The Maltese Falcon (1941)

Director:

John Huston

Writers:

Dashiell Hammett (novel)
John Huston (screenplay)

Release Date:

18 October 1941 (USA)

Genre:

Crime | Film-Noir | Mystery

Tagline:

It's thrilling . . . it's chilling . . . it's the most baffling mystery story in years !

Plot:

A private detective takes on a case that involves him with three eccentric criminals, a gorgeous liar, and their quest for a priceless statuette.

Plot Keywords:

Partner | Murder | Police | Maltese Falcon | Statuette

Awards:

Nominated for 3 Oscars. Another 1 win

Cast

Humphrey Bogart	...	Sam Spade
Mary Astor	...	Brigid O'Shaughnessy
Gladys George	...	Iva Archer
Peter Lorre	...	Joel Cairo
Barton MacLane	...	Det. Lt. Dundy
Lee Patrick	...	Effie Perine
Sydney Greenstreet	...	Kasper Gutman
Ward Bond	...	Det. Tom Polhaus
Jerome Cowan	...	Miles Archer
Elisha Cook Jr.	...	Wilmer Cook
James Burke	...	Luke
Murray Alper	...	Frank Richman
John Hamilton	...	District Attorney Bryan
rest of cast listed alphabetically:
Charles Drake	...	Reporter (uncredited)
Chester Gan	...	Bit part (uncredited)
Creighton Hale	...	Stenographer (uncredited)
Robert Homans	...	Policeman (uncredited)
William Hopper	...	Reporter (uncredited)
Walter Huston	...	Capt. Jacobi (uncredited)
Hank Mann	...	Reporter (uncredited)
Jack Mower	...	Announcer (uncredited)
Emory Parnell	...	Ship's mate (uncredited)

Directed by
John Huston

Writing credits
Dashiell Hammett		(novel)
John Huston		(screenplay)

Produced by
Henry Blanke	....	associate producer
Hal B. Wallis	....	executive producer

Original Music by
Adolph Deutsch

Cinematography by
Arthur Edeson		(director of photography)

Film Editing by
Thomas Richards

Art Direction by
Robert M. Haas		(as Robert Haas)

Costume Design by
Orry-Kelly		(gowns)

Makeup Department
Perc Westmore	....	makeup artist
Frank McCoy	....	makeup artist (uncredited)

Production Management
Al Alleborn	....	unit manager (uncredited)

Second Unit Director or Assistant Director
Claude Archer	....	assistant director (uncredited)

Sound Department
Oliver S. Garretson	....	sound

Music Department
Leo F. Forbstein	....	musical director
Arthur Lange	....	orchestrator (uncredited)

Other crew
Robert Foulk	....	dialogue director
Meta Carpenter	....	script supervisor (uncredited)

Production Companies

• Warner Bros. Pictures

Distributors

• Warner Bros. Pictures (1941) (USA) (theatrical)
• Warner Bros. (1949) (West Germany) (theatrical)
• MGM/UA Home Entertainment (1997) (USA) (VHS)
• Filmmuseum Distributie (2000) (Netherlands) (theatrical) (re-release)
• Warner Bros. (2000) (Germany) (theatrical) (re-release)
• Warner Home Video (2000) (Netherlands) (VHS)
• Warner Home Video (2000) (USA) (DVD)
• Warner Home Video (2002) (USA) (DVD)
• Warner Home Video (2003) (USA) (DVD)
• Warner Home Video (2005) (USA) (DVD)
• Warner Home Video (2006) (USA) (DVD)
• Chapel Distribution (1997) (Australia) (theatrical)
• CBS/Fox (19??) (USA) (VHS)
• Warner Home Vídeo (????) (Brazil) (DVD) (as "O Falcão Maltês")
• Warner Home Vídeo (????) (Brazil) (VHS)

Also Known As:

The Gent from Frisco (USA) (working title)

Runtime:

101 min

Country:

USA

Language:

English

Color:

Black and White

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono (RCA Sound System)

Certification:

Australia:G (TV rating) | UK:A (original rating) | Canada:G (Nova Scotia/Quebec) | UK:PG (video rating) | Canada:PG (Manitoba/Ontario) | Spain:T | Iceland:L | West Germany:16 (nf) | New Zealand:PG | South Korea:12 (2003) | Brazil:12 | Australia:PG | Finland:K-16 | Germany:12 | Netherlands:AL | Norway:16 (1945) | Sweden:15 | USA:Approved (certificate #7457)

Filming Locations:

Bush Street, San Francisco, California, USA

Company:

Warner Bros. Pictures

Trivia:

When Spade visits the murder scene of his partner, in the background can be seen a poster for a film called Swing Your Lady (1938), an in-joke directed at Humphrey Bogart who was one of the stars of this B-movie. Bogart referred to it as "the worst picture I ever made".

Goofs:

Continuity: When Dundy and Polhaus are in the Spade's house, Spade serves a drink to them. When he begins to serve, Dundy is standing and Polhaus sitting. Then Polhaus stands up in the right side of Spade. Next shot he is in front of Spade.

Quotes:

[first lines]
Sam Spade: Yes, sweetheart?
Effie Perine: There's a girl wants to see you. Her name's Wonderly.
Sam Spade: A customer?
Effie Perine: I guess so. You'll want to see her anyway. She's a knockout.

Movie Connections:

Referenced in "Navy NCIS: Naval Criminal Investigative Service: Minimum Security (#1.8)" (2003)

Top notch mystery that kicked off the film noir genre of the 1940s

"The Maltese Falcon", scripted and directed by Hollywood first-timer John Huston (from Dashiell Hammett's novel), would go on to become an American film classic. Humphrey Bogart chews the scenery in his star-making turn as acid-tongued private eye Sam Spade, whose association with the beautiful and aloof Brigid O'Shaughnessy (Mary Astor), neurotic Joel Cairo (Peter Lorre), and morbidly obese Kasper Gutman (Sydney Greenstreet, in his Oscar-nominated screen debut) over the recovery of the title object, sets in motion a movie experience that is as much crackling as it is dazzling. While much of the action and dialogue is considerably dated by modern standards, the film's essential power to mystify and entrance remains undiminished despite its age. While this was the third adaptation of Hammett's story (the first was made in 1931 and the second was "Satan Met a Lady" (1936)), this is also the best remembered and most praised, due largely in part to Bogart's seemingly effortless portrayal of the tough but softhearted, world-weary hero. Mary Astor and Lee Patrick were, respectively, the definitive femme fatale and girl Friday, and the villianous roles of Cairo, Gutman and Wilmer (Elisha Cook Jr.) were equally remarkable. What may not be wholly obvious is the fact that these three men have homosexual tendencies (as given in the novel), but just look at what's given: Cairo's delicate speech and manner, Wilmer's questionable quick tempered attitude towards Spade (could this be covering up the fact that he finds Spade attractive?) and Gutman's clutching of Spade's arm when Sam arrives at his hotel room. A polished film noir that gave rise to Bogart's mounting popularity. (Sidenote: The character of Sam Spade was originally offered to George Raft, who turned it down. Raft also turned down "Casablanca" (1942), "High Sierra" (1941) and William Wyler's "Dead End" (1937), all of which went to Bogart and helped to boost his star status. Bogart had Raft to thank for his enduring popularity.) A must-see masterpiece. ****