| Photos (see all 3 | slideshow) |
| Dennis O'Keefe | ... | Jerry Manning | |
| Margo | ... | Clo-Clo | |
| Jean Brooks | ... | Kiki Walker | |
| Isabel Jewell | ... | Maria - Fortune Teller | |
| James Bell | ... | Dr. Galbraith | |
| Margaret Landry | ... | Teresa Delgado | |
| Abner Biberman | ... | Charlie How-Come | |
| Tuulikki Paananen | ... | Consuelo Contreras (as Tula Parma) | |
| Ben Bard | ... | Chief Roblos | |
| rest of cast listed alphabetically: | |||
| Ed Agresti | ... | Mexican Police Officer (uncredited) | |
| Robert Anderson | ... | Dwight Brunton (uncredited) | |
| Jack Chefe | ... | Waiter (uncredited) | |
| David Cota | ... | Boy Singer (uncredited) | |
| Sidney D'Albrook | ... | Waiter Serving Helene and Dwight (uncredited) | |
| Rosita Delva | ... | Young Lover (uncredited) | |
| Jacqueline deWit | ... | Helene (uncredited) | |
| John Dilson | ... | Coroner (uncredited) | |
| Joe Dominguez | ... | Police Officer (uncredited) | |
| Dynamite | ... | The Leopard (uncredited) | |
| John Eberts | ... | Waiter (uncredited) | |
| Fely Franquelli | ... | Rosita (uncredited) | |
| Eliso Gamboa | ... | Señor Delgado (uncredited) | |
| William Halligan | ... | Brunton (uncredited) | |
| Ariel Heath | ... | Eloise (uncredited) | |
| Rose Higgins | ... | Indian Weaver (uncredited) | |
| Brandon Hurst | ... | Cemetery Gatekeeper (uncredited) | |
| Robert Karnes | ... | Nightclub Extra (uncredited) | |
| Colin Kenny | ... | Nightclub Extra (uncredited) | |
| Kate Drain Lawson | ... | Señora Delgado (uncredited) | |
| Dora Leyva | ... | Woman (uncredited) | |
| Jacques Lory | ... | Philippe (uncredited) | |
| Charles Lung | ... | Manuel - Grocer (uncredited) | |
| Mary MacLaren | ... | Nun (uncredited) | |
| Richard Martin | ... | Raoul Belmonte (uncredited) | |
| Belle Mitchell | ... | Señora Calderon (uncredited) | |
| Ottola Nesmith | ... | Señora Contreras (uncredited) | |
| William H. O'Brien | ... | Bartender (uncredited) | |
| Bob O'Connor | ... | Mexican Police Officer (uncredited) | |
| Tom Orosco | ... | Window Cleaner (uncredited) | |
| Juan Ortiz | ... | Plainclothesman (uncredited) | |
| Manuel París | ... | Man Blowing Smoke (uncredited) | |
| Rene Pedrini | ... | Frightened Waiter (uncredited) | |
| John Piffle | ... | Flower Vendor (uncredited) | |
| Jose Portugal | ... | Young Lover (uncredited) | |
| Betty Roadman | ... | Clo-Clo's Mother (uncredited) | |
| George Sherwood | ... | Police Lieutenant (uncredited) | |
| Bobby Spindola | ... | Pedro Delgado (uncredited) | |
| Marguerita Sylva | ... | Marta (uncredited) | |
| John Tettener | ... | Minister (uncredited) | |
| Rosa Rita Varella | ... | Clo-Clo's Sister (uncredited) | |
| Russell Wade | ... | Man in Car (uncredited) | |
Directed by | |||
| Jacques Tourneur | |||
Writing credits | ||
| Cornell Woolrich | (novel "Black Alibi") | |
| Ardel Wray | (screenplay) | |
| Edward Dein | (additional dialogue) | |
Produced by | |||
| Val Lewton | .... | producer | |
Original Music by | |||
| Roy Webb | |||
Cinematography by | |||
| Robert De Grasse | (director of photography) (as Robert de Grasse) | ||
Film Editing by | |||
| Mark Robson | |||
Art Direction by | |||
| Albert S. D'Agostino | |||
| Walter E. Keller | |||
Set Decoration by | |||
| A. Roland Fields | (as Al Fields) | ||
| Darrell Silvera | |||
Second Unit Director or Assistant Director | |||
| William Dorfman | .... | assistant director | |
Sound Department | |||
| John C. Grubb | .... | sound recordist (as J.C. Grubb) | |
| Terry Kellum | .... | sound (uncredited) | |
| James G. Stewart | .... | sound (uncredited) | |
Music Department | |||
| C. Bakaleinikoff | .... | musical director | |
Other crew | |||
| Lou L. Ostrow | .... | supervisor (uncredited) | |
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| Bluebeard | Touch of Evil | Out of the Past | Woman in Distress | Marie Galante |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb USA section | Add this title to MyMovies |
Though not as highly praised as either "Cat People" or "I Walked With A Zombie," I think this is one of Val Lewton's finest productions. It is about an escaped leopard that may or may not be killing people on the streets of a small New Mexico town. It contains some of the best-staged, scariest murder-set-pieces found in Lewton's (and horror's) canon. The great combination of light and shadows create some brilliant cinematic moments. The structure of the narrative is very unusual too. The way the story defies the audiences' expectations anticipates "Psycho" by almost two decades. It is essentially a series of stories that interweave over the course of a few days. When we feel comfortable enough with a character, the story moves to a smaller character that soon becomes the focal point of the film. This occurs repeatedly and the viewer is puzzled by the change. It is also a movie that plays with symbols brilliantly. The 100-dollar bill, the meeting of illicit lovers at a graveyard, the girl who is forced to fulfill a parent's ridiculous craving; all these elements anticipate acts of violence against women. And there is a sense that the actual cat is an instrument of fate that strikes down those people who ignore the warnings. The mystery is easy to solve, but trust me, it is a fascinating movie that gets better and better with each viewing. Robert De Grasse's cinematography is excellent. Roy Webb's music is spooky. Mark Robson's editing is top notch.