| Lon Chaney Jr. | ... | Kharis (as Lon Chaney) | |
| Peter Coe | ... | Dr. Ilzor Zandaab | |
| Virginia Christine | ... | Princess Ananka | |
| Kay Harding | ... | Betty Walsh | |
| Dennis Moore | ... | Dr. James Halsey | |
| Martin Kosleck | ... | Ragheb | |
| Kurt Katch | ... | Cajun Joe | |
| Addison Richards | ... | Pat Walsh | |
| Holmes Herbert | ... | Dr. Cooper | |
| Charles Stevens | ... | Achilles | |
| William Farnum | ... | Michael, the Sacristan | |
| Napoleon Simpson | ... | Goobie | |
| rest of cast listed alphabetically: | |||
| Eddie Abdo | ... | Pierre (uncredited) | |
| Nina Bara | ... | Young Cajun woman in Cafe (uncredited) | |
| Budd Buster | ... | Cajun with pipe at bar (uncredited) | |
| Ann Codee | ... | Tante Berthe (uncredited) | |
| James Crane | ... | The Pharoah in flashback (archive footage) (uncredited) | |
| Heenan Elliott | ... | Construction worker (uncredited) | |
| Al Ferguson | ... | Construction worker (uncredited) | |
| Herbert Heywood | ... | Hill (uncredited) | |
| Boris Karloff | ... | Kharis in flashback, bandaging sequence (archive footage) (uncredited) | |
| Jack Lorenz | ... | Bulldozer driver (uncredited) | |
| Tony Santaro | ... | Ulysses (uncredited) | |
| Hector Sarno | ... | Cajun in Cafe (uncredited) | |
| Tom Tyler | ... | Kharis in flashback (archive footage) (uncredited) | |
Directed by | |||
| Leslie Goodwins | |||
Writing credits | ||
| Leon Abrams | (story) and | |
| Dwight V. Babcock | (story) | |
| Bernard Schubert | (writer) | |
| Oliver Drake | writer | |
| Ted Richmond | story (as T.H. Richmond) | |
Produced by | |||
| Oliver Drake | .... | associate producer | |
| Ben Pivar | .... | executive producer | |
Original Music by | |||
| William Lava | (uncredited) | ||
| Paul Sawtell | (uncredited) | ||
Cinematography by | |||
| Virgil Miller | |||
Film Editing by | |||
| Fred R. Feitshans Jr. | |||
Art Direction by | |||
| John B. Goodman | |||
| Martin Obzina | |||
Set Decoration by | |||
| Victor A. Gangelin | |||
| Russell A. Gausman | |||
Costume Design by | |||
| Mal Caplan | |||
Makeup Department | |||
| Joe Bonner | .... | makeup artist | |
| Joe Hadley | .... | makeup artist (uncredited) | |
| Millissa Irwin | .... | hair stylist (uncredited) | |
| Jack P. Pierce | .... | makeup artist (uncredited) | |
Second Unit Director or Assistant Director | |||
| Joseph E. Kenney | .... | assistant director (uncredited) | |
| Mack V. Wright | .... | assistant director (uncredited) | |
Art Department | |||
| Eddie Cane | .... | property master (uncredited) | |
| Ernie Smith | .... | property master (uncredited) | |
Sound Department | |||
| Bernard B. Brown | .... | sound director | |
| Robert Pritchard | .... | sound technician | |
| Asa Artman | .... | boom operator (uncredited) | |
| Agee Kemp | .... | sound recordist (uncredited) | |
Special Effects by | |||
| John P. Fulton | .... | special effects | |
| Joe McGee | .... | special effects (uncredited) | |
Stunts | |||
| Carey Loftin | .... | stunts (uncredited) | |
| Teddy Mangean | .... | stunts (uncredited) | |
| Bob Pepper | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Charles Cowie | .... | first grip | |
| Charles Sheehan | .... | second grip | |
| Ray Fitzgerald | .... | best boy (uncredited) | |
| Frank Heisler | .... | assistant camera (uncredited) | |
| Lloyd Hill | .... | gaffer (uncredited) | |
Costume and Wardrobe Department | |||
| Molly Cook | .... | wardrobe: women (uncredited) | |
| Vera West | .... | costumer (uncredited) | |
Music Department | |||
| Paul Sawtell | .... | musical director | |
| Charles Previn | .... | composer: stock music (uncredited) | |
| Hans J. Salter | .... | composer: stock music (uncredited) | |
| Frank Skinner | .... | composer: stock music (uncredited) | |
| Dimitri Tiomkin | .... | composer: stock music (uncredited) | |
Other crew | |||
| Lee Frederic | .... | script clerk (uncredited) | |
| Louis Herman | .... | dialogue director (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| IMDb Horror section | IMDb USA section | Add this title to MyMovies |
By this time the Kharis series was out of ideas. In the last movie Kharis & his princess submerged into a new england swamp. As usual with the Universal programmers that was ignored and we are shifted to Louisiana.Once again Kharis wants to be reunited with his loved one.AGAIN!
The acting is decent while Kosleck gives a very slimy performance as a perverted Kharis follower.Chaney isn't given much except to stumble around and do some one armed strangling.The sets are nicely done as well. The scene where the princess breaks out of the ground is excellent.
The characters are cardboard and there is some offensive racial stereotyping typical of the 40's.What I want to know is why don't folks run from Kharis? He moves like a tortoise. Dance around the walking ragpile, grab a torch and roast marshmellows with him.He's thousands of years old! He'll go up in a heartbeat.
This movie doesn't require or deserve a lot of thought.It clocks in at 59 minutes so if you have an hour to kill it won't hurt you.Average.