IMDb > Yankee Doodle Dandy (1942)
Yankee Doodle Dandy
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Yankee Doodle Dandy (1942) More at IMDbPro »

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Yankee Doodle Dandy (1942) -- AllTrailers.net - Trailer (Flash)

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Overview

User Rating:
7.8/10   5,633 votes
MOVIEmeter: ?
Up 8% in popularity this week. See why on IMDbPro.
Director:
Writers:
Robert Buckner (screenplay) and
Edmund Joseph (screenplay) ...
more
Contact:
View company contact information for Yankee Doodle Dandy on IMDbPro.
Release Date:
6 June 1942 (USA) more
Tagline:
Based on the story of GEORGE M. COHAN with the Greatest of all his Great Music more
Plot:
A film of the life of the renowned musical composer, playwright, actor, dancer and singer George M. Cohan. full summary | add synopsis
Awards:
Won 3 Oscars. Another 2 wins & 5 nominations more
NewsDesk:
(8 articles)
AFI's 100 Years ...100 Movie Quotes
 (From Extra. 4 November 2009, 4:45 AM, PST)

Ten greatest Films about America
 (From SoundOnSight. 4 July 2009, 6:48 PM, PDT)

User Comments:
Red White and Blue, Cagney for You more (75 total)

Cast

  (Cast overview, first billed only)
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Additional Details

Runtime:
126 min
Country:
Language:
Aspect Ratio:
1.37 : 1 more
Sound Mix:
Mono (RCA Sound System)
Certification:
USA:Approved (certificate #7929) | Canada:G (video rating) | Australia:G | Finland:S | Sweden:Btl | UK:U

Fun Stuff

Trivia:
James Cagney's performance as George M. Cohan is ranked #6 on Premiere Magazine's 100 Greatest Performances of All Time. more
Goofs:
Errors in geography: There are no mountains visible from Providence, RI, despite what is shown in the opening scene. more
Quotes:
[first lines]
Critic #1: I call it a hit. What'll your review say?
Critic #2: I like it too, so I guess I'll pan it.
more
Movie Connections:
Featured in Warner at War (2008) (TV) more
Soundtrack:
The Belle of the Barbers' Ball more

FAQ

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11 out of 12 people found the following comment useful.
Red White and Blue, Cagney for You, 29 May 2006
10/10
Author: bkoganbing from Buffalo, New York

James Cagney won his only Oscar for his recreation of George M. Cohgan in Yankee Doodle Dandy. Already terminally ill, Cohan lived long enough to see the film and no doubt he would have approved of it because it sure is how he would like to have been remembered.

In 1942 when Yankee Doodle Dandy premiered there was a whole generations of people left alive who saw George M. Cohan perform. Watching the film today Cohan is like a figure from antiquity. But Warner Brothers was lucky to have James Cagney with the studio who's dancing style closely paralleled Cohan's. If it is ever run on Turner Classic Movies, make sure you see George M. Cohan's sound film The Phantom President. You will be astonished to see how closely Cagney captured his style. In the same way that Philip Seymour Hoffman captured Truman Capote and Joaquin Phoenix became Johnny Cash.

Cohan's contemporaries are also like names from antiquity. But a century ago when Cohan was just hitting the big time performers like Fay Templeton, Nora Bayes, and Eddie Foy were very big stars and in 1942 plenty of people saw them also. I wish we had some film of them to see how Irene Manning, Frances Langford, and Eddie Foy, Jr. did in their recreations. I'm sure Foy, Jr. did a smashing job with his Dad.

The background stuff is true enough. Cohan was born to a pair of vaudeville performers Jerry and Nellie Cohan played here by Walter Huston and Rosemary DeCamp. Later on a sister was added to the Cohan family and here Josie Cohan is played by Jeanne Cagney. They did do all the towns, big and small, in America. Cagney meets wife Joan Leslie at Shea's Theater in Buffalo, New York and Shea's survives to this day. And his first real success was Little Johnny Jones which score included American classics, Yankee Doodle Dandy and Give My Regards to Broadway.

What's left out is the fact Cohan had two wives. His second wife survived him and died in the early Seventies. As his songs became popular in patriotic/rightwing circles, Cohan's personal politics reflected that. He fought hard and lost in the battle for Actors Equity. Cohan thought a union of players was tantamount to Communism. But such was his standing among performers that Cohan was granted the unique privilege of being allowed to appear on stage without having to join Equity once the union was recognized as the bargaining agent for players.

Cohan is shown in Yankee Doodle Dandy as gracefully having retired when other trends in popular music took over. Far from it, he was a very bitter man and when he did that final comeback in I'd Rather Be Right he fought with Kaufman and Hart over the book and Rodgers and Hart over the songs.

But Yankee Doodle Dandy presents the public musical face of George M. Cohan and does it very well. To this day, some forty years after first seeing Yankee Doodle Dandy on television, I love the recreations of Yankee Doodle Dandy, Give My Regards to Broadway, and You're a Grand Old Flag as they were first seen on stage. Plus some of the snatches of the lesser known Cohan songs as performed by the players portraying the Cohan family and others.

When all is said and done, George M. Cohan was a great force of nature in the American musical theater. And we thank his father, mother, and sister, and George M. himself for what he left us.

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