| Photos (see all 7 | slideshow) |
| Errol Flynn | ... | Captain Kerry Bradford | |
| Miriam Hopkins | ... | Julia Hayne | |
| Randolph Scott | ... | Captain Vance Irby | |
| Humphrey Bogart | ... | John Murrell | |
| Frank McHugh | ... | Mr. Upjohn | |
| Alan Hale | ... | Olaf 'Moose' Swenson | |
| Guinn 'Big Boy' Williams | ... | 'Marblehead' | |
| John Litel | ... | Thomas Marshall | |
| Douglass Dumbrille | ... | Major Drewery (as Douglas Dumbrille) | |
| Moroni Olsen | ... | Dr. Robert Cameron | |
| Russell Hicks | ... | John Armistead | |
| Dickie Jones | ... | Cobby Gill | |
| Frank Wilcox | ... | Union Outpost Soldier | |
| Russell Simpson | ... | Frank Gaylord | |
| Victor Kilian | ... | Abraham Lincoln | |
| Charles Middleton | ... | Jefferson Davis | |
| rest of cast listed alphabetically: | |||
| Trevor Bardette | ... | Union fanatic with knife (uncredited) | |
| Hank Bell | ... | Barfly (uncredited) | |
| Ward Bond | ... | Confederate sergeant checking passengers (uncredited) | |
| Roy Bucko | ... | Barfly (uncredited) | |
| Lane Chandler | ... | Irby's orderly at Libby (uncredited) | |
| Spencer Charters | ... | Sazerac Saloon bartender (uncredited) | |
| George Chesebro | ... | Southerner (uncredited) | |
| Tex Cooper | ... | Townsman (uncredited) | |
| Ben Corbett | ... | Barfly (uncredited) | |
| Harry Cording | ... | Scarecrow (Union prisoner at Libby) (uncredited) | |
| Claire Du Brey | ... | Southern woman with rifle (uncredited) | |
| Tom Dugan | ... | Saloon spieler (uncredited) | |
| Jim Farley | ... | Southerner (uncredited) | |
| Paul Fix | ... | Murrell's henchman (uncredited) | |
| Roy Gordon | ... | Major Gen. Taylor (uncredited) | |
| George Guhl | ... | Sazerac Saloon bartender #2 (uncredited) | |
| Henry Hall | ... | Union officer (uncredited) | |
| Thurston Hall | ... | Gen. George Meade (uncredited) | |
| Charles Halton | ... | Ralston (Virginia City banker) (uncredited) | |
| Al Haskell | ... | Guerrilla (uncredited) | |
| Howard C. Hickman | ... | Confederate General Page (uncredited) | |
| Max Hoffman Jr. | ... | Union sergeant (uncredited) | |
| Robert Homans | ... | Southerner (uncredited) | |
| William Hopper | ... | Lieutenant reporting Murrell's attack (uncredited) | |
| Reed Howes | ... | Union sergeant on horse (uncredited) | |
| Edward Keane | ... | Officer (uncredited) | |
| Jack Kenny | ... | Barfly (uncredited) | |
| Bernard L. Kowalski | ... | Extra (uncredited) | |
| Ethan Laidlaw | ... | Union Soldier (uncredited) | |
| Wilfred Lucas | ... | Southerner (uncredited) | |
| Sam McDaniel | ... | Sam Moore (black driver) (uncredited) | |
| Walter Miller | ... | Sergeant in saloon reporting Irby's whereabouts (uncredited) | |
| Frank Mills | ... | Prisoner at Libby Prison (uncredited) | |
| Shirley Mills | ... | Crying young Southern girl (uncredited) | |
| Art Mix | ... | Southerner (uncredited) | |
| Kansas Moehring | ... | Southerner (uncredited) | |
| Monte Montague | ... | Wells Fargo stage driver (uncredited) | |
| Philip Morris | ... | Confederate sentry (uncredited) | |
| Jack Mower | ... | Outpost officer (uncredited) | |
| Wedgwood Nowell | ... | Prosecuting officer (uncredited) | |
| Artie Ortego | ... | Guerrilla (uncredited) | |
| Bud Osborne | ... | Ted - Stage Driver (uncredited) | |
| Eddie Parker | ... | Lieutenant (uncredited) | |
| George Reeves | ... | Maj. Drewery's Union Telegrapher (uncredited) | |
| George Regas | ... | Murrell's halfbreed henchman (uncredited) | |
| Albert Russell | ... | Southerner (uncredited) | |
| Georgia Simmons | ... | Southern spinster (uncredited) | |
| Al Taylor | ... | Barfly (uncredited) | |
| Charles Trowbridge | ... | Seddon - Aide to Jefferson Davis (uncredited) | |
| Brandon Tynan | ... | Trenholm (uncredited) | |
| Blackie Whiteford | ... | Townsman standing by stagecoach (uncredited) | |
| Norman Willis | ... | Union Sergeant (uncredited) | |
Directed by | |||
| Michael Curtiz | |||
Writing credits | ||
| Robert Buckner | (original screenplay) | |
| Howard Koch | uncredited | |
| Norman Reilly Raine | uncredited | |
Produced by | |||
| Robert Fellows | .... | associate producer | |
| Hal B. Wallis | .... | executive producer | |
Original Music by | |||
| Max Steiner | |||
Cinematography by | |||
| Sol Polito | (director of photography) | ||
Film Editing by | |||
| George Amy | |||
Art Direction by | |||
| Ted Smith | |||
| Robert M. Haas | (uncredited) | ||
Costume Design by | |||
| Orry-Kelly | (uncredited) | ||
Makeup Department | |||
| Perc Westmore | .... | makeup artist | |
Production Management | |||
| Jack L. Warner | .... | executive in charge of production | |
| Frank Mattison | .... | unit manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Sherry Shourds | .... | assistant director (uncredited) | |
Sound Department | |||
| Oliver S. Garretson | .... | sound | |
| Francis J. Scheid | .... | sound | |
Special Effects by | |||
| Hans F. Koenekamp | .... | special effects (as H.F. Koenekamp) | |
| Byron Haskin | .... | special effects (uncredited) | |
Stunts | |||
| Yakima Canutt | .... | stunt double: Errol Flynn/Guinn Williams (uncredited) | |
| Gil Perkins | .... | stunts (uncredited) | |
| Chad Trower | .... | stunt rider (uncredited) | |
| Buster Wiles | .... | stunts (uncredited) | |
| Jack Williams | .... | stunts (uncredited) | |
Music Department | |||
| Leo F. Forbstein | .... | musical director | |
| Hugo Friedhofer | .... | music arranger: orchestral music | |
| Max Steiner | .... | conductor (uncredited) | |
Other crew | |||
| Jo Graham | .... | dialogue director | |
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I loved this movie even though it is true Boggie was terribly miscast. But Scott is wonderful as the Rebel officer and Flynn is great, even poignant at times as the Union officer, particularly when they had scenes of them in the Rebel POW camp. I also liked Mirima Hopkin's version of "Battle Cry Of Freedom." And the comic relief is actually generates a few laughs. I have always felt Errol Flynn was underrated as an actor. Check out "Objective Burma" and you will see what I mean. It is also hard to find a Civil War movie that is sympathetic to the North back in the 40's and 50's. For some reason, Hollywood always made the South seem so much more gallant and brave. Maybe they were worried about their Soutghern markets.
I am interested in any opinions on this movie.