| Videos |
| Ginger Rogers | ... | Kitty Foyle | |
| Dennis Morgan | ... | Wynnewood 'Wyn' Strafford VI | |
| James Craig | ... | Dr. Mark Eisen | |
| Eduardo Ciannelli | ... | Giono (as Edward Ciannelli) | |
| Ernest Cossart | ... | Pop | |
| Gladys Cooper | ... | Mrs. Strafford | |
| Odette Myrtil | ... | Delphine Detaille | |
| Mary Treen | ... | Pat | |
| K.T. Stevens | ... | Molly (as Katharine Stevens) | |
| Walter Kingsford | ... | Mr. Kennett | |
| Cecil Cunningham | ... | Grandmother | |
| Nella Walker | ... | Aunt Jessica | |
| Edward Fielding | ... | Uncle Edgar | |
| Kay Linaker | ... | Wyn's Wife | |
| Richard Nichols | ... | Wyn's Boy | |
| Florence Bates | ... | Customer | |
| rest of cast listed alphabetically: | |||
| Spencer Charters | ... | Father (scenes deleted) | |
| Heather Angel | ... | Wife in Prologue (uncredited) | |
| Polly Bailey | ... | Tenement Woman (uncredited) | |
| Brooks Benedict | ... | Speakeasy Patron - 100% American (uncredited) | |
| Mary Benoit | ... | (uncredited) | |
| Joseph E. Bernard | ... | Nightclub Waiter #1 (uncredited) | |
| May Boley | ... | Fainting Customer (uncredited) | |
| Tyler Brooke | ... | Husband in Prologue (uncredited) | |
| Ralph Brooks | ... | Speakeasy Patron (uncredited) | |
| Helen Brown | ... | Desk Clerk (uncredited) | |
| Julie Carter | ... | Second Girl in Elevator (uncredited) | |
| Patricia Conway | ... | Infant Baby (uncredited) | |
| Gino Corrado | ... | Speakeasy Waiter (uncredited) | |
| Mary Currier | ... | Clerk at Delphine's (uncredited) | |
| Max Davidson | ... | Flower Man (uncredited) | |
| Mimi Doyle | ... | Jane (uncredited) | |
| William Elmer | ... | Neway (uncredited) | |
| Harold Entwistle | ... | Harrison - Strafford's Butler (uncredited) | |
| Pat Flaherty | ... | Police Sergeant (uncredited) | |
| Renee Godfrey | ... | (uncredited) | |
| Mary Gordon | ... | First Charwoman (uncredited) | |
| Fay Helm | ... | Prim Girl (uncredited) | |
| Tom Herbert | ... | Nightclub Waiter #2 (uncredited) | |
| Charles Irwin | ... | Drunk (uncredited) | |
| Donald Kerr | ... | First New York Taxi Driver (uncredited) | |
| Mike Lally | ... | Speakeasy Doorman (uncredited) | |
| Helen Lynd | ... | Girl in Elevator (uncredited) | |
| Patricia Maier | ... | (uncredited) | |
| Edward McNamara | ... | Tim - Hotel Doorman (uncredited) | |
| Frank Milan | ... | Parry - Office Worker (uncredited) | |
| Charles F. Miller | ... | Doctor (uncredited) | |
| Anna Mills | ... | Elevator Operator (uncredited) | |
| Frank Mills | ... | Taxi Driver (uncredited) | |
| Gerda Mora | ... | (uncredited) | |
| Hattie Noel | ... | Myrtle - Black Woman (uncredited) | |
| Rosa Palmese | ... | Flower Woman (uncredited) | |
| Jane Patten | ... | (uncredited) | |
| Hilda Plowright | ... | Nurse (uncredited) | |
| Charles Quigley | ... | Bill - Office Worker (uncredited) | |
| Tom Quinn | ... | Speakeasy Patron (uncredited) | |
| Bill Ramsay | ... | (uncredited) | |
| Joey Ray | ... | Bass Player (uncredited) | |
| Mel Ruick | ... | Bandleader and Violinist (uncredited) | |
| Walter Sande | ... | Trumpeter (uncredited) | |
| Ray Teal | ... | Clarinet Player (uncredited) | |
| Gohr Van Vleck | ... | (uncredited) | |
| Dorothy Vaughan | ... | Second Charwoman (uncredited) | |
| Theodore von Eltz | ... | Hotel Clerk (uncredited) | |
| Doodles Weaver | ... | Pianist (uncredited) | |
| Joe Whitehead | ... | Porter (uncredited) | |
| Jan Wiley | ... | Miss Bala - Office Worker (uncredited) | |
Directed by | |||
| Sam Wood | |||
Writing credits | ||
| Christopher Morley | (novel) | |
| Dalton Trumbo | (screenplay) | |
| Donald Ogden Stewart | (additional dialogue) | |
Produced by | |||
| Harry E. Edington | .... | executive producer | |
| David Hempstead | .... | producer | |
Original Music by | |||
| Roy Webb | |||
Cinematography by | |||
| Robert De Grasse | (director of photography) (as Robert de Grasse) | ||
Film Editing by | |||
| Henry Berman | |||
Art Direction by | |||
| Van Nest Polglase | |||
Set Decoration by | |||
| Darrell Silvera | |||
Costume Design by | |||
| Renié | (gowns) | ||
Makeup Department | |||
| Mel Berns | .... | makeup artist (uncredited) | |
Second Unit Director or Assistant Director | |||
| Argyle Nelson | .... | assistant director | |
Art Department | |||
| Mark-Lee Kirk | .... | associate art director | |
Sound Department | |||
| John L. Cass | .... | sound recordist | |
Special Effects by | |||
| Vernon L. Walker | .... | special effects | |
Camera and Electrical Department | |||
| John Miehle | .... | still photographer (uncredited) | |
Music Department | |||
| Fletcher Henderson | .... | music arranger (uncredited) | |
Other crew | |||
| Robert Ardrey | .... | treatment (uncredited) | |
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| Gone with the Wind | The Notebook | The Miracle of Morgan's Creek | The Women | Giant |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
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This must have been the year for the City of Brotherly Love. James Stewart wins his Academy Award for The Philadelphia Story and Ginger Rogers who he was going out with at some point, wins Best Actress for Kitty Foyle, a film also set in Philadelphia. Too bad neither the Athletics or the Phillies won the World Series that year, but neither of them came close.
Although Stage Door more than amply demonstrated Ginger Rogers's abilities at serious drama, this particular film cemented her as dramatic actress. Most of Ginger's films up to this point had been musicals, mostly with Fred Astaire. After Kitty Foyle she rarely did any musicals.
The story is told in flashback after Ginger engages in some dialog with her alter ego in the mirror. That one in the mirror is usually the one person you cannot fool. So the ego narrates the ups and downs of the life of Kitty Foyle.
Ginger's a working class Irish lass whose got two men going for her big time, young earnest doctor James Craig, and mainline millionaire heir Dennis Morgan. Morgan's family name is Stratton and no doubt the Strattons socialized with the Lords of The Philadelphia Story. But they're definitely not as fun a group.
Ginger's alter ego narration and her scene upon being told she suffered a miscarriage probably are what won her the Academy Award. She's very effective in those scenes and in her scene where her father, Ernest Cossart dies.
Kitty Foyle is good soap opera material, I'm surprised it's characters weren't used in one. It still holds up well after over 60 years.
As well as that other Philadelphia Story.