Eric Ambler (novel)
Joseph Cotten (screenplay)
(more)
12 February 1943 (USA) more
Welles and Del Rio together! as Terror Man vs. Leopard Woman--for possession of a mysterious stranger in the powder-keg Middle East...a man with a military secret worth more than his love and his life!...It's menace melodrama thrilled with mighty mystery and suspense...SEE IT!
A US Navy engineer, returning to the US with his wife from a conference, finds himself pursued by Nazi agents... more | add synopsis
Actress Ruth Warrick Dies at 89
(From WENN. 18 January 2005)
Good illustration/adaptation of the classic suspense novel more (30 total)
| Joseph Cotten | ... | Howard Graham | |
| Dolores del Rio | ... | Josette Martel | |
| Ruth Warrick | ... | Mrs. Stephanie Graham | |
| Agnes Moorehead | ... | Mrs. Mathews | |
| Jack Durant | ... | Gogo Martel | |
| Everett Sloane | ... | Kopeikin | |
| Eustace Wyatt | ... | Prof Haller | |
| Frank Readick | ... | Matthews | |
| Edgar Barrier | ... | Kuvetli | |
| Jack Moss | ... | Peter Banat | |
| Stefan Schnabel | ... | Translator for ships captain | |
| Hans Conried | ... | Swami magician | |
| Robert Meltzer | ... | Ship baggageman | |
| Richard Bennett | ... | Ship's Captain | |
| Orson Welles | ... | Colonel Haki | |
| rest of cast listed alphabetically: | |||
| Torben Meyer | ... | Waiter (unconfirmed) | |
| Anna De Linsky | ... | Russian maid at Batumi hotel (uncredited) | |
| Herbert Drake | ... | Ship's Steward (uncredited) | |
| Shifra Haran | ... | Mrs. Haller (uncredited) | |
| Edward Howard | ... | Bit Part (uncredited) | |
| Ivan Lebedeff | ... | Witness (uncredited) | |
| Alex Melesh | ... | Waiter (uncredited) | |
| Frank Puglia | ... | Colonel Haki's office aide (uncredited) | |
| Bill Roberts | ... | Ship's Steward (uncredited) | |
| Harry Semels | ... | Nightclub Extra (uncredited) | |
| George Sorel | ... | Hotel Desk Clerk (uncredited) | |
| Irene Tedrow | ... | Greek Woman (uncredited) | |
| Robert Willey | ... | Man (uncredited) | |
| William Yetter Sr. | ... | Nazi Driver (uncredited) | |
Directed by | |||
| Norman Foster | |||
| Orson Welles | (uncredited) | ||
Writing credits | ||
| Eric Ambler | (novel) | |
| Joseph Cotten | (screenplay) | |
| Richard Collins | uncredited | |
| Ben Hecht | uncredited | |
| Orson Welles | uncredited | |
Produced by | |||
| Jack Moss | .... | associate producer (uncredited) | |
| George Schaefer | .... | executive producer (uncredited) | |
| Orson Welles | .... | producer (uncredited) | |
Original Music by | |||
| Roy Webb | |||
| Rex Dunn | (uncredited) | ||
Cinematography by | |||
| Karl Struss | (director of photography) | ||
Film Editing by | |||
| Mark Robson | |||
Art Direction by | |||
| Albert S. D'Agostino | |||
| Mark-Lee Kirk | |||
Set Decoration by | |||
| Ross Dowd | |||
| Darrell Silvera | |||
Costume Design by | |||
| Edward Stevenson | (gowns) | ||
Second Unit Director or Assistant Director | |||
| Dewey Starkey | .... | assistant director | |
Sound Department | |||
| James G. Stewart | .... | sound re-recordist | |
| Richard Van Hessen | .... | sound recordist | |
Special Effects by | |||
| Vernon L. Walker | .... | special effects | |
Music Department | |||
| C. Bakaleinikoff | .... | musical director | |
| Robert Russell Bennett | .... | composer: stock music (uncredited) | |
| Nathaniel Shilkret | .... | composer: stock music (uncredited) | |
| Frank Tours | .... | composer: stock music (uncredited) | |
Other crew | |||
| Sammy Blum | .... | stand-in (uncredited) | |
| Tom Casey | .... | stand-in (uncredited) | |
| Harry Cornbleth | .... | stand-in (uncredited) | |
| Jack Dumont | .... | stand-in (uncredited) | |
| Kathleen Ellis | .... | stand-in (uncredited) | |
| John Huettner | .... | stand-in (uncredited) | |
| Jerry Martin | .... | stand-in (uncredited) | |
| Tony Rice | .... | stand-in (uncredited) | |
| Eugen Sharin | .... | technical advisor (uncredited) | |
68 min
1.37 : 1 more
Mono (RCA Sound System)
Sweden:15 | USA:Approved (PCA #8048) | Australia:G | Finland:K-16
It is widely believed that Orson Welles directed this film, or at least large portions of it. However, in "This Is Orson Welles", he states he only acted in it and the directing credit should go to Norman Foster. more
Factual errors: During the chase outside the hotel in the rain, Banat's pistol, a P-08 "Luger" runs out of ammunition but the action closes normally after he fires the last shot. This particular pistol was designed so that the action stays open after the last round is fired, giving a clear indication to the user that the gun is empty. more
Referenced in Suburban Girl (2007) more
C'est mon couer more
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`Journey Into Fear' certainly has an Orson Welles look. Although he received neither directing nor writing credit (credit went to Norman Foster and Joseph Cotten, respectively), I think that most of what is there is his. The problem is that there is not enough there there. The on-board relationships should have been developed more. All of them seem perfunctory.
Combining the shooting by a good marksman who misses his target and stalking him in the nightclub are combined into an altogether more satisfying single event.The escape from the Nazis is more protracted and less violent than in Eric Ambler's book. It is very noirish and photogenic, and the combination of wet chase and the presence of a murky character played by Orson Welles and an all-American one played by Joseph Cotten prefigure `The Third Man.' Joseph Cotten had some of the same American innocence and ready outrage in both films. He's an important munitions engineer here and a hack western writing there. He doesn't get the dark beauty (Alida Valli or Dolores del Rio) in either, though he has and keeps a wife in `Journey.'
The film probably makes sense to those unfamiliar with the book (and such viewers aren't distracted by thinking about what's been changed). It is suspenseful even for someone like me who recently read the book