Shadow of a Doubt (1943)

Director:

Alfred Hitchcock

Writers:

Thornton Wilder (screenplay) &
Sally Benson (screenplay) ...
(more)

Release Date:

16 August 1943 (Sweden)

Genre:

Crime | Film-Noir | Mystery | Thriller

Tagline:

A Blast of DRAMATIC Dynamite exploded right before your eyes!

Plot:

A young woman discovers her visiting "Uncle Charlie" may not be the man he seems to be.

Plot Keywords:

Widow | Suspect | Murderer | Visit | Detective

Awards:

Nominated for Oscar. Another 1 win & 1 nomination

Cast

Teresa Wright	...	Charlotte 'Charlie' Newton
Joseph Cotten	...	Uncle Charlie Oakley
Macdonald Carey	...	Jack Graham
Henry Travers	...	Joseph Newton
Patricia Collinge	...	Emma Newton
Hume Cronyn	...	Herbie Hawkins
Wallace Ford	...	Fred Saunders
Edna May Wonacott	...	Ann Newton
Charles Bates	...	Roger Newton
Irving Bacon	...	Station Master
Clarence Muse	...	Pullman Porter
Janet Shaw	...	Waitress Louise Finch
Estelle Jewell	...	Catherine
rest of cast listed alphabetically:
Bill Bates	...	Undetermined Role (uncredited)
Virginia Brissac	...	Mrs. Phillips (uncredited)
Frances Carson	...	Mrs. Potter (uncredited)
Earle S. Dewey	...	Mr. Norton - Traffic Cop (uncredited)
Sarah Edwards	...	Doctor's Wife on Train (uncredited)
Edward Fielding	...	Doctor on Train (uncredited)
Vaughan Glaser	...	Dr. Phillips (uncredited)
Alfred Hitchcock	...	Man on Train Playing Cards (uncredited)
Ruth Lee	...	Mrs. MacCurdy (uncredited)
Eily Malyon	...	Librarian (uncredited)
John McGuire	...	Detective (uncredited)
Charles Metten	...	Teen at crosswalk (uncredited)
Shirley Mills	...	Shirley (uncredited)
Constance Purdy	...	Mrs. Martin - Landlady (uncredited)
Robert Quarry	...	Undetermined Role (uncredited)
Isabel Randolph	...	Mrs. Margaret Green (uncredited)
Grandon Rhodes	...	Rev. MacCurdy (uncredited)
Byron Shores	...	Detective (uncredited)
Edwin Stanley	...	Mr. Green - Bank President (uncredited)
Minerva Urecal	...	Mrs. Henderson - Clerk at Telegraph Office (uncredited)

Directed by
Alfred Hitchcock

Writing credits
Thornton Wilder		(screenplay) &
Sally Benson		(screenplay) &
Alma Reville		(screenplay)
Gordon McDonell		(story)

Produced by
Jack H. Skirball	....	producer

Original Music by
Dimitri Tiomkin

Cinematography by
Joseph A. Valentine		(director of photography) (as Joseph Valentine)

Film Editing by
Milton Carruth

Art Direction by
John B. Goodman

Set Decoration by
Russell A. Gausman		(as R.A. Gausman)

Second Unit Director or Assistant Director
William Tummel	....	assistant director
Ralph Slosser	....	second assistant director (uncredited)

Art Department
Robert F. Boyle	....	associate art director (as Robert Boyle)
Edward R. Robinson	....	associate set decorator (as E.R. Robinson)
Dorothea Holt	....	illustrator (uncredited)

Sound Department
Bernard B. Brown	....	sound director
Robert Pritchard	....	technician

Costume and Wardrobe Department
Adrian	....	gowns: Teresa Wright
Vera West	....	costumes

Music Department
Charles Previn	....	musical director

Other crew
Adele Cannon	....	set continuity

Thanks
Thornton Wilder	....	acknowledgment: for his contribution to the preparation of this production (as Mr. Thornton Wilder)

Production Companies

• Skirball Productions (for)
• Universal Pictures

Distributors

• Universal Pictures (1943) (USA) (theatrical)
• Filmes Alcântara (1945) (Portugal) (theatrical)
• Realart Pictures (1950) (USA) (theatrical) (re-release)
• Screen Gems (1957) (USA) (TV)
• MCA Home Video (1988) (USA) (VHS)
• MCA/Universal Home Video (1996) (USA) (VHS)
• Universal Home Entertainment (2001) (USA) (DVD)
• Universal Pictures (2001) (Germany) (DVD)
• Universal Pictures (2001) (Germany) (VHS)
• Státní Pujcovna Filmu (194?) (Czechoslovakia) (theatrical)
• MCA/Universal Home Video (USA) (laserdisc)

Other Companies

• David O. Selznick Productions Inc.  Alfred Hitchcock through the courtesy of

Also Known As:

Shadow of Doubt (USA) (poster title)

Runtime:

108 min

Country:

USA

Language:

English

Color:

Black and White

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono (Western Electric Recording)

Certification:

Canada:PG (Ontario) | Spain:13 | South Korea:15 (2004) | Brazil:14 | USA:PG (re-rating) (1984) | Argentina:16 | Australia:PG | Chile:18 | Finland:K-16 | France:U | Germany:16 | Ireland:PG | Peru:18 | Sweden:15 | UK:PG | USA:Approved (PCA #9011) (original rating) | UK:A (original rating)

Filming Locations:

904 McDonald Avenue, Santa Rosa, California, USA

Company:

Skirball Productions

Trivia:

The name of the waltz that is referred to throughout the film is "The Merry Widow Waltz".

Goofs:

Continuity: In the beginning of the film, when the landlady enters Uncle Charlie's room, he is lying on the bed with his hands crossed on his belly holding a cigar. For a moment he appears with his hands and the cigar on his chest.

Quotes:

Ann Newton: [Answering the phone] Newton's residence, Ann Newton speaking. Oh, hello Mrs Henderson, this is Ann. No, mother isn't here. A telegram? Well...
[looks right, then left]
Ann Newton: I don't see a pencil so I'll have to have her call you back. I'm trying to keep my mind free of things that don't matter because I have so much on my mind. Oh, innumerable things.

Movie Connections:

Featured in The 80th Annual Academy Awards (2008) (TV)

Soundtrack:

The Merry Widow Waltz

One of his very best - I've loved it since I was a child!

"Shadow of a Doubt" may only be listed as #181 on IMDb's "Top 250" list, but in my opinion it far outweighs some of the films higher up on that list and is one of Hitch's very best films.

Joseph Cotten plays Charlie, a crook on the run from the police. Left stranded and pursued, he decides to move in with his brother's family. His niece - who loves him and sees him as a sort of perfect role model - at first is excited that her Uncle Charlie is coming...but then things start to get strange. Charlie acts oddly and, at times, violent. She begins to become suspicious of her uncle as he becomes more suspicious of her own awareness.

The ending of "Shadow of a Doubt" is classic Hitchcock and some of the best stuff he's done. The entire film is taut and suspenseful, well-filmed and realistic. It manages to focus on family ties and the struggles within the family itself while it also juggles the whole theme of an outcast family member.

In the end, however, it's just a nail-biting thriller that - now over sixty years old - still reigns as one of the absolute best of its genre.