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Syncopation (1942)
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Overview
User Rating:
Release Date:
22 May 1942 (USA) moreTagline:
Presenting THE ALL-AMERICAN DANCE BAND...Selected from among Readers in the SATURDAY EVENING POST POLL (original poster)Plot:
Covering a quarter-century of American 'syncopated" music (Ragtime, Jazz, Swing, Blues, Boogie Woogie)from prior to WWI through prohibition... more | add synopsisUser Comments:
Le jazz hot! more (6 total)Cast
(Cast overview, first billed only)| Adolphe Menjou | ... | George Latimer | |
| Jackie Cooper | ... | Johnny Schumacher | |
| Bonita Granville | ... | Kit Latimer | |
| George Bancroft | ... | Steve Porter | |
| Robert Benchley | ... | Doakes (scenes deleted) | |
| Walter Catlett | ... | Spelvin (scenes deleted) | |
| Ted North | ... | Paul Porter | |
| Todd Duncan | ... | Rex Tearbone | |
| Connee Boswell | ... | Herself, Connee Boswell | |
| Frank Jenks | ... | Smiley Jackson | |
| Jessica Grayson | ... | Ella Tearbone (as Jessie Grayson) | |
| Mona Barrie | ... | Lillian | |
| Lindy Wade | ... | Paul Porter - as a Child | |
| Peggy McIntyre | ... | Kit Latimer - as a Child | |
| Charlie Barnet | ... | Himself, Charlie Barnet |
Additional Details
Parents Guide:
Add content advisory for parentsRuntime:
USA:88 min | USA:76 min (re-release)Country:
USALanguage:
EnglishColor:
Black and WhiteAspect Ratio:
1.37 : 1 moreSound Mix:
Mono (RCA Sound System)Fun Stuff
Soundtrack:
Under a Falling Star moreFAQ
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I came away with a different slant on this film than the other reviews I've seen here, so let me just say that for 1942 this terrific little love note to jazz is remarkably progressive for its day. While it's true that the plot ultimately leads to the white jazz stars of the early '40s, it is true to the roots of jazz and even includes a scene where an adult black musician calls an adult white musician "boy" and it's clear who's teaching who. This movie is as passionate about hot jazz music as were the people who created it, and it shows.
Also, the plot is not as thin as many such films. It has the production values of an "A" picture, and its three stars were not exactly "B" list talent. It sometimes stretches credulity, but no more so than any other musical, and in fact even less so, considering that the music is an inherent part of the story.
Here's hoping TCM shows this again soon; I'd love to record and keep it, as I doubt an official DVD release is in the offing.