IMDb > Phantom of the Opera (1943)
Phantom of the Opera
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Phantom of the Opera (1943) More at IMDbPro »

Videos (see all 2)
Phantom of the Opera (1943) -- This is the story of a disfigured violinist who haunts the Paris Opera House
Phantom of the Opera (1943) -- Trailerfan.com - Trailer (Flash)

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Overview

User Rating:
6.6/10   1,925 votes
MOVIEmeter: ?

Down 1% in popularity this week. See why on IMDbPro.

Director:

Arthur Lubin

Writers:

Samuel Hoffenstein (writer)
John Jacoby (adaptation)
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Contact:

View company contact information for Phantom of the Opera on IMDbPro.

Release Date:

27 August 1943 (USA) more

Tagline:

In flaming Technicolor! more

Plot:

This is the story of a disfigured violinist who haunts the Paris Opera House full summary | add synopsis

Plot Keywords:

more

Awards:

Won 2 Oscars. Another 2 nominations more

NewsDesk:
(25 articles)

Emmy Rossum's Twitter dates
 (From Monsters and Critics. 13 November 2009, 2:39 AM, PST)

Emmy Rossum Met Boyfriend Adam Duritz On Twitter
 (From iCelebz. 12 November 2009, 10:04 PM, PST)

User Comments:

Horror may be muted...but the music is glorious... more (56 total)


Cast

  (Cast overview, first billed only)

Nelson Eddy ... Anatole Garron
Susanna Foster ... Christine Dubois

Claude Rains ... Erique Claudin
Edgar Barrier ... Raoul D'Aubert
Leo Carrillo ... Signor Ferretti
Jane Farrar ... Biancarolli
J. Edward Bromberg ... Amiot
Fritz Feld ... Lecours
Frank Puglia ... Villeneuve
Steven Geray ... Vereheres
Barbara Everest ... The Aunt

Hume Cronyn ... Gerard
Fritz Leiber ... Franz Liszt
Nicki Andre ... Madame Lorenzi
Gladys Blake ... Jeanne
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Additional Details

Runtime:

92 min

Country:

USA

Language:

English

Color:

Color (Technicolor)

Aspect Ratio:

1.37 : 1 more

Sound Mix:

Mono (Western Electric Recording)

Certification:

Spain:13 | Netherlands:12 | Australia:G (cable rating) | Australia:PG (original rating) | Finland:K-16 | Germany:12 | Sweden:15 | UK:PG | USA:Approved (PCA #9388) | Argentina:Atp


Fun Stuff

Trivia:

The bronze sculpture of Christine Dubois (Susanna Foster) was actually made by co-star Nelson Eddy, who was an accomplished sculptor. more

Goofs:

Continuity: When Anatole is pursuing the Phantom over the catwalk, the ladder wobbles in long shots but is very stable when the actors are in close-up. more

Quotes:

[Christine has left Raoul and Anatole in her dressing room while she greets a crowd of admirers]
Raoul D'Aubert: Would you join me for a bit of supper at the Cafe de l'Opera?
Anatole Garron: With pleasure, monsieur.
Raoul D'Aubert: Think we can get through this crowd?
Anatole Garron: Certainly. After all, who'd pay any attention to a baritone and a detective?
more

Movie Connections:

Referenced in Ace Ventura: Pet Detective (1994) more

Soundtrack:

MARTHA (Act III, opera excerpt) more


FAQ

This FAQ is empty. Add the first question.
18 out of 20 people found the following comment useful.
Horror may be muted...but the music is glorious..., 14 April 2001
Author: Neil Doyle from U.S.A.

Before writing a film article on Claude Rains for CLASSIC IMAGES (December 2000), I took another look at 'Phantom' to appraise his performance. He's one of those rare actors who can make you feel sympathy when he plays the ill-treated violinist so that you understand why he turns into 'The Phantom'. His performance is just one asset of this handsome technicolor adaptation of the famous story. Why carp about the changes made for this version? It stands on its own as an entertaining melodrama studded with operatic sequences that give it added dimension. Nelson Eddy has never been in better voice and Susanna Foster is certainly up to the demands of her singing role. The comic aspects of the story are a bit overdone and the only weakness of the film is giving Eddy and Edgar Barrier silly routines as they compete for the hand of Foster. Aside from that, this can still be enjoyed as a horror story set against the Paris Opera background. The sets are rich and detailed. Understandably, the film won Academy Awards for color cinematography and color art direction. Edward Ward's haunting score was also nominated and contributes greatly to the overall enjoyment of the film. The horror is muted in this version--but the rich musical highlights are a compensation. Absorbing entertainment.

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