IMDb > The Seventh Victim (1943)
The Seventh Victim
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The Seventh Victim (1943) More at IMDbPro »

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The Seventh Victim (1943) -- MyMovieScripts.com - Trailer (Flash)
The Seventh Victim (1943) -- MyMovieScripts.com - Trailer (Flash)

Overview

User Rating:
6.9/10   1,375 votes
MOVIEmeter: ?
Up 44% in popularity this week. See why on IMDbPro.
Director:
Mark Robson
Writers:
Charles O'Neal (written by) and
DeWitt Bodeen (written by)
Contact:
View company contact information for The Seventh Victim on IMDbPro.
Release Date:
21 August 1943 (USA) more
Genre:
Drama | Horror | Thriller more
Tagline:
SLAVE to SATAN! more
Plot:
A woman in search of her missing sister uncovers a Satanic cult in New York's Greenwich Village, and finds that they may have something to do with her sibling's random disappearance. full summary | add synopsis
Awards:
1 nomination more
NewsDesk:
Speak of the Devil: The Many Faces of Cinematic Satanism
 (From IFC. 30 October 2009, 8:07 AM, PDT)

User Comments:
moody suspenseful gem worth seeking out more (60 total)

Cast

  (in credits order) (verified as complete)
Tom Conway ... Doctor Louis Judd
Jean Brooks ... Jacqueline Gibson
Isabel Jewell ... Frances Fallon

Kim Hunter ... Mary Gibson
Evelyn Brent ... Natalie Cortez
Erford Gage ... Jason Hoag, Poet
Ben Bard ... Mr. Brun
Hugh Beaumont ... Gregory Ward
Chef Milani ... Mr. Jacob Romari
Marguerita Sylva ... Mrs. Bella Romari
rest of cast listed alphabetically:
Joan Barclay ... Gladys (uncredited)
Patti Brill ... Bit (uncredited)
Wally Brown ... Durk, 'Drunk' Cult Henchman (uncredited)
Feodor Chaliapin Jr. ... Leo, 'Drunk' Cult Henchman (uncredited)
Wheaton Chambers ... Missing Girl's Father (uncredited)
Edith Conrad ... Bit (uncredited)
Kernan Cripps ... Police Officer Danny, Bureau Clerk (uncredited)
Richard Davies ... Detective (uncredited)
Lorna Dunn ... Mother (uncredited)
Edythe Elliott ... Mrs. Swift (uncredited)
Bud Geary ... Police Sergeant, Bureau Clerk (uncredited)
Barbara Hale ... Subway Passenger (uncredited)
William Halligan ... Paul Radeaux, Private Eye (uncredited)
Mary Halsey ... Bit (uncredited)
Henry Hebert ... Devil Worshipper (uncredited)
Lloyd Ingraham ... La Sagesse Watchman (uncredited)
Tiny Jones ... News Vendor (uncredited)
Milton Kibbee ... Joseph (uncredited)
Adia Kuznetzoff ... Thespian (uncredited)
Lou Lubin ... Irving August, Private Eye (uncredited)
Eve March ... Mildred Gilchrist, Highcliff Teacher (uncredited)
Howard M. Mitchell ... Cop (uncredited)
Marianne Mosner ... Miss Rowan (uncredited)
Patsy Nash ... Nancy (uncredited)
Ottola Nesmith ... Mrs. Lowood, Highcliff Headmistress (uncredited)
Mary Newton ... Esther Redi, Jacqueline's Partner (uncredited)
Norma Jean Nilsson ... Bit (uncredited)
Eileen O'Malley ... Mother (uncredited)
Charles Phillips ... Cop (uncredited)
Cyril Ring ... Devil Worshipper (uncredited)
Betty Roadman ... Mrs. Wheeler, Settlement House (uncredited)
Dewey Robinson ... Subway Conductor (uncredited)
Elizabeth Russell ... Mimi (uncredited)
Sarah Selby ... Miss Gottschalk, Librarian (uncredited)
Jameson Shade ... Swenson (uncredited)
Ann Summers ... Miss Summers, Ward's Secretary (uncredited)
Edward Thomas ... Bit (uncredited)
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Directed by
Mark Robson 
 
Writing credits
Charles O'Neal (written by) and
DeWitt Bodeen (written by)

Produced by
Val Lewton .... producer
 
Original Music by
Roy Webb 
 
Cinematography by
Nicholas Musuraca 
 
Film Editing by
John Lockert 
 
Art Direction by
Albert S. D'Agostino 
Walter E. Keller 
 
Set Decoration by
Harley Miller 
Darrell Silvera 
 
Costume Design by
Renié (gowns)
 
Second Unit Director or Assistant Director
William Dorfman .... assistant director
 
Sound Department
John C. Grubb .... sound recordist
Terry Kellum .... sound (uncredited)
James G. Stewart .... sound (uncredited)
 
Music Department
C. Bakaleinikoff .... musical director
 
Crew verified as complete


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Additional Details

Also Known As:
The 7th Victim (USA) (promotional title)
more
Runtime:
71 min
Country:
USA
Language:
English
Aspect Ratio:
1.37 : 1 more
Sound Mix:
Mono (RCA Sound System)
Certification:
Australia:M | Finland:K-16 (1986) | USA:Approved (PCA #9370)

Fun Stuff

Trivia:
The original story for the film (outlined by DeWitt Bodeen) was to be about an orphaned heroine caught in a web of murder against a background of the Signal Hills oil wells. If she didn't find out the killer's identity in time, she would become his seventh victim. Producer Val Lewton wanted the story to go in a different direction and called in a second writer to help reshape it. more
Goofs:
Factual errors: In the beginning of the movie we see a quote from John Donne. "I run from death, and death meets me as fast, And all my pleasures are like yesterday." The movie attributes the quote to John Donne's Holy Sonnet #7. But it is actually from Holy Sonnet #1. more
Quotes:
Doctor Louis Judd: One can take either staircase. I prefer the left. The sinister side. more
Movie Connections:
References Cat People (1942) more

FAQ

Who was the dead man that Mary saw on the subway, and why was he killed?
Why is Jacqueline in hiding?
What was the girl saying in the background as Mary walks downstairs with her suitcase?
more
10 out of 11 people found the following comment useful.
moody suspenseful gem worth seeking out, 17 August 2001
Author: limsgirl from massachusetts

This little known and scantily screened Val Lewton masterpiece is a must see. The eerie atmosphere established at the boarding school where Kim Hunter learns of her sister's disappearance continues throughout. Scenes including her nightmarish experience in a darkened cosmetic company hallway illustrate how far afield recent film has gotten from true suspense as sustained in the imagination of the viewer. The chilling normalcy of the lives of the Satanists she comes to be pursuing in an effort to understand what has happened to her sister, and their quiet menace as they later gather forces to will the suicide of one of their ranks is gripping. The scenes depicting her sister's frantic run through the streets to escape a pursuer will remind others of the opening of Lewton's other little shown film The Leopard Man. Viewing this film further reinforces my belief that an intelligent film patron does not need to be clubbed over the head by excessive gore and violence to be truly scared by a film if the story is intriguing and the execution is as good as in The Seventh Victim.

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