Woman of the Year (1942)

Director:

George Stevens

Writers:

Ring Lardner Jr. (screenplay) and
Michael Kanin (screenplay)

Release Date:

19 January 1942 (USA)

Genre:

Comedy | Romance | Sport

Tagline:

The picture of the year!

Plot:

Rival reporters Sam and Tess fall in love and get married, only to find their relationship strained when Sam comes to resent Tess' hectic lifestyle.

Plot Keywords:

Love | Reporter | Newspaper | Cooking | Gender Roles

Awards:

Won Oscar. Another 1 win & 1 nomination

Cast

Spencer Tracy	...	Sam Craig
Katharine Hepburn	...	Tess Harding
Fay Bainter	...	Ellen Whitcomb
Reginald Owen	...	Clayton
Minor Watson	...	William J. Harding
William Bendix	...	'Pinkie' Peters
Gladys Blake	...	Flo Peters
Dan Tobin	...	Gerald Howe
Roscoe Karns	...	Phil Whittaker
William Tannen	...	Ellis
Ludwig Stössel	...	Dr. Lubbeck (as Ludwig Stossel)
Sara Haden	...	Matron
Edith Evanson	...	Alma
George Kezas	...	Chris

Runtime:

114 min

Country:

USA

Language:

English | French | Russian | German | Spanish | Greek

Color:

Black and White

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono (Western Electric Sound System)

Certification:

New Zealand:PG | USA:Approved (certificate #7844) | USA:Passed (National Board of Review) | Argentina:Atp | Australia:PG | Finland:S | Sweden:Btl | Germany:6

Filming Locations:

Metro-Goldwyn-Mayer Studios - 10202 W. Washington Blvd., Culver City, California, USA

Company:

Loew's

Trivia:

As Katharine Hepburn's close friend and frequent director, George Cukor was a natural choice to direct, but for her first film with Spencer Tracy, Hepburn wanted Tracy to be as comfortable as possible, so as a quasi-producer, she hired George Stevens, who had directed her in Alice Adams (1935). As Hepburn said, "I just thought he (Tracy) should have a big, manly man on his team - someone who could talk about baseball." Cukor (who was openly gay and known for his friendships with actresses) would later become a good friend of Tracy and would direct both actors in Keeper of the Flame (1942), Adam's Rib (1949) and Pat and Mike (1952).

Goofs:

Crew or equipment visible: When Katherine Hepburn gets out of the car as she arrives at her parents' house, she shuts a car door and you can see the reflection of man's legs standing and watching, even though there's no one else in the scene.

Quotes:

Sam Craig: I don't want to be married to Tess Harding any more than I want you to be just Mrs Sam Craig. Why can't you be Tess Harding Craig?
Tess Harding: I think it's a wonderful name.

Movie Connections:

Referenced in Starz Inside: Fashion in Film (2008) (TV)

Undated sexual politics

Most commentators on this movie miss the its point completely, and criticize what they misunderstand as the outdated sexual politics of the 1940's from the standpoint of the outdated sexual politics of the 1970's. Blinded by political correctness, they miss the many virtues of the sparkling script.

The point of the script is actually relatively modest. It is not, in fact it is far from, The Taming of the Shrew, or the subjugation of the independent woman. Tracy's character admires Hepburn's character's independence and competence, and he doesn't want her to renounce them to become the "little woman" -- that is the burden of his "kitchen speech" at the end. He simply understands better than she does, at least until the end of the film, that maintaining a relationship and a marriage requires time, work, and attention. That may well be an unwelcome message, but it is not an unwise one.

The comedy of the film comes from their characters' different worlds -- Tracy is a sportswriter and Hepburn an international politics columnist. The drama comes from their different levels of commitment to being a couple. The script delicately and for the most part successfully (with the possible exception of the Greek orphan subplot), balances these two conflicts and the comedy and drama.