Duel in the Sun (1946)

Director:

King Vidor
(more)

Writers:

Niven Busch (novel)
Oliver H.P. Garrett (adaptation)
(more)

Release Date:

8 December 1948 (Sweden)

Genre:

Drama | Romance | Western

Tagline:

Emotions . . . As Violent As The Wind-Swept Prairie !

Plot:

Beautiful half-breed Pearl Chavez becomes the ward of her dead father's first love and finds herself torn between her sons, one good and the other bad.

Plot Keywords:

Half Breed | Lovers | Shooting | Texas | Medallion

Awards:

Nominated for 2 Oscars.

Cast

Jennifer Jones	...	Pearl Chavez
Joseph Cotten	...	Jesse McCanles
Gregory Peck	...	Lewton 'Lewt' McCanles
Lionel Barrymore	...	Sen. Jackson McCanles
Herbert Marshall	...	Scott Chavez
Lillian Gish	...	Laura Belle McCanles
Walter Huston	...	The Sinkiller
Charles Bickford	...	Sam Pierce
Harry Carey	...	Lem Smoot
Joan Tetzel	...	Helen Langford
Tilly Losch	...	Mrs. Chavez
Butterfly McQueen	...	Vashti
Scott McKay	...	Sid
Otto Kruger	...	Mr. Langford
Sidney Blackmer	...	The Lover
Charles Dingle	...	Sheriff Hardy
Griff Barnett	...	The Bordertown Jailer
Lane Chandler	...	Fence-Line Cavalry Captain
Tom Dillon	...	Train Engineer (as Thomas Dillon)
Robert McKenzie	...	Bartender Zeke
Lloyd Shaw	...	Barbecue Dance Caller
Frank Cordell	...	Sid
Dan White	...	Ed, the Wrangler
rest of cast listed alphabetically:
Hank Bell	...	McCanles Ranch Hand (uncredited)
Johnny Bond	...	Cowhand at Barbecue (uncredited)
Tex Cooper	...	Square Dancer (uncredited)
Steve Dunhill	...	Jake (uncredited)
Si Jenks	...	Dance-Floor Cowboy (uncredited)
Victor Kilian	...	Gambler (uncredited)
Kermit Maynard	...	Barfly (uncredited)
Francis McDonald	...	Gambler (uncredited)
Lee Phelps	...	Train Fireman (uncredited)
Rose Plumer	...	Dancer (uncredited)
Bert Roach	...	Barbecue Guest (uncredited)
Al Taylor	...	Cowboy at Barbecue (uncredited)
Orson Welles	...	Narrator (voice) (uncredited)
Guy Wilkerson	...	Dance-Floor Cowboy (uncredited)
Hank Worden	...	Dance- Floor Cowboy (uncredited)

Directed by
King Vidor
Otto Brower		(uncredited)
William Dieterle		(uncredited)
Sidney Franklin		(uncredited)
William Cameron Menzies		(uncredited)
David O. Selznick		(uncredited)
Josef von Sternberg		(uncredited)

Writing credits
Niven Busch		(novel)
Oliver H.P. Garrett		adaptation &
David O. Selznick		screenplay
Ben Hecht		uncredited

Produced by
David O. Selznick	....	producer (uncredited)

Original Music by
Dimitri Tiomkin

Cinematography by
Lee Garmes
Ray Rennahan		(director of photography)
Harold Rosson		(as Hal Rosson)

Production Design by
J. McMillan Johnson

Art Direction by
James Basevi

Production Management
Fred Ahern	....	assistant production manager (uncredited)
Glenn Cook	....	unit manager (uncredited)
Richard Johnston	....	production manager (uncredited)
William McGarry	....	unit manager (uncredited)
Argyle Nelson	....	production manager (uncredited)

Second Unit Director or Assistant Director
Otto Brower	....	second unit director
B. Reeves Eason	....	second unit director (as Reaves Eason)
Lowell J. Farrell	....	assistant director
Harvey Dwight	....	assistant director (uncredited)
Chester M. Franklin	....	second unit director (uncredited)

Art Department
John Ewing	....	associate art director
Emile Kuri	....	interior decorator
John Brent	....	property master (uncredited)
Arden Cripe	....	assistant property master (uncredited)
Roy McLaughlin	....	greensman (uncredited)
Fred Widdowson	....	property master (uncredited)

Sound Department
Richard DeWeese	....	sound recordist (as Richard De Weese)
James G. Stewart	....	sound director
Charles L. Freeman	....	sound effects editor (uncredited)

Special Effects by
Clarence Slifer	....	special effects

Visual Effects by
Jack Cosgrove	....	special photographic effects (uncredited)
Robert Hansard	....	chief effects projectionist (uncredited)

Stunts
Richard Farnsworth	....	stunts (uncredited)

Camera and Electrical Department
Charles P. Boyle	....	additional photographer
Raymond Bahns	....	key grip (uncredited)
Allen M. Davey	....	additional cinematographer (uncredited)
Homer Plannette	....	gaffer (uncredited)
Morris Rosen	....	key grip (uncredited)
Cliff Shirpser	....	assistant camera: Technicolor (uncredited)

Costume and Wardrobe Department
Harry Apperson	....	master drapes (uncredited)

Editorial Department
John Faure	....	associate film editor
Hal C. Kern	....	supervising film editor
William H. Ziegler	....	associate film editor (as Wm. Ziegler)
Noel Coppleman	....	assistant editor (uncredited)
Wayland M. Hendry	....	assistant editor (uncredited)

Music Department
Dimitri Tiomkin	....	conductor
Lucien Cailliet	....	orchestrator (uncredited)
Herschel Burke Gilbert	....	orchestrator (uncredited)
Jester Hairston	....	choral director (uncredited)
Paul Marquardt	....	orchestrator (uncredited)
Joseph Nussbaum	....	orchestrator (uncredited)
George Parrish	....	orchestrator (uncredited)
David Tamkin	....	orchestrator (uncredited)

Other crew
Natalie Kalmus	....	technicolor color director
Tilly Losch	....	solo dances creator
Morgan Padelford	....	associate technicolor color director
Lydia Schiller	....	scenario assistant
David O. Selznick	....	presenter: his production in Technicolor of
Lloyd Shaw	....	group dances
Adele Cannon	....	script clerk (uncredited)
Joel Freeman	....	production clerk (uncredited)
Ann Harris	....	researcher (uncredited)
Paul MacNamara	....	publicity director (uncredited)
Ralph McCutcheon	....	horse trainer (uncredited)
Donna M. Norridge	....	script clerk (uncredited)
Agnes Pottage	....	script clerk (uncredited)

Production Companies

• Vanguard Films (for) (uncredited)
• Selznick Studio, The

Distributors

• Selznick Releasing Organization (1946) (USA) (theatrical)
• Schorcht Filmverleih Gmbh (1952) (West Germany) (theatrical)
• Selznick Releasing Organization (1960) (USA) (theatrical) (re-release)
• Emerald (2006) (Argentina) (DVD)
• Anchor Bay Entertainment (USA) (DVD)
• Playhouse Home Video (????) (USA) (video)

Also Known As:

King Vidor's Duel in the Sun (UK) (complete title) (USA) (complete title)

Runtime:

USA:144 min (roadshow version) | USA:129 min

Country:

USA

Language:

English

Color:

Color (Technicolor)

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono (Western Electric Recording)

Certification:

Australia:PG | Iceland:12 | USA:Approved (PCA #11649) | West Germany:16 (nf) | Finland:K-16 | Spain:13 | Sweden:15 | UK:PG (video rating) (1986) | UK:A (original rating)

Filming Locations:

Arizona, USA

Company:

Vanguard Films

Trivia:

David O. Selznick reportedly spent $2,000,000.00, an unheard of sum in 1946, on the promotion of this film.

Quotes:

Pearl Chavez: Trash, trash, trash, trash, trash...

Movie Connections:

Featured in "Biography: Jennifer Jones: Portrait of a Lady" (2001)

Soundtrack:

Cowboy's Dream (My Bonnie Lies Over the Ocean)

She's a good girl that Pearl

David O. Selznick spent the rest of his life trying to top Gone With the Wind. What other mountains did he have to climb after making the most acclaimed motion picture ever?

In addition he had another obsession, his second wife Jennifer Jones. He was going to make her the greatest leading lady in the history of film.

Well he didn't succeed at either, but it wasn't for lack of trying. Jones herself was in a peculiar position similar to her husband's. She got an Oscar for her first feature film after she changed her name from Phyllis Isley to Jennifer Jones. Selznick knew that she couldn't play saints all her life as she did in The Song of Bernadette. So for this western answer to Gone With the Wind as Pearl Chavez she plays about as opposite a character from Bernadette Soubirous as you can get.

Duel in the Sun got mixed reviews by the critics, but the public ate it up. It's the story of the McCanless family, parents Lionel Barrymore and Lillian Gish and sons Joseph Cotten and Gregory Peck. Cotten is the good son, Peck the bad one. In fact as Lewt McCanless Peck played his worst character until Josef Mengele in Boys from Brazil.

A kissing cousin of there's Jennifer Jones comes to live with them. She's the offspring of an old beau of Lillian's, Herbert Marshall and the Indian wife he ran off with back in the day. Lillian and Herbert were kissing cousins also.

As Pearl Chavez, Jen gets the McCanless boys testosterone going into overdrive. Take one look at her and you can hardly blame them.

One of the not so hidden subtexts of Duel in the Sun is racism. Jennifer's good for a quick roll in the hay, but marriage is out of the question, at least for Gregory Peck. Barrymore's and Peck's racism is overt, the others not quite so, but it's still there.

The negotiations with Louis B. Mayer for Lionel Barrymore must have been interesting. Selznick's former wife was Irene Mayer, Louis's daughter.

One thing with Selznick, he spared no expense. He got the best in talent for this film. Dimitri Tiomkin did the score, King Vidor the direction, Ray Rennahan the color photography which is absolutely stunning.

He even got Bing Crosby to record Gotta Get Me Somebody to Love with Les Paul's guitar. Peck sang it in the film, Crosby's record sold a few platters.

He even got Orson Welles to do the offscreen narration if you don't recognize that voice.

It misses being a classic mainly because Selznick couldn't keep his hands off it. Sometimes the acting is about as subtle as a sledgehammer from all the performers. I'm willing to bet it's Selznick more than Vidor.

Yet it's good entertainment and Duel in the Sun does have its moments.