This Gun for Hire (1942)

Director:

Frank Tuttle

Writers:

Graham Greene (novel)
Albert Maltz (writer) ...
(more)

Release Date:

13 May 1942 (USA)

Genre:

Film-Noir | Crime | Thriller

Tagline:

Lover without a heart...killer without a conscience!

Plot:

Hit man Philip Raven, who's kind to children and cats, kills a blackmailer and is paid off by traitor Willard Gates in "hot" money...

Plot Keywords:

Cat | Train | Police | Golden Gate Bridge | Dream

Cast

Veronica Lake	...	Ellen Graham
Robert Preston	...	Det. Michael Crane
Laird Cregar	...	Willard Gates
Alan Ladd	...	Philip Raven
Tully Marshall	...	Alvin Brewster
Marc Lawrence	...	Tommy
Olin Howland	...	Blair Fletcher (as Olin Howlin)
Roger Imhof	...	Senator Burnett
Pamela Blake	...	Annie
Frank Ferguson	...	Albert Baker
Victor Kilian	...	Drew
Patricia Farr	...	Ruby
Harry Shannon	...	Steve Finnerty
Charles C. Wilson	...	Police Captain
Mikhail Rasumny	...	Slukey
Bernadene Hayes	...	Albert Baker's Secretary
Mary Davenport	...	Salesgirl
Chester Clute	...	Rooming House Manager
Charles Arnt	...	Male Dressmaker
Earle S. Dewey	...	Mr. Collins (as Earle Dewey)
Clem Bevans	...	Scissor Grinder
Lynda Grey	...	Gates' Secretary
Virita Campbell	...	Little Girl
rest of cast listed alphabetically:
George Anderson	...	Plainclothesman (uncredited)
Don Barclay	...	Piano Player (uncredited)
Ernest Baskett	...	Porter (uncredited)
Jack Baxley	...	Innocent Dupe (uncredited)
Karin Booth	...	Waitress (uncredited)
Harry Brown	...	Superintendent (uncredited)
William Cabanne	...	Laundry Truck Driver (uncredited)
Eddy Chandler	...	Demolition Foreman (uncredited)
Jack Cheatham	...	Policeman (uncredited)
Kenneth Chryst	...	Workman (uncredited)
Yvonne De Carlo	...	Showgirl at Neptune Club (uncredited)
Gordon De Main	...	Superintendent (uncredited)
Joan Evans	...	Saleslady's Mother (uncredited)
Jim Farley	...	Night Watchman (uncredited)
Virginia Farmer	...	Maid in Dress Shop (uncredited)
Betty Farrington	...	Woman on Bridge (uncredited)
Harry Hayden	...	Man in Restaurant Recognizing Gates (uncredited)
Bern Hoffman	...	Restaurant Patron (uncredited)
Charles Irwin	...	Old Irishman (uncredited)
Louise La Planche	...	Dancer (uncredited)
Lora Lee	...	Girl in Car (uncredited)
Arthur Loft	...	Man who Bumps into Raven (uncredited)
Patsy Mace	...	Young Girl in Reception Room (uncredited)
John Marston	...	Superintendent (uncredited)
Charles McMurphy	...	Detective (uncredited)
Ivan Miller	...	Doorman (uncredited)
Charles R. Moore	...	Pullman Waiter (uncredited)
Frances Morris	...	Receptionist (uncredited)
Pat O'Malley	...	Conductor (uncredited)
Sarah Padden	...	Mrs. Mason (uncredited)
Reed Porter	...	Workman (uncredited)
Lee Prather	...	Gateman (uncredited)
Cyril Ring	...	Neptune Club Waiter (uncredited)
Julian Rivero	...	Man with Monkey (uncredited)
Dick Rush	...	Lt. Clark (uncredited)
Tim Ryan	...	Weems - Guard (uncredited)
John Sheehan	...	Keever (uncredited)
Alan Speer	...	Frog (uncredited)
Edwin Stanley	...	Police Captain at Train Station (uncredited)
Elliott Sullivan	...	Officer Glennon (uncredited)
Phil Tead	...	Machinist (uncredited)
Emmett Vogan	...	Sgt. Carlisle (uncredited)
Fred Walburn	...	Walt - Newsboy (uncredited)
Richard Webb	...	Young Man (uncredited)
Pat West	...	Janitor (uncredited)
Robert Winkler	...	Jimmie (uncredited)

Directed by
Frank Tuttle

Writing credits
Graham Greene		(novel "A Gun for Sale")
Albert Maltz		(writer) &
W.R. Burnett		(writer)

Produced by
Richard Blumenthal	....	associate producer

Original Music by
David Buttolph

Cinematography by
John F. Seitz		(as John Seitz)

Film Editing by
Archie Marshek

Art Direction by
Hans Dreier
Robert Usher

Makeup Department
Wally Westmore	....	makeup artist director

Sound Department
John Cope	....	sound recordist
Philip Wisdom	....	sound recordist (as Phillip Wisdom)

Special Effects by
Farciot Edouart	....	special photographic effects
Gordon Jennings	....	special photographic effects
William L. Pereira	....	special photographic effects (as William Pereira)

Costume and Wardrobe Department
Edith Head	....	gowns: Miss Lake

Music Department
Martha Mears	....	singing voice (uncredited)
George Parrish	....	orchestrator (uncredited)
Walter Scharf	....	orchestrator (uncredited)
Leo Shuken	....	orchestrator (uncredited)

Production Companies

• Paramount Pictures

Distributors

• Paramount Pictures (1942) (USA) (theatrical)
• MCA/Universal Pictures (1958) (USA) (TV)
• MGM/UA Home Entertainment (USA) (VHS)
• Universal Home Entertainment (2003) (USA) (DVD)

Runtime:

80 min

Country:

USA

Language:

English

Color:

Black and White

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono (Western Electric Mirrophonic Recording)

Certification:

UK:A (original rating) | UK:PG (re-rating) (2006) | Australia:M | Finland:S | Norway:16 (1942)

Filming Locations:

Los Angeles, California, USA

Company:

Paramount Pictures

Trivia:

One of over 700 Paramount Productions, filmed between 1929 and 1949, which were sold to MCA/Universal in 1958 for television distribution, and have been owned and controlled by Universal ever since.

Goofs:

Boom mic visible: As Ellen and Michael leave the arcade, the shadow of a boom mic is visible on a wall behind them.

Quotes:

Philip Raven: You are trying to make me go soft. Well, you can save it. I don't go soft for anybody.

Movie Connections:

Featured in Alan Ladd: The True Quiet Man (1999) (TV)

Soundtrack:

I've Got You

Nice Noir With Ladd And Lake

This is a straight-forward, linear, quick-moving story based on a much more interesting book. But it's still an entertaining movie, and probably close to required viewing if you enjoy noir and/or Forties movies.

Raven (Alan Ladd) is a hired killer, evidently without remorse or nerves, who is paid to knock off a blackmailer. The blackmailer was trying to take to the cleaners a corrupt industrialist who was coincidentally helping the enemy. (This is during WWII.) However, Raven is paid in counterfeit bills on the assumption the police will catch him when he spends the money. He discovers the plot and decides to take out the guy who hired him and the fellow, the industrialist, who was behind it all.

The movie bills Veronica Lake and Robert Preston above the title, Laird Cregar just below the title, and Alan Ladd last in big type as "Introducing Alan Ladd." Some introduction; according to IMDb, Ladd had already appeared in more than 40 films in unbilled and minor parts.

This was Ladd's breakthrough movie and he's very good in it. I don't think he was much of an actor, but he had a lot of star presence, especially in the movies he made in the Forties. There was always something passive but potentially dangerous about him. His looks could have kept him in the pretty boy category, but for whatever reason didn't. Veronica Lake, for me, is something of an acquired taste, but for whatever reason she and Ladd made an effective pairing that was repeated several times. Laird Cregar played the heavy, and he was an interesting actor. Big and fleshy, he was something of a Raymond Burr type but more versatile. Robert Preston is seldom mentioned in regard to this movie and this must have ticked him off. Here's a guy who usually played best friend of the lead, gets a good part as the lead in a solid movie -- and winds up being over-shadowed by Ladd.

The first five minutes or so of the movie are among the most efficient I've come across in establishing a major player's character and complexities. We first see Raven waking up in his rented rooms and checking the clock. Nothing out of the ordinary there. In very short order, however, he's taken a gun out, helped a stray kitten get into his room and given it some food, slapped hard and full in the face a maid who tried to kick out the cat, showed up at the blackmailer's place where he meets the blackmailer (who was supposed to be alone); the blackmailer has his "secretary" with him so he just kills them both; on the way out a little girl on the stairs asks him to get her ball which has rolled away; she sees his face, he obviously thinks about shooting her, too -- but gets the ball for her and leaves. In just a few minutes Raven's cold ruthlessness and his conflicts are established, and so is a sort of sympathy for him. These first few minutes, in my view, are what make the movie work.