The Lost Weekend
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  • The first film featuring a "theremin" on the soundtrack - a musical instrument which produces a strange "wailing" sound that later became familiar to 1950s science-fiction film audiences. Miklós Rózsa used it in composing the score for the nightmare sequences.

  • The outdoor filming was done in New York City and the interiors were done in Hollywood. The latter included an exact duplicate of a Third Avenue bar, P.J. Clarke's, on Stage 5 at Paramount Pictures, complete down to the dusty stuffed cat on the top of the payphone. Ray Milland, who starred in the film, tells that for one week every afternoon at five o'clock the door of the set would open, a man would walk up to the bar (whether filming was going on or not), order a straight bourbon, chat about the weather, plunk down fifty cents, and stroll out. It was the writer Robert Benchley, who was homesick for New York.

  • Billy Wilder claimed the liquor industry offered Paramount $5 million to not release the film; he also suggested that he would have accepted, had they offered it to him.

  • Cary Grant and José Ferrer were candidates for the lead role.

  • Paramount were very nervous about releasing a film with such an adult theme and very nearly buried it when it didn't do too well with preview audiences. Ultimately, of course, it went on to become a major hit and Academy Award winner.

  • Studio advisers warned Ray Milland that this would be the death of his career. Milland himself was initially reluctant to take the part, as it had been turned down by many other leading actors of the day. However, Paramount was convinced that the only way they could sell such a film was with a matinée idol in the lead. Billy Wilder acquiesced to this only when it became clear that his first choice, José Ferrer, would not land the part.

  • This was the first time that any film crews had been given permission to film in Bellevue Hospital.

  • In 1944 Billy Wilder was traveling from New York to Hollywood by train and stopped off at the Chicago train station to buy some reading matter for the journey. One of these books was "The Lost Weekend". By the time he'd reached Hollywood, Wilder knew this would make the ideal basis for his next film.

  • Paramount paid $50,000 for the rights to Charles R. Jackson's novel.

  • Upon completion, Billy Wilder confidently predicted that Ray Milland would win an Oscar for his performance. He was right.

  • To prepare for the part, Ray Milland spent one night in Bellevue Hospital as a patient. He also stopped eating as much, as most alcoholics forget to do so.

  • As well as the alcohol industry badgering Paramount Pictures into not releasing the film, the studio was also besieged by temperance groups lobbying that the film shouldn't be released, as it would only encourage drinking. It was released on a limited engagement at Billy Wilder's behest. Reviewers fell all over themselves in their praise of it, thus prompting Paramount to take the plunge and give it a wide release.

  • During Don Birnam's flashback to the opera, the piece that is being sung on stage is the "Drinking Song" from La Traviata.

  • Earle Hyman began his fifty-plus year career as a 17-year-old extra in this film.

  • When Don Birnam searches for a pawn shop to hock his typewriter, the Third Ave Elevated is in the background. The last train on the "el" ran May 12,1955 and the structure was torn down later that year.

  • Premiere voted this movie as one of "The 25 Most Dangerous Movies".

  • The original novel the film is based on has the character referring to a homosexual affair, but the script was changed so that the main character was suffering from writers block.

  • One of over 700 Paramount Productions, filmed between 1929 and 1949, which were sold to MCA/Universal in 1958 for television distribution, and have been owned and controlled by Universal ever since.

  • Don quotes twice from William Shakespeare when he is in Nat's bar. The first quote "Purple the sails, and so perfumed ... " is from Antony and Cleopatra: Act II, Scene 2. The second "Yea, all which it shall inherit ..." is from The Tempest, Act IV, Scene 1.

  • Henry Luce was a co-founder of "Time" magazine, and remained its editor-in-chief until 1964.

  • The only film to win both an Academy Award for Best Picture and the Cannes Film Festival Grand Prix du Festival International Film.


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