| Photos (see all 10 | slideshow) |
| Joel McCrea | ... | John L. Lloyd 'Sully' Sullivan | |
| Veronica Lake | ... | The Girl | |
| Robert Warwick | ... | Mr. Lebrand | |
| William Demarest | ... | Mr. Jones | |
| Franklin Pangborn | ... | Mr. Casalsis | |
| Porter Hall | ... | Mr. Hadrian | |
| Byron Foulger | ... | Mr. Johnny Valdelle | |
| Margaret Hayes | ... | Secretary | |
| Robert Greig | ... | Burroughs (Sullivan's butler) | |
| Eric Blore | ... | Sullivan's valet | |
| Torben Meyer | ... | The doctor | |
| Victor Potel | ... | Cameraman | |
| Richard Webb | ... | Radio man | |
| Charles R. Moore | ... | Colored chef (as Charles Moore) | |
| Almira Sessions | ... | Ursula Kornheiser | |
| Esther Howard | ... | Miz Zeffie Kornheiser | |
| Frank Moran | ... | Tough chauffeur | |
| Georges Renavent | ... | Old tramp | |
| Harry Rosenthal | ... | The Trombenick | |
| Al Bridge | ... | Jake, 'The Mister' (as Alan Bridge) | |
| Jimmy Conlin | ... | Trusty | |
| Jan Buckingham | ... | Mrs. Sullivan aka The Panther Woman | |
| Robert Winkler | ... | Bud | |
| Chick Collins | ... | Tramp on Train - Capital | |
| Jimmie Dundee | ... | Tramp on Train - Labor | |
| rest of cast listed alphabetically: | |||
| George Anderson | ... | Sullivan's ex-manager (uncredited) | |
| Myrtle Anderson | ... | Churchgoer (uncredited) | |
| Elizabeth Ashley | ... | Churchgoer (uncredited) | |
| Roscoe Ates | ... | Counterman at Hollywood diner (uncredited) | |
| Ruth Bias | ... | Churchgoer (uncredited) | |
| Ted Billings | ... | Tramp in Soup Kitchen (uncredited) | |
| Billy Bletcher | ... | Entertainer in hospital (uncredited) | |
| Monte Blue | ... | Policeman in slums (uncredited) | |
| Grace Boone | ... | Churchgoer (uncredited) | |
| Ed Brady | ... | Hobo Hopping Train (uncredited) | |
| Arie Lee Branche | ... | Churchgoer (uncredited) | |
| William Broadus | ... | Churchgoer (uncredited) | |
| Jess Lee Brooks | ... | Preacher at church showing movies (uncredited) | |
| Anita Brown | ... | Churchgoer (uncredited) | |
| Ruth Byers | ... | Churchgoer (uncredited) | |
| Matilda Caldwell | ... | Churchgoer (uncredited) | |
| Mark Carnahan | ... | Churchgoer (uncredited) | |
| Chester Conklin | ... | Old bum (uncredited) | |
| Laurence Criner | ... | Churchgoer (uncredited) | |
| Gladys Davis | ... | Churchgoer (uncredited) | |
| James Davis | ... | Churchgoer (uncredited) | |
| Edgar Dearing | ... | Motorcycle cop in mud gag (uncredited) | |
| Joan Douglas | ... | Churchgoer (uncredited) | |
| A. Downs | ... | Churchgoer (uncredited) | |
| Frances Driver | ... | Churchgoer (uncredited) | |
| Robert Dudley | ... | One-legged hobo (uncredited) | |
| LeRoy Edwards | ... | Churchgoer (uncredited) | |
| Fay Fifer | ... | Churchgoer (uncredited) | |
| Elizabeth Gray | ... | Churchgoer (uncredited) | |
| Kit Guard | ... | Convict (uncredited) | |
| Jester Hairston | ... | Charlie - Church Projectionist (uncredited) | |
| Chuck Hamilton | ... | Reporter (uncredited) | |
| Inez Hatchett | ... | Churchgoer (uncredited) | |
| Edward Hearn | ... | Policeman at Beverly Hills station (uncredited) | |
| Arthur Hoyt | ... | Preacher at revival mission (uncredited) | |
| Sheldon Jett | ... | Man in Bathhouse / Studio Executive (uncredited) | |
| Paul Jones | ... | Photographs of Dear Joseph (uncredited) | |
| Bob Kortman | ... | Convict Watching Movie in Church (uncredited) | |
| Pearl Lancaster | ... | Churchgoer (uncredited) | |
| Cora Lang | ... | Churchgoer (uncredited) | |
| Perc Launders | ... | Railyard bull (uncredited) | |
| J. Farrell MacDonald | ... | Desk sergeant (uncredited) | |
| Pat McKee | ... | Tramp at Revival Meeting (uncredited) | |
| Esther Michelson | ... | Woman on 'Poor Street' (uncredited) | |
| Frank Mills | ... | Drunk eating in theater (uncredited) | |
| Howard M. Mitchell | ... | Railroad clerk (uncredited) | |
| Bert Moorhouse | ... | Reporter (uncredited) | |
| Paul Newlan | ... | Truck driver (uncredited) | |
| Artie Overstreet | ... | Churchgoer (uncredited) | |
| Emory Parnell | ... | Railroad yard bull (uncredited) | |
| War Perkins | ... | Churchgoer (uncredited) | |
| Lon Poff | ... | Chain Gang Convict Watching Movie in Church (uncredited) | |
| Gus Reed | ... | Mission cook (uncredited) | |
| Mary Reed | ... | Churchgoer (uncredited) | |
| Cyril Ring | ... | Reporter (uncredited) | |
| Willard Robertson | ... | Judge (uncredited) | |
| Dewey Robinson | ... | Charlie (sheriff at work camp) (uncredited) | |
| Sheila Sheldon | ... | Child on 'Poor Street' (uncredited) | |
| Irving Smith | ... | Churchgoer (uncredited) | |
| Preston Sturges | ... | Studio director (uncredited) | |
| Madame Sul-Te-Wan | ... | Church harmonium payer (uncredited) | |
| Julius Tannen | ... | Public Defender (uncredited) | |
| Lillian Taylor | ... | Churchgoer (uncredited) | |
| Henry 'Hot Shot' Thomas | ... | Churchgoer (uncredited) | |
| Maggie Thomas | ... | Churchgoer (uncredited) | |
| Harry Tyler | ... | Railroad information clerk (uncredited) | |
| Notable Vines | ... | Churchgoer (uncredited) | |
| Cheryl Walker | ... | Veronica Lake's Double (uncredited) | |
| Pat West | ... | Counterman at Las Vegas diner (uncredited) | |
| Jack Winslow | ... | Churchgoer (uncredited) | |
| Bill Wolfe | ... | Toothless man at revival meeting (uncredited) | |
Directed by | |||
| Preston Sturges | |||
Writing credits | ||
| Preston Sturges | (written by) | |
Produced by | |||
| Paul Jones | .... | associate producer | |
| Buddy G. DeSylva | .... | executive producer (uncredited) | |
| Preston Sturges | .... | producer (uncredited) | |
Original Music by | |||
| Charles Bradshaw | |||
| Leo Shuken | |||
Cinematography by | |||
| John F. Seitz | (as John Seitz) | ||
Film Editing by | |||
| Stuart Gilmore | |||
Casting by | |||
| Robert Mayo | (uncredited) | ||
Art Direction by | |||
| Hans Dreier | |||
| A. Earl Hedrick | (as Earl Hedrick) | ||
Costume Design by | |||
| Edith Head | |||
Makeup Department | |||
| Wally Westmore | .... | makeup artist | |
| Hal Lierley | .... | makeup artist (uncredited) | |
| Merle Reeves | .... | hair stylist (uncredited) | |
| Leonora Sabine | .... | hair stylist supervisor (uncredited) | |
Production Management | |||
| Joseph C. Youngerman | .... | unit manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Barton Adams | .... | second assistant director (uncredited) | |
| Anthony Mann | .... | assistant director (uncredited) | |
| Hollingsworth Morse | .... | first assistant director (uncredited) | |
Art Department | |||
| Robert Goodstein | .... | second props (uncredited) | |
| Oscar Law | .... | first props (uncredited) | |
| Ray Moyer | .... | set dresser (uncredited) | |
Sound Department | |||
| Harry D. Mills | .... | sound recordist (as Harry Mills) | |
| Walter Oberst | .... | sound recordist | |
| Wallace Nogle | .... | stage engineer (uncredited) | |
| Grant Rymal | .... | sound recordist (uncredited) | |
| George Ziegler | .... | boom operator (uncredited) | |
Stunts | |||
| Wesley Hopper | .... | stunt double: Joel McCrea (uncredited) | |
| Allen Pomeroy | .... | stunt double (uncredited) | |
| John Sinclair | .... | stunt double (uncredited) | |
Camera and Electrical Department | |||
| Farciot Edouart | .... | process photographer | |
| Francis Burgess | .... | assistant camera (uncredited) | |
| Earl Crowell | .... | gaffer (uncredited) | |
| Walter McCloud | .... | company grip (uncredited) | |
| Talmadge Morrison | .... | still photographer (uncredited) | |
| Otto Pierce | .... | second camera operator (uncredited) | |
| James Tait | .... | electrician (uncredited) | |
| George Ziegler | .... | mike grip (uncredited) | |
Animation Department | |||
| Norman Ferguson | .... | animator: "Playful Pluto" (uncredited) | |
| Dick Lundy | .... | animator: "Playful Pluto" (uncredited) | |
Casting Department | |||
| Bill Greenwald | .... | casting assistant (uncredited) | |
| Bert McKay | .... | casting assistant (uncredited) | |
| Alice Thomas | .... | casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Clayton Brackett | .... | wardrobe: men (uncredited) | |
| Hazel Hegarty | .... | wardrobe: women (uncredited) | |
Editorial Department | |||
| Chandler House | .... | assistant cutter (uncredited) | |
Music Department | |||
| Sigmund Krumgold | .... | musical director | |
| Gerard Carbonara | .... | composer: stock music (uncredited) | |
| John Leipold | .... | composer: stock music (uncredited) | |
| Joseph J. Lilley | .... | composer: stock music (uncredited) | |
| Albert Hay Malotte | .... | composer: cartoon music (uncredited) | |
| Ernst Toch | .... | composer: stock music (uncredited) | |
| Victor Young | .... | composer: stock music (uncredited) | |
Other crew | |||
| Ernst Laemmle | .... | assistant writer | |
| Teet Carle | .... | publicist (uncredited) | |
| Nesta Charles | .... | script clerk (uncredited) | |
| Walt Disney | .... | producer: "Playful Pluto" (uncredited) | |
| Burt Gillett | .... | director: "Playful Pluto" (uncredited) | |
| Edwin Gillette | .... | secretary: Mr. Sturges (uncredited) | |
| Norman Lacey | .... | location manager (uncredited) | |
| Marie Morris | .... | secretary (uncredited) | |
| Isabelle Sullivan | .... | script assistant (uncredited) | |
| Cheryl Walker | .... | double: Veronica Lake (uncredited) | |
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"Sullivan's Travels" is one of the best films that came out of Hollywood in 1941. Preston Sturges showed he was an original with this story about self-discovery for a man that has a different view of the world. In a way, this is a satire about the movie industry.
Hollywood in the early years, wouldn't touch any project that it deemed non commercial. Which is why when John Sullivan, a successful director of film comedies decides to do a movie based on a serious book, the studio thinks he must be going crazy. Why would this director want to make the movie going public think? It was a preposterous notion then, as well as today, when basically all movies making any points are independently produced. After all, the industry wants everyone to have a great time, be entertained, and not make them think about at all.
John Sullivan gets much more than what he bargained for when he decides to take to the back roads of the country, dressed as a hobo and with only ten cents in his pocket. The first check on reality comes when he meets the kind girl at the road side diner. He is hungry, but what can one get for a dime? This girl, who has had it trying to make a name in the movies, orders ham and eggs for him, no strings attached. If there is a more kindred soul than this young woman who wants nothing in return, we haven't met her yet.
Sully and the girl go back on the road where they witness the reality of America's indigents traveling back and forth in empty cattle cars all over the country in search of jobs, or perhaps a better living. Sullivan ultimately wants to give money anonymously to the poor people he has met, but he meets with disaster and ends up in jail, the victim of circumstantial evidence and he is sent to jail. One night Sully discovers the great mystery about the allure of the pictures: It's the laughter stupid! Sullivan realizes how far off the mark he has been in trying to bring drama to the masses.
Joel McCrea makes a fantastic Sullivan. This under estimated man was a great comedian, as well as an actor that is always believable. The whole reason for watching this movie is Mr. McCrea's performance. His chemistry with the ravishingly beautiful and young Veronica Lake is one of the best things in the film. Both these actors, under Mr. Sturges' direction do their best work on screen. Sturges makes fun at his own expense when the girl asks Sully if he can introduce her to the great Hollywood director, Ernst Lubitsch. Mr. McCrea and Ms. Lake seem to be having a fun time together.
Mr. Sturges always surrounded himself with a group of actors that one sees in his movies. Robert Greig, Eric Blore, William Demarest, and the rest of the cast contribute to make this a winning comedy. The best scene that involves most of these actors happen at the beginning of the film when they are chasing Sullivan in the R.V. and things inside the trailer begin falling all over the place. That was priceless movie making.
Preston Sturges combines a social commentary with comedy in this brilliant film that is a tribute to his genius.