | |
| Albert Pollet | ... | Assistant croupier (uncredited) | |
| Soretta Raye | ... | Harpy (uncredited) | |
| Paul Regas | ... | Man (uncredited) | |
| Suzanne Ridgeway | ... | Nightclub Patron (uncredited) | |
| Ruth Roman | ... | Girl (uncredited) | |
| Cosmo Sardo | ... | Man (uncredited) | |
| Jeffrey Sayre | ... | Gambler (uncredited) | |
| Leonardo Scavino | ... | Croupier (uncredited) | |
| William Smith | ... | Man (uncredited) | |
| George Sorel | ... | Assistant croupier (uncredited) | |
| Robert Tafur | ... | Clerk (uncredited) | |
| John Tyrrell | ... | Man (uncredited) | |
| Philip Van Zandt | ... | Cartel member (uncredited) | |
| Ernö Verebes | ... | Blackjack Dealer (uncredited) | |
| Russ Vincent | ... | Escort (uncredited) | |
| Blackie Whiteford | ... | Crap game spectator (uncredited) | |
Directed by | |||
| Charles Vidor | |||
Writing credits | ||
| E.A. Ellington | (story) | |
| Marion Parsonnet | (screenplay) | |
| Jo Eisinger | (adaptation) | |
| Ben Hecht | uncredited | |
Produced by | |||
| Virginia Van Upp | .... | producer | |
Original Music by | |||
| Hugo Friedhofer | (uncredited) | ||
Cinematography by | |||
| Rudolph Maté | |||
Film Editing by | |||
| Charles Nelson | |||
Art Direction by | |||
| Stephen Goosson | |||
| Van Nest Polglase | |||
Set Decoration by | |||
| Robert Priestley | |||
Costume Design by | |||
| Jean Louis | (gowns) | ||
Makeup Department | |||
| Clay Campbell | .... | makeup artist | |
| Helen Hunt | .... | hair stylist | |
| Robert J. Schiffer | .... | makeup artist (uncredited) | |
Second Unit Director or Assistant Director | |||
| Arthur S. Black Jr. | .... | assistant director (as Art Black) | |
| George Webster | .... | assistant director | |
Sound Department | |||
| Lambert E. Day | .... | sound recordist | |
| Lambert E. Day | .... | sound (as Lambert Day) | |
| Russell Malmgren | .... | sound effects editor | |
| Russell Malmgren | .... | sound re-recording mixer | |
Special Effects by | |||
| Lawrence W. Butler | .... | miniatures | |
| Donald C. Glouner | .... | matte paintings camera | |
Camera and Electrical Department | |||
| Irving Klein | .... | assistant camera | |
| Ned Scott | .... | still photographer (uncredited) | |
Music Department | |||
| Marlin Skiles | .... | musical director | |
| Morris Stoloff | .... | musical director (as M.W. Stoloff) | |
| Edwin Wetzel | .... | music mixer | |
| George Duning | .... | composer: stock music (uncredited) | |
| Arthur Morton | .... | orchestrator (uncredited) | |
| Victor Schertzinger | .... | composer: stock music (uncredited) | |
Other crew | |||
| Juanita L. Bell | .... | research director | |
| Jack Cole | .... | choreographer | |
| Norman Deming | .... | assistant to producer | |
| Thelma Hoover | .... | research director | |
| Robert Board | .... | stand-in (uncredited) | |
| Peter Ford | .... | photographic model: Johnny as a baby (uncredited) | |
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| The Bad and the Beautiful | Gone with the Wind | The Good Earth | Deadly Is the Female | Heavenly Creatures |
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Rita Hayworth positively sizzles as Gilda in this film-noir classic. From her initial hair-tossing scene to her near striptease while she sings "Put the Blame on Mame," Hayworth is captivating and more than convincing as the object of every man's desires. However, beyond the overtly heterosexual lures of Ms. Hayworth lurks a complex and ambiguous romantic triangle that provides more intrigue than the surface plot, which involves a gambling casino that is a front for shady operations that originated in a recently defeated, Fascist country.
Hayworth may either be the intruding wedge that comes between Glenn Ford and George Macready or the object of both men's romantic interests. From the initial meeting between Ford as two-bit gambler Johnny Farrell and Macready as Ballin Mundson the casino owner, an ambiguous, possibly homo-erotic, attraction is established between the two men. The lingering looks that they exchange can be read in several ways, but Bogie never looked into Cagney's eyes like Ford looks into Macready's. After Ford begins to work for Macready, his devoted care and slavish attention to his boss's needs exceed the bounds of employee and employer. When Hayworth moves into Macready's home as his new wife, Ford returns the key to the house as though he were a jilted lover. Ford's increasing jealousy becomes apparent after Hayworth's arrival on the scene, but it is unclear of whom he is jealous, Hayworth or Macready or possibly both. Perhaps Ford's character is as unsure of his own feelings as is the viewer, which makes the ambiguity even more intriguing. Macready's jealousy also grows as the heat between Ford and Hayworth intensifies, but, again, it is ambiguous of whom he is jealous.
With a dazzling performance by Hayworth, excellent black-and-white photography by Rudoph Mate, fine direction by Charles Vidor, and layers of psychological possibilities to ponder, "Gilda" is as golden as its title suggests.