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Gaslight (1944)
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Overview
User Rating:
Director:
Writers:
Release Date:
11 May 1944 (USA)
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Tagline:
Strange drama of a captive sweetheart! more
Plot:
Paula's aunt Alice Alquist, a famous entertainer, is murdered in her home. Paula, who lives with her aunt finds the body...
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| full synopsis
Plot Keywords:
Awards:
Won 2 Oscars.
Another 1 win
&
5 nominations
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NewsDesk:
(5 articles)
The Picture of Dorian Gray (1945) | Review
(From SmellsLikeScreenSpirit. 19 July 2009, 6:34 PM, PDT)
Festival of Preservation 2009: Joan Bennett, Michael Redgrave, William Powell, Fay Wray, William Desmond Taylor
(From Alternative Film Guide. 4 April 2009, 2:08 PM, PDT)
(From SmellsLikeScreenSpirit. 19 July 2009, 6:34 PM, PDT)
Festival of Preservation 2009: Joan Bennett, Michael Redgrave, William Powell, Fay Wray, William Desmond Taylor
(From Alternative Film Guide. 4 April 2009, 2:08 PM, PDT)
User Comments:
Victorian London setting makes for chilly atmosphere...
more (80 total)
Cast
(Complete credited cast)| Charles Boyer | ... | Gregory Anton | |
| Ingrid Bergman | ... | Paula Alquist | |
| Joseph Cotten | ... | Brian Cameron | |
| Dame May Whitty | ... | Miss Bessie Thwaites | |
| Angela Lansbury | ... | Nancy Oliver | |
| Barbara Everest | ... | Elizabeth Tompkins | |
| Emil Rameau | ... | Maestro Mario Guardi | |
| Edmund Breon | ... | Gen. Huddleston | |
| Halliwell Hobbes | ... | Mr. Muffin | |
| Tom Stevenson | ... | Williams | |
| Heather Thatcher | ... | Lady Dalroy | |
| Lawrence Grossmith | ... | Lord Dalroy | |
| Jakob Gimpel | ... | Pianist | |
| rest of cast listed alphabetically: | |||
| Gary Gray | ... | Boy in Park with Nanny | |
| Terry Moore | ... | Paula Alquist - Age 14 (as Judy Ford) | |
Additional Details
Also Known As:
Murder in Thornton Square (UK)
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Parents Guide:
Runtime:
114 min
Country:
Language:
Color:
Aspect Ratio:
1.37 : 1 more
Sound Mix:
Mono (Western Electric Sound System)
Certification:
Netherlands:6 |
Australia:PG |
Finland:K-16 |
Germany:12 |
Spain:T |
Sweden:15 |
UK:PG |
USA:Approved (certificate #9800)
Filming Locations:
Company:
Fun Stuff
Trivia:
The sets are deliberately overfilled with bric-a-brac to emphasize Paula's increasing sense of claustrophobia.
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Goofs:
Continuity: The mark left on the wallpaper by the missing picture is portrait shaped. When Paula Anton finds the picture it is clearly a landscape.
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Quotes:
Gregory Anton:
I knew from the first moment I saw you that you were dangerous to me.
Brian Cameron: I knew from the first moment I saw you that you were dangerous to her.
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Brian Cameron: I knew from the first moment I saw you that you were dangerous to her.
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Movie Connections:
Featured in Reflections on 'Gaslight' (2003) (V)
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Soundtrack:
Ballade No. 1 in G minor, Op. 23
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FAQ
Is "Gaslight" based on a novel?How did Paula and Gregory meet?
What were the two piano pieces that were played at Lady Dalroy's party?
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more (80 total)
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The only bright note in 'Gaslight' is whenever Dame May Whitty pops in for a scene or two as a gossipy old lady who knows about that mysterious old house. Otherwise, this is an absorbing psychological thriller that takes itself a little too seriously--a few more touches of dry humor (the kind Alfred Hitchcock would have supplied) are missing from this George Cukor production. His meticulous, somewhat fussy attention to every little detail of sets and costumes softens the suspense.
Based on a stage play called "Angel Street", it shows its stage origins with mostly interior scenes of Bergman slowly being driven mad by a husband who is searching for jewels in the attic. Charles Boyer is debonair and smooth enough as the husband. His final confrontation scene with Bergman, where she decides to torment him and string him along to exact her own revenge, is highly satisfactory. Bergman really shows complete understanding of her character and deserved her Oscar for Best Actress. Angela Lansbury makes an auspicious film debut, looking very confident indeed as a saucy Cockney maid.
The only flaws are the slow pace and the casting of Joseph Cotten as the Scotland Yard detective. Cotten's role is just a peripheral one and too bland to sustain any interest. Nor does he even attempt a British accent. For Bergman fans, this is definitely a must see!
Given this sort of material, I can't help thinking it would have been a tighter and more suspenseful film if directed by someone like Alfred Hitchcock.