| Diana Barrymore | ... | Leslie Stafford | |
| Brian Donlevy | ... | Daniel Shane | |
| Henry Daniell | ... | Capt. Stafford | |
| Eustace Wyatt | ... | Angus | |
| Arthur Shields | ... | Sergeant | |
| Gavin Muir | ... | Abbington | |
| Stanley Logan | ... | Inspector Robbins | |
| Ian Wolfe | ... | Abbington's Butler | |
| Hans Conried | ... | Hans | |
| John Abbott | ... | Karl | |
| David Clyde | ... | Jock | |
| Elspeth Dudgeon | ... | Angus' Wife | |
| Harold De Becker | ... | London Cabby | |
| Ivan F. Simpson | ... | Money Changer | |
| Keith Hitchcock | ... | London Bobby | |
| Arthur Gould-Porter | ... | Freddie | |
| Anita Sharp-Bolster | ... | Mrs. McDonald | |
| Lydia Bilbrook | ... | Mrs. Bates | |
| Pax Walker | ... | Gladys | |
| Bobby Hale | ... | Old Gaffer |
Directed by | |||
| Tim Whelan | |||
Writing credits(in alphabetical order) | ||
| Philip MacDonald | novel | |
| Dwight Taylor | writer | |
Produced by | |||
| Dwight Taylor | .... | producer | |
Original Music by | |||
| Frank Skinner | |||
Cinematography by | |||
| George Barnes | |||
Film Editing by | |||
| Frank Gross | |||
Art Direction by | |||
| John B. Goodman | |||
Set Decoration by | |||
| Russell A. Gausman | (as R.A. Gausman) | ||
Costume Design by | |||
| Vera West | (gowns) | ||
Second Unit Director or Assistant Director | |||
| Joseph A. McDonough | .... | assistant director | |
Art Department | |||
| Martin Obzina | .... | associate art director | |
| Edward R. Robinson | .... | associate set decorator (as E.R. Robinson) | |
Sound Department | |||
| Bernard B. Brown | .... | sound director | |
| Charles Carroll | .... | sound technician | |
Music Department | |||
| Charles Previn | .... | musical director | |
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| Arabesque | Gone with the Wind | Mercy | Hush...Hush, Sweet Charlotte | Peyton Place |
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| Full cast and crew | Company credits | News articles |
| IMDb Mystery section | IMDb USA section | Add this title to MyMovies |
This is a splendid early wartime thriller, with the wonderful plot twist that a corpse with a knife in his back is found and disposed of, but then reappears the next day in the same place with another knife in his back. A Nazi spy code-named SI-10 turns out to be identical with the license plate of his Lagonda, in which a secret microphone/speaker is disguised as a dashboard cigarette lighter. This is the only film ever produced by Dwight Taylor, the well known screenwriter who also scripted this. The main appeal of this film however is the powerful presence of the intensely disturbed Diana Barrymore, who combines womanly charm and fascination with a violent streak so terrifying and uncontrollable that it has rarely been encountered so unequivocally on screen. So powerful is this unsettling violence in her nature, that her tragic life story and suicide all too amply confirm that it was not just acting. As an actress, she was a natural. What a pity that she was so self-destructively mixed up, since a major talent was lost to the screen. She could have been the greatest Barrymore of them all if she could have held herself together. Brian Donlevy does very well as the whimsical American who gets mixed up in this story because he has been 'bombed-out' in the London Blitz while dressed in his dinner jacket. There are no gag lines in this script. It is a dark and brooding work, made darker by the London Blackout of course. There are many highly tense moments, and this thriller really works.