Rebecca (1940)

Director:

Alfred Hitchcock

Writers:

Daphne Du Maurier (novel)
Philip MacDonald (adaptation) ...

Release Date:

12 April 1940 (USA)

Genre:

Mystery | Romance | Thriller

Tagline:

The shadow of this woman darkened their love.

Plot:

When a naive young woman marries a rich widower and settles in his gigantic mansion, she finds the memory of the first wife maintaining a grip on her husband and the servants.

Plot Keywords:

Love | Housekeeper | Death | Widower | Servant

Awards:

Won 2 Oscars. Another 9 nominations

Cast

Laurence Olivier	...	'Maxim' de Winter
Joan Fontaine	...	The Second Mrs. de Winter
George Sanders	...	Jack Favell
Judith Anderson	...	Mrs. Danvers
Nigel Bruce	...	Major Giles Lacy
Reginald Denny	...	Frank Crawley
C. Aubrey Smith	...	Colonel Julyan
Gladys Cooper	...	Beatrice Lacy
Florence Bates	...	Mrs. Edythe Van Hopper
Melville Cooper	...	Coroner
Leo G. Carroll	...	Dr. Baker
Leonard Carey	...	Ben
Lumsden Hare	...	Tabbs
Edward Fielding	...	Frith
Forrester Harvey	...	Chalcroft

Runtime:

130 min

Country:

USA

Language:

English | French

Color:

Black and White

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono (Western Electric Noiseless Recording)

Certification:

West Germany:16 | UK:A (original rating) | UK:PG (re-rating) | Spain:13 | Iceland:L | USA:Approved (certificate #5969) | Argentina:13 | Chile:14 | Finland:K-12 | South Korea:15 | Sweden:15 | Peru:14 | Germany:16

Filming Locations:

Big Sur, California, USA

Company:

Selznick International Pictures

Trivia:

The first film Alfred Hitchcock made in Hollywood and the only one that won a Best Picture Oscar.

Goofs:

Factual errors: Impossible police procedure: immediately after the inquest, the Chief Constable starts a possible murder inquiry, on his own, taking the chief suspect with him. The movie is only done in this way because it is faithful to the book.

Quotes:

Mrs. Danvers: [brings out a negligee from under the bedcovers] Did you ever see anything so delicate?
[motions the second Mrs. de Winter over]
Mrs. Danvers: Look, you can see my hand through it!

Movie Connections:

Referenced in The Mostly Unfabulous Social Life of Ethan Green (2005)

Joan Fontaine is so beautiful

I spent the majority of this film thinking about how lucky M. Olivier really was. To be able to wrap his arms around Joan Fontaine and kiss her. Oh my. She's one of the most beautiful women I've ever seen (almost, but not quite as beautiful as Veronica Lake). She's also absolutely perfect in the role of the second Mrs. DeWinter, taking a character that could have become a cloying bore in less capable hands and transforming her into a sympathetic and interesting figure.

The movie, on the whole, is similarly amazing, capturing the spirit and the tone of those great Gothic romances. Watching Rebecca, I was reminded (pleasantly) of Wuthering Heights; I do not mean to suggest that in some way this film re-tells the tale of Cathy and Heathcliff, but rather that Rebecca has the feel of Bronte's novel (I am most certainly not talking about the William Wyler adaptation a few years before the release of Rebecca. That's a terrible film that somehow manages to mis-interpret the novel).

I must assume that the guiding hand of Hitchcock played no small role in recreating the feel of a Gothic romance. There are very few that would be able to take a love story, infuse it with such gloom, with such a sense of foreboding, and still manage to create something that ends happily without it feeling like a cop-out. I'd also like to draw everyone's attention to the incredibly moving section of the film that occurs between the arrival of the second Mrs. DeWinter at Mandalay and the masqued ball. The emotional strain on the Joan Fontaine character is so palpable, so absolutely taxing, that it actually pains me to watch. I hurt along with her. Few other movies affect me so emotionally - one of them is Vertigo.

All in all, this is a fantastic piece of film-making from Hollywood's golden age. Laurence Olivier is in top-form, as he plays the quiet, sad Maxim and George Sanders is positively hateful.

10/10 - a visceral masterpiece