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To Be or Not to Be (1942)
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Overview
User Rating:
Release Date:
6 March 1942 (USA) morePlot:
During the Nazi occupation of Poland, an acting troupe becomes embroiled in a Polish soldier's efforts to track down a German spy. full summary | add synopsisAwards:
Nominated for Oscar. Another 2 wins moreNewsDesk:
(2 articles)
Note: (From Studio Briefing - Film News. 19 March 2004)
Actor Robert Stack Dies at 84
(From WENN. 15 May 2003)
User Comments:
One of the great romantic/satirical comedies of all time moreCast
(Complete credited cast)| Carole Lombard | ... | Maria Tura | |
| Jack Benny | ... | Joseph Tura | |
| Robert Stack | ... | Lieut. Stanislav Sobinski | |
| Felix Bressart | ... | Greenberg | |
| Lionel Atwill | ... | Rawitch | |
| Stanley Ridges | ... | Professor Siletsky | |
| Sig Ruman | ... | Col. Ehrhardt | |
| Tom Dugan | ... | Bronski | |
| Charles Halton | ... | Producer Dobosh | |
| George Lynn | ... | Actor-Adjutant | |
| Henry Victor | ... | Capt. Schultz | |
| Maude Eburne | ... | Anna | |
| Halliwell Hobbes | ... | Gen. Armstrong | |
| Miles Mander | ... | Major Cunningham |
Additional Details
Parents Guide:
View content advisory for parentsRuntime:
99 minCountry:
USAColor:
Black and WhiteAspect Ratio:
1.37 : 1 moreSound Mix:
Mono (Western Electric Mirrophonic Recording)Certification:
Canada:PG (video rating) | South Korea:12 (2003) | Finland:S | Sweden:15 | USA:Approved (PCA #7834) | West Germany:12Fun Stuff
Trivia:
Carole Lombard took the female lead despite the strenuous objections of her husband, Clark Gable. moreGoofs:
Factual errors: When Tura is disguised as Colonel Erhardt in his meeting with Siletsky he is wearing the uniform of a Major General (actually an SS-Gruppenfuehrer). moreSoundtrack:
Polonaise in A Major moreFAQ
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There is a famous review of this film by the late Sunday Times critic, Dilys Powell which begins 'Is the joke funny?'... what Miss Powell was getting at was that, given the horror of the Holocaust, it is appropriate to laugh at the Nazis. The answer is, ultimately, irrelevant to the viewing of this modest masterpiece.
Lubitsch was, by this time, coming to the end of an exquisite career that defined the nature of sophistication in 'light' cinema. 'To Be or Not To Be' skips lightly over all of the minefield of a subject like this and it is difficult or impossible to think of any other filmmaker who might have managed it (if you look at Mel Brooks' limp remake, you can see why).
In 1996, I presented a massive season of 'the greatest' films in Belfast for the centenary of cinema - 250 titles in 9 months. Of all of them, this was the film which got the greatest ovation - about 5 minutes with a nearly full house standing and applauding! They may have applauded for many reasons, but here are certainly some of them...
The very complicated narrative is presented virtually flawlessly and the comedy is never allowed to hold up the narrative. The principle actors - Carole Lombard (breathtakingly beautiful) and Jack Benny in particular, but many of the supporting cast as well - throw themselves into the affair with a gusto that is completely infectious. Apart from the satirical aspect of the story and the way in which Hitler and the Nazis are mercilessly ridiculed for their authoritarianism and the fear which is their only motivator, the film pokes gentle fun at the vanity of actors in a warm and happy manner. Finally, and most important, is the notion of farce. Farce rarely works in the cinema, but here it does, and in the grand manner - just look at how many times the situation regarding Professor Siletsky changes profoundly during the film - it is dizzying - yet the characters manage to come up with (often self-defeating or inappropriate) schemes on every occasion.
This is a wonderful work that, I have no hesitation in saying, is absolutely vital for anyone who wants to really understand the glory of the cinema. But to answer Dilys Powell's question... yes, the joke is deliriously funny.