Philip MacDonald (story)
John Howard Lawson (screenplay) ...
(more)
11 November 1943 (USA) more
THE STAR OF "CASABLANCA" IN THE WAR'S MIGHTIEST ADVENTURE DRAMA! (original three-sheet poster) more
Sergeant Joe Gunn and his tank crew pick up five British soldiers, a Frenchman and a Sudanese man with... more | add synopsis
Nominated for 3 Oscars. more
An excellent WWII movie more (51 total)
| Humphrey Bogart | ... | Sgt. Joe Gunn | |
| Bruce Bennett | ... | Waco Hoyt | |
| J. Carrol Naish | ... | Giuseppe | |
| Lloyd Bridges | ... | Fred Clarkson | |
| Rex Ingram | ... | Sgt. Major Tambul | |
| Richard Nugent | ... | Capt. Jason Halliday | |
| Dan Duryea | ... | Jimmy Doyle | |
| Carl Harbord | ... | Marty Williams | |
| Patrick O'Moore | ... | Osmond 'Ozzie' Bates | |
| Louis Mercier | ... | Jean Leroux, 'Frenchie' (as Louis T. Mercier) | |
| Guy Kingsford | ... | Peter Stegman | |
| Kurt Kreuger | ... | Capt. von Schletow (as Kurt Krueger) | |
| John Wengraf | ... | Maj. Von Falken | |
| rest of cast listed alphabetically: | |||
| Louis Adlon | ... | Soldier (uncredited) | |
| Niels Bagge | ... | German Private (uncredited) | |
| Walter Bonn | ... | Soldier (uncredited) | |
| Frederic Brunn | ... | German Private (uncredited) | |
| Bill Carter | ... | Undetermined Role (uncredited) | |
| Leslie Denison | ... | British Soldier (uncredited) | |
| Michael Dyne | ... | British Soldier (uncredited) | |
| Carl Ekberg | ... | Sniper (uncredited) | |
| Jack Gardner | ... | British Soldier (uncredited) | |
| Vilmos Gyimes | ... | Sergeant (uncredited) | |
| Leyland Hodgson | ... | British Officer (uncredited) | |
| Frank Lackteen | ... | Sheik Ali, Arab guide for the German column in the desert (uncredited) | |
| Peter Lawford | ... | British Soldier (uncredited) | |
| Nelson Leigh | ... | British Soldier (uncredited) | |
| Anthony Marsh | ... | Soldier (uncredited) | |
| John Meredith | ... | Soldier (uncredited) | |
| George N. Neise | ... | British Sergeant (uncredited) | |
| Otto Reichow | ... | German Captain (uncredited) | |
| Henry Rowland | ... | German prisoner (killed by Sgt. Krause after their release) (uncredited) | |
| John Royce | ... | Soldier (uncredited) | |
| Hans Schumm | ... | Sgt. Krause (German prisoner who won't talk) (uncredited) | |
| Robert R. Stephenson | ... | German Soldier (uncredited) | |
| Walter Thiele | ... | Sniper (uncredited) | |
| Frederick Worlock | ... | Radio newscaster (voice) (uncredited) | |
Directed by | |||
| Zoltan Korda | |||
Writing credits | ||
| Philip MacDonald | (story based on an incident in the Soviet Photoplay "The Thirteen") | |
| John Howard Lawson | (screenplay) and | |
| Zoltan Korda | (screenplay) | |
| James O'Hanlon | adaptation & | |
| Sidney Buchman | uncredited | |
Produced by | |||
| Harry Joe Brown | .... | producer (uncredited) | |
Original Music by | |||
| Miklós Rózsa | (as Miklos Rozsa) | ||
Cinematography by | |||
| Rudolph Maté | |||
Film Editing by | |||
| Charles Nelson | |||
Art Direction by | |||
| Lionel Banks | |||
Set Decoration by | |||
| William Kiernan | |||
Second Unit Director or Assistant Director | |||
| Abby Berlin | .... | assistant director | |
Art Department | |||
| Eugène Lourié | .... | associate art director | |
Sound Department | |||
| Lodge Cunningham | .... | sound (uncredited) | |
Camera and Electrical Department | |||
| Homer Plannette | .... | gaffer (uncredited) | |
| Ned Scott | .... | still photographer (uncredited) | |
Music Department | |||
| Morris Stoloff | .... | musical director (as M.W. Stoloff) | |
| Eugene Zador | .... | orchestrator (uncredited) | |
Port Said (USA) (working title)
more
97 min
1.37 : 1 more
Mono (Western Electric Mirrophonic Recording)
Finland:(Banned) (1944-1945) | Finland:K-16 | Sweden:15 | USA:Approved (certificate #9040)
Based upon the Soviet film Trinadtsat (1937) directed by Mikhail Romm more
Anachronisms: As in most of the films made about WWII before 1946. The German helmets are WWI vintage. They look somewhat similar. This movie, however, being made in 1942-43 would make it very difficult to obtain German WWII helmets. more
Waco Hoyt:
I see you whittled them down a bit.
Sgt. Joe Gunn:
Yeah…they whittled us down too.
more
Featured in Ike: Countdown to D-Day (2004) (TV) more
Oh! Susanna more
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| The Big Red One | Tobruk | The Desert Rats | Von Ryan's Express | Casablanca |
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| Full cast and crew | Company credits | External reviews |
| IMDb Action section | IMDb USA section | Add this title to MyMovies |
"Sahara" is interesting from several standpoints. First, it is an excellent drama, well acted and directed, with good production values. Second, it raises an interesting moral question. Third, it has implications regarding the main actor and his future movie career.
"Sahara," the story of a rag-tag group of soldiers fleeing from Rommel's Afrika Korps in a US tank, is enjoyable throughout. The cast is fine, representing a number of nationalities and even races. I think this is one of Bogart's better acting jobs, and J. Carrol Naish, Lloyd Bridges, Rex Ingram, Dan Duryea, and the others are equally good.
While this may be a propaganda film, it is no "our hero wipes out an enemy division without a scratch" potboiler. On the contrary, the decision made by Sgt. Joe Gunn (Bogart) to stay and fight a German regiment rather than heading for British lines is a desperate gamble little better than a suicide mission. This brings up my second point; the ethical question.
St. Gunn gets the idea to stay at the oasis they have reached in order to fight and delay a German regiment in hopes that such a sacrifice may help the Allied cause. He must convince the others, and one or two do not go along without some persuading. "I don't mind fighting and dying," one says, "but this is pointless." Well, that's the issue. How easy it is to find reasons NOT to stay behind and fight! Makes me appreciate the plight of our soldiers on Bataan and Wake Island, who had no choice. But this little band does stay and fight, and the story hangs on their decision.
My third point is a bit arcane, and has to do with Hollywood business practices of the 1940s. Bogart was, when this movie started production, about the biggest star in Hollywood. Remember, he had already made High Sierra," "The Maltese Falcon," and "Casablanca." Why then, did Warner Brothers lend him out to Columbia to do this picture? Columbia was still barely a second rank studio. What did they have to trade in return? Rita Hayworth? I don't think she made any films for Warners, but I may be wrong.
Lastly, it's interesting to note that Bogart, when he started his own company (Santana Productions) in the late 40s, signed a releasing deal with Columbia. I guess he must have been impressed with Columbia while making this picture, as well as "Dead Reckoning" (1947).
I strongly recommend "Sahara" to anyone who has not seen it. It's exciting action combined with interesting characterizations.