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IMDb > Babes on Broadway (1941)
Babes on Broadway
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Babes on Broadway (1941) More at IMDbPro »

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Overview

User Rating:
6.7/10   425 votes
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Down 15% in popularity this week. See why on IMDbPro.
Director:
Writers:
Contact:
View company contact information for Babes on Broadway on IMDbPro.
Release Date:
January 1942 (USA) more
Genre:
Tagline:
Youth Has It's Fling ! more
Plot:
Tommy Williams desperately wants to get to Broadway, but as he is only singing in a spaghetti house for tips he is a long way off... more | add synopsis
Plot Keywords:
Awards:
Nominated for Oscar. more
User Reviews:
Remember the TIME FRAME more (21 total)

Cast

  (in credits order) (verified as complete)

Mickey Rooney ... Tommy 'Tom' Williams

Judy Garland ... Penny Morris
Fay Bainter ... Miss 'Jonesy' Jones
Virginia Weidler ... Barbara Josephine 'Jo' Conway
Ray McDonald ... Ray Lambert
Richard Quine ... Morton 'Hammy' Hammond
Donald Meek ... Mr. Stone
Alexander Woollcott ... Himself - Town Cryer Radio Show
Luis Alberni ... Nick
James Gleason ... Thornton Reed, Theatrical Producer
Emma Dunn ... Mrs. Williams
Frederick Burton ... Mr. Theodore Morris
Cliff Clark ... Inspector Moriarity
William Post Jr. ... Woollcott's Announcer
rest of cast listed alphabetically:
St. Luke's Episcopal Church Choristers
The Debutantes
The Music Maids
The Notables
The Peter Brothers
Stafford Quartet
Carl Stockdale ... Man (scenes deleted)
Stop Look and Listen Trio
The Uptowners
Rene Austin ... Elinor Downing, War Refugee (uncredited)
Dick Baron ... Butch (uncredited)
Barbara Bedford ... Mrs. Crainen, the Matron (uncredited)
Robert Bradford ... Tenor in 'Bombshell From Brazil' Number (uncredited)
Dick Davis ... Soloist in Main Title Song (uncredited)
Lester Dorr ... Reed's Writer (uncredited)
Jeanie Dunn ... Soloist in Main Title Song (uncredited)
Maxine Flores ... Pitt-Astor Girl (uncredited)

Ava Gardner ... Pitt-Astor Girl (uncredited)
Tom Hanlon ... Short Wave Radio Man (uncredited)

Richard Haydel ... Extra in Acting Group (uncredited)
Arthur Hoyt ... Little Man Entering Nick's (uncredited)
Sheldon Kelsey ... Comedy 'Horse' Act (uncredited)
William A. Lee ... Shorty, Pitt-Astor Waiter (uncredited)
Jack 'Tiny' Lipson ... Hefty Customer at Nick's (uncredited)
Sidney Miller ... Tony (uncredited)
Six Hits and a Miss ... Singing Group (uncredited)
Dorothy Morris ... Pitt-Astor Girl (uncredited)
George Noisom ... Extra in Acting Group (uncredited)
Margaret O'Brien ... Maxine, Little Girl at Audition (uncredited)
Sidney Pepple ... Solist in Main Title Song (uncredited)
Jean Porter ... (uncredited)

Donna Reed ... Jonesy's Secretary (uncredited)
Anne Rooney ... Jenny (uncredited)
Shimen Ruskin ... Excited Russian (uncredited)
Roger Steele ... Robert Phillips, War Refugee (uncredited)
Charles Wagenheim ... Reed's Composer (uncredited)
Annalee Waller ... (uncredited)
Bryant Washburn ... Reed's Director (uncredited)
Douglas Wright ... Comedy 'Horse' Act (uncredited)
Joe Yule ... Mason, Aide to Reed (uncredited)
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Directed by
Busby Berkeley 
 
Writing credits
Fred F. Finklehoffe (story) (as Fred Finklehoffe)

Fred F. Finklehoffe (screenplay) (as Fred Finklehoffe) and
Elaine Ryan (screenplay)

Produced by
Arthur Freed .... producer
 
Original Music by
Leo Arnaud (uncredited)
George Bassman (uncredited)
George Stoll (uncredited)
 
Cinematography by
Lester White 
 
Film Editing by
Fredrick Y. Smith 
 
Art Direction by
Cedric Gibbons 
 
Set Decoration by
Edwin B. Willis 
 
Costume Design by
Robert Kalloch (gowns) (as Kalloch)
 
Makeup Department
Jack Dawn .... makeup designer
 
Second Unit Director or Assistant Director
Bill Ryan .... assistant director (uncredited)
Bert Spurlin .... assistant director (uncredited)
 
Art Department
Malcolm Brown .... associate art director
 
Sound Department
Douglas Shearer .... recording director
 
Costume and Wardrobe Department
Gile Steele .... wardrobe: men
 
Music Department
Leo Arnaud .... orchestrator
Leo Arnaud .... vocal arranger
George Bassman .... orchestrator
George Bassman .... vocal arranger
Roger Edens .... music adaptor
Merrill Pye .... musical presentation
Conrad Salinger .... orchestrator
Conrad Salinger .... vocal arranger
George Stoll .... musical director (as Georgie Stoll)
 
Other crew
Howard Dietz .... publicity director (uncredited)
Vincente Minnelli .... director: solo sequences (uncredited)
 
Crew verified as complete


Production CompaniesDistributors
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Additional Details

Runtime:
118 min
Country:
Language:
Aspect Ratio:
1.37 : 1 more
Sound Mix:
Mono (Western Electric Sound System)
Certification:

Fun Stuff

Trivia:
Margaret O'Brien's film debut. more
Quotes:
Miss 'Jonesy' Jones: Every actor in New York will love you!
Thornton Reed, Theatrical Producer: I don't want every actor in New York to love me! I want my wife to love me!
more
Movie Connections:
Featured in That's Dancing! (1985) more
Soundtrack:
She Is Ma Daisy more

FAQ

This FAQ is empty. Add the first question.
7 out of 10 people found the following review useful.
Remember the TIME FRAME, 6 August 2005
7/10
Author: msytn from United States

This movie CANNOT be reviewed in terms of current times. It is ridiculous to even think it can. Of course NOW to see a black face routine would be totally unacceptable (and that is as it should be) but you have to remember WHEN this movie was made and base reviews on that. The musical routines for the most part are excellent. Mickey DOES overact horribly but you can't really blame all that on him. Busby Berkley was the director and he should have toned it down. It is obvious that one young person who said that Mickey should never have had a career has obviously never seen the TV movie BILL. With good direction, Mickey is a fabulous actor. Judy shines in anything and everything she ever did, even when it was hokey (and this movie definitely had some bad jokes). I am just sorry that Virginia Weidler did not have a longer career and that she died so young. If you want to see her in something brilliant, watch THE PHILADELPHIA STORY where she plays Katharine Hepburn's younger sister.

This movie is a product of its times. But these times aren't much better. Which is worse, black face routines or movies with gratuitous sex and blatant violence, blood, and guts? Racism is a horrible thing but it goes on in movies even today (in films made by Caucasian and African-Americans). What makes the black face routine even worse is that it was totally unnecessary to the plot and they could have done something better.

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