| John Wayne | ... | Olsen | |
| Thomas Mitchell | ... | Driscoll | |
| Ian Hunter | ... | Smitty | |
| Barry Fitzgerald | ... | Cocky | |
| Wilfrid Lawson | ... | Captain | |
| John Qualen | ... | Axel | |
| Mildred Natwick | ... | Freda | |
| Ward Bond | ... | Yank | |
| Arthur Shields | ... | Donkeyman | |
| Joe Sawyer | ... | Davis (as Joseph Sawyer) | |
| J.M. Kerrigan | ... | Crimp | |
| Rafaela Ottiano | ... | Bella | |
| Carmen Morales | ... | Principal Spanish Girl | |
| Jack Pennick | ... | Johnny | |
| Bob Perry | ... | Paddy (as Bob E. Perry) | |
| Constant Franke | ... | Norway (as Constant Frenke) | |
| David Hughes | ... | Scotty | |
| Constantine Romanoff | ... | Big Frank | |
| Danny Borzage | ... | Tim (as Dan Borzage) | |
| Harry Tenbrook | ... | Max | |
| Cyril McLaglen | ... | First Mate | |
| Douglas Walton | ... | Second Mate | |
| rest of cast listed alphabetically: | |||
| Billy Bevan | ... | Joe, Limehouse Barman (uncredited) | |
| Mary Carewe | ... | Elizabeth, Smitty's Wife (uncredited) | |
| Bing Conley | ... | Limehouse Roustabout (uncredited) | |
| Lita Cortez | ... | Bumboat Girl (uncredited) | |
| Jane Crowley | ... | Kate (uncredited) | |
| Carmen D'Antonio | ... | Bumboat Girl (uncredited) | |
| Lowell Drew | ... | Blind Man (uncredited) | |
| James Flavin | ... | Dock Policeman (uncredited) | |
| Soledad Gonzales | ... | Bumboat Girl (uncredited) | |
| Guy Kingsford | ... | London Policeman (uncredited) | |
| Judith Linden | ... | Bumboat Girl (uncredited) | |
| Elena Martínez | ... | Bumboat Girl (uncredited) | |
| Tina Menard | ... | Bumboat Girl (uncredited) | |
| Art Miles | ... | Captain of the Amindra (uncredited) | |
| Lionel Pape | ... | Mr. Clifton (uncredited) | |
| Luanne Robb | ... | Smitty's Daughter (uncredited) | |
| Ky Robinson | ... | Limehouse Roustabout (uncredited) | |
| Maureen Roden-Ryan | ... | Meg (uncredited) | |
| Lee Shumway | ... | Dock Policeman (uncredited) | |
| Leslie Sketchley | ... | London Policeman (uncredited) | |
| Wyndham Standing | ... | British Naval Officer (uncredited) | |
| Roger Steele | ... | Smitty's Son (uncredited) | |
| Sammy Stein | ... | Seaman (uncredited) | |
| Blue Washington | ... | Black cook on Glencairn (uncredited) | |
| Harry Woods | ... | Amindra 1st mate - signals to Shanghai (uncredited) | |
Directed by | |||
| John Ford | |||
Writing credits | ||
| Eugene O'Neill | (plays "The Moon of the Caribees", "In The Zone", "Bound East for Cardiff" and "The Long Voyage Home") | |
| Dudley Nichols | (adaptation) | |
Produced by | |||
| John Ford | .... | producer | |
| Walter Wanger | .... | producer (uncredited) | |
Original Music by | |||
| Richard Hageman | |||
Cinematography by | |||
| Gregg Toland | |||
Film Editing by | |||
| Sherman Todd | |||
Art Direction by | |||
| James Basevi | |||
Set Decoration by | |||
| Julia Heron | |||
Production Management | |||
| James Dent | .... | production manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Wingate Smith | .... | assistant director (uncredited) | |
Sound Department | |||
| Jack Noyes | .... | sound | |
| Robert Parrish | .... | sound editor (uncredited) | |
Special Effects by | |||
| Ray Binger | .... | special effects (as R.O. Binger) | |
| R.T. Layton | .... | special effects | |
Camera and Electrical Department | |||
| Ned Scott | .... | still photographer (uncredited) | |
Music Department | |||
| Edward Paul | .... | conductor | |
Other crew | |||
| Lowell J. Farrell | .... | production assistant (as Lowell Farrell) | |
| Bernard McEveety | .... | production assistant (as B.F. McEveety) | |
| Wingate Smith | .... | production assistant | |
| Bob Burkhardt | .... | unit publicist (uncredited) | |
|
|
|
|
|
| Gone with the Wind | From Here to Eternity | Die Blechtrommel | King of the Rocket Men | Bitter Victory |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb USA section | Add this title to MyMovies |
The Long Voyage Home is a compilation film of four one act plays by Eugene O'Neill who some will argue is America's greatest dramatist. The man who did the stitching together of O'Neill's work about the crew of the S.S. Glencairn is Dudley Nichols and presiding over it all is the direction of John Ford.
Mr. Ford is usually someone who really puts an individual stamp on one of his movies. But the usual Ford trademarks are noticeably absent from The Long Voyage Home. Probably in mood and style the film of Ford's this comes closest to is The Informer. In fact J.M. Kerrigan is playing almost the same part in this as he did in The Informer.
One thing Ford always did was use the right kind of music to set the tone for a film. Those 19th century ballads like I Dream of Jeannie that work so well in something like Stagecoach are substituted for Harbor Lights. That song expresses so well the longing of a whole bunch of rootless men to find some kind of stability in their lives.
Eugene O'Neill spent many years at sea and the characters of these men on the S.S. Glencairn are drawn from his own youthful experience. Most of our planet is covered by water and no country owns it. It's just called the high seas and the seamen on it are an international fraternity, like the S.S. Glencairn crew. I've always felt that O'Neill was trying to say that if there's any salvation to be had in this old world, it's to be found on the salt water. It's the only place where all kinds of people really work for a common goal, stay alive and make the trip.
The original plays had a World War I background, but it has been updated for World War II. Especially in the part when the crew becomes convinced that Ian Hunter is some kind of spy. Certainly the second World War in 1940 gave the audiences some real interest. Ian Hunter may have given his career performance in this as Smitty. Turns out he's far from what everyone suspects.
Hard to believe that John Wayne would be in a film by one of our greatest dramatists. But the Duke holds his own in the ensemble. It's the only time he ever attempted some kind of accent and he pulls it off. But I'm sure he thought once was enough.
Wayne as Olsen is the innocent of the group, maybe the only time he's ever been that on the screen. The rest of the crew makes every effort to see he does in fact get home to Sweden. It turns out to cost one of them his life ultimately.
If you're any kind of depressed, The Long Voyage Home or any Eugene O'Neill is not good for your mental health. He's one pessimistic fellow that O'Neill. But his insights into our character and soul are always penetrating as they are in The Long Voyage Home.