| Photos (see all 12 | slideshow) | Videos |
| Tallulah Bankhead | ... | Connie Porter | |
| William Bendix | ... | Gus | |
| Walter Slezak | ... | Willy | |
| Mary Anderson | ... | Alice MacKenzie | |
| John Hodiak | ... | Kovac | |
| Henry Hull | ... | Rittenhouse | |
| Heather Angel | ... | Mrs.Higley | |
| Hume Cronyn | ... | Sparks | |
| Canada Lee | ... | Joe | |
| rest of cast listed alphabetically: | |||
| William Yetter Jr. | ... | German Sailor (uncredited) | |
Directed by | |||
| Alfred Hitchcock | |||
Writing credits | ||
| John Steinbeck | (by) | |
| Jo Swerling | (screenplay) | |
| Ben Hecht | uncredited | |
| Alfred Hitchcock | story idea (uncredited) | |
Produced by | |||
| Alfred Hitchcock | .... | producer (as Alfred Hitchcock's production) | |
| Kenneth Macgowan | .... | producer | |
| William Goetz | .... | executive producer (uncredited) | |
| Darryl F. Zanuck | .... | executive producer (uncredited) | |
Original Music by | |||
| Hugo Friedhofer | (as Hugo W. Friedhofer) | ||
Cinematography by | |||
| Glen MacWilliams | (director of photography) | ||
| Arthur C. Miller | (director of photography) (uncredited) | ||
Film Editing by | |||
| Dorothy Spencer | |||
Art Direction by | |||
| James Basevi | |||
| Maurice Ransford | |||
Set Decoration by | |||
| Thomas Little | |||
Costume Design by | |||
| René Hubert | (costumes) (as Rene Hubert) | ||
Makeup Department | |||
| Guy Pearce | .... | makeup artist | |
Production Management | |||
| R.L. Hough | .... | production manager (uncredited) | |
| Ben Silvey | .... | unit production manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Saul Wurtzel | .... | assistant director (uncredited) | |
Art Department | |||
| Frank E. Hughes | .... | associate set decorator | |
Sound Department | |||
| Bernard Freericks | .... | sound | |
| Roger Heman Sr. | .... | sound (as Roger Heman) | |
Special Effects by | |||
| Fred Sersen | .... | special photographic effects | |
| Edwin Hammeras | .... | special photographic effects (uncredited) | |
| James Curtis Havens | .... | background (uncredited) | |
Camera and Electrical Department | |||
| Harry Jackson | .... | location camera (uncredited) | |
| Paul Lockwood | .... | camera operator (uncredited) | |
Costume and Wardrobe Department | |||
| Sam Benson | .... | wardrobe (uncredited) | |
Music Department | |||
| Emil Newman | .... | musical direction | |
Other crew | |||
| Thomas Fitzsimmons | .... | technical advisor: National Maritime Unioin | |
| Queenie Leonard | .... | dialogue coach (uncredited) | |
| Eugen Sharin | .... | dialogue coach (uncredited) | |
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"Lifeboat" is an excellent film. It is a great achievement by Alfred Hitchcock that he could create a film set on only a lifeboat interesting for its duration. Hitchcock had a knack for experimental films, such as "Rope", which seems to be one continuous shot, and "Rear Window", which features one small apartment and a man in a wheel chair. With so little, he is always able to do so much.
In "Lifeboat", we start out with the sinking of a ship and people gathering on the lifeboat. It's really that simple. This is a character driven film. There are no lush chase sequences, there are no gunfights, there is no mystery. Nope, its all about how this collection of characters interact with each other. Its a study of how difference of opinion can creat tensions, and how people can deal with those tensions. Its really fascinating to watch, and when its all said and done, you get the impression that it wasn't just an experiment, but that it had something to say, and it did.
The only slight flaw in the film is that we don't really get a sense of how long(exactly)they've been at sea. I "Cast Away" we saw Tom Hanks lost a considerable amount of weight and grow a considerable amount of hair. Well, that is the one thing you don't see with this movie. Its really a minor quibble anyway because it doesn't diminish the entertainment value at all.
Hitchcock was the master of suspense, but he was never afraid to try other things, from screwball comedy(Mr. and Mrs.Smith) to psychological thrillers(Vertigo). This film is definitely one of his best and most interesting experiments. 9 out of 10.