| Bette Davis | ... | Sara Muller | |
| Paul Lukas | ... | Kurt Muller | |
| Geraldine Fitzgerald | ... | Marthe de Brancovis | |
| Lucile Watson | ... | Fanny Farrelly | |
| Beulah Bondi | ... | Anise | |
| George Coulouris | ... | Teck de Brancovis | |
| Donald Woods | ... | David Farrelly | |
| Henry Daniell | ... | Phili Von Ramme | |
| Eric Roberts | ... | Bodo | |
| Donald Buka | ... | Joshua | |
| Anthony Caruso | ... | Italian Man | |
| Helmut Dantine | ... | Young Man | |
| Clyde Fillmore | ... | Sam Chandler | |
| Erwin Kalser | ... | Dr. Klauber | |
| Kurt Katch | ... | Herr Blecher | |
| Clarence Muse | ... | Horace | |
| Frank L. Wilson | ... | Joseph (as Frank Wilson) | |
| Janis Wilson | ... | Babette | |
| Mary Young | ... | Mrs. Mellie Sewell | |
| Rudolph Anders | ... | Oberdorff (as Robert O. Davis) | |
| rest of cast listed alphabetically: | |||
| Robert Fischer | ... | German ambassador (as Robert C. Fischer) | |
| Leah Baird | ... | Miss Drake (uncredited) | |
| Joseph E. Bernard | ... | Trainman (uncredited) | |
| Glen Cavender | ... | German Embassy Servant (uncredited) | |
| Herma Cordova | ... | Woman (uncredited) | |
| Elvira Curci | ... | Italian woman (uncredited) | |
| Jean De Briac | ... | Mr. Chabeuf (uncredited) | |
| Joseph DeVillard | ... | Spanish General (uncredited) | |
| Gretl Dupont | ... | Woman (uncredited) | |
| Michele Fehr | ... | Baby (uncredited) | |
| Bess Flowers | ... | Embassy Party Guest (uncredited) | |
| Creighton Hale | ... | Chauffeur (uncredited) | |
| Alan Hale Jr. | ... | Boy (uncredited) | |
| Howard C. Hickman | ... | Cyrus Penfield (uncredited) | |
| Violett McDowell | ... | Belle (uncredited) | |
| Edmund Mortimer | ... | German Embassy Ball Guest (uncredited) | |
| Jack Mower | ... | Trainman (uncredited) | |
| Wedgwood Nowell | ... | American Diplomat (uncredited) | |
| Garry Owen | ... | Taxi Driver (uncredited) | |
| Frank Reicher | ... | Admiral (uncredited) | |
| Walter O. Stahl | ... | German Embassy Butler (uncredited) | |
| Hans Tanzler | ... | German Diplomat (uncredited) | |
| Hans von Morhart | ... | German (uncredited) | |
| William Washington | ... | Doc (uncredited) | |
Directed by | |||
| Herman Shumlin | |||
| Hal Mohr | (uncredited) | ||
Writing credits | ||
| Lillian Hellman | (play) | |
| Dashiell Hammett | writer and | |
| Lillian Hellman | additional scenes and dialogue | |
Produced by | |||
| Hal B. Wallis | .... | producer | |
Original Music by | |||
| Max Steiner | |||
Cinematography by | |||
| Merritt B. Gerstad | (as Merritt Gerstad) | ||
| Hal Mohr | |||
Film Editing by | |||
| Rudi Fehr | |||
Art Direction by | |||
| Carl Jules Weyl | |||
Set Decoration by | |||
| Julia Heron | |||
Costume Design by | |||
| Orry-Kelly | |||
Makeup Department | |||
| Perc Westmore | .... | makeup artist | |
Second Unit Director or Assistant Director | |||
| Richard Maybery | .... | assistant director (as Richard Mayberry) | |
Sound Department | |||
| Dolph Thomas | .... | sound | |
Special Effects by | |||
| Edwin B. DuPar | .... | special effects | |
| John Holden | .... | special effects director | |
Music Department | |||
| Leo F. Forbstein | .... | musical director | |
| Hugo Friedhofer | .... | orchestral arrangements | |
Other crew | |||
| Edward A. Blatt | .... | dialogue director (as Edward Blatt) | |
| Peter Pohlenz | .... | technical advisor | |
|
|
|
|
|
| NaPolA | Die Stille nach dem Schuß | The Life and Death of Colonel Blimp | Margin for Error | Casablanca |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb USA section | Add this title to MyMovies |
Lillian Hellman, one of America's most famous women playwrights, was a woman with a mission. Her leftist views were not well regarded at the time in the country. In her memoir, she recounts her trip to the then, Soviet Union, as she was intrigued with the so called successes achieved by that system. "Watch on the Rhine" must have come as a result of those years. The left wing in America, as all over the world had an issue with the rise of fascism, not only in Europe, but in Japan as well.
"Watch on the Rhine" was a play produced on Broadway eight months before the Pearl Harbor attack by the Japanese. In it Ms. Hellman was heralding America's entrance in World War II. The adaptation is credited to Ms. Hellman and Dashiell Hammett, her long time companion. As directed for the screen by Herman Shumlin, the film was well received when it premiered in 1943.
We are introduced to the Muller family, when the film opens. They are crossing the border to the United States from Mexico. They are to continue toward Mrs. Muller's home in Washington, D.C., where her mother, Fanny Farrelly, is a minor celebrity hostess. The Mullers, we realize are fleeing Europe because of the persecution there against the opponents of the advancing totalitarian regime in Germany. In fact, we thought, in a way, the Mullers could have been better justified if they were Jewish, fleeing from a sure extermination.
We find out that Mr. Muller has had a terrible time in his native land, as well as in other places because his outspokenness in denouncing Fascim. Little does he know that he is coming to his mother-in-law's house that is housing one of the worst exponents of that philosophy.
The film offers excellent acting all around. It is a curiosity piece because of Bette Davis' supporting role. Paul Lukas, repeating his Broadway role, is quite convincing as Kurt Muller, the upright man that wants to make a better world for himself and his family. Mr. Lukas does a great job portraying Kurt Muller, repeating the role that made him a stage luminary on Broadway.
The other best performance is by Lucile Watson, who plays Fanny Farrelly, the matriarch of this family. Geraldine Fitzgerald is seen as Marthe de Brancovis, a guest of the Farrellys, married to the contemptible Teck de Brancovis, a Nazi sympathizer, played by George Coulouris. Beulah Bondi, Donald Woods, and the rest of the supporting cast give good performances guided by Mr. Shumlin.
The film should serve as a reminder about the evils of totalitarian rule, no matter where.