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| Cary Grant | ... | Walter Burns | |
| Rosalind Russell | ... | Hildegaard 'Hildy' Johnson | |
| Ralph Bellamy | ... | Bruce Baldwin | |
| Gene Lockhart | ... | Sheriff Peter B.'Pinky' Hartwell | |
| Porter Hall | ... | Murphy - Reporter | |
| Ernest Truex | ... | Roy V. Bensinger - Reporter | |
| Cliff Edwards | ... | Endicott - Reporter | |
| Clarence Kolb | ... | Mayor | |
| Roscoe Karns | ... | McCue - Reporter | |
| Frank Jenks | ... | Wilson - Reporter | |
| Regis Toomey | ... | Sanders - Reporter | |
| Abner Biberman | ... | Louis 'Diamond Louie 'Palutso | |
| Frank Orth | ... | Duffy - Copy Editor | |
| John Qualen | ... | Earl Williams | |
| Helen Mack | ... | Mollie Malloy | |
| Alma Kruger | ... | Mrs. Baldwin | |
| Billy Gilbert | ... | Joe Pettibone | |
| Pat West | ... | Warden Cooley | |
| Edwin Maxwell | ... | Dr. Max J. Eggelhoffer | |
| rest of cast listed alphabetically: | |||
| Irving Bacon | ... | Gus - Waiter (uncredited) | |
| Wade Boteler | ... | Mike - Jail Guard (uncredited) | |
| Harry C. Bradley | ... | Insurance Doctor (uncredited) | |
| Wheaton Chambers | ... | Man in Elevator (uncredited) | |
| Edmund Cobb | ... | Policeman (uncredited) | |
| Ann Doran | ... | Newspaper Office Worker (uncredited) | |
| Ralph Dunn | ... | Plainclothesman (uncredited) | |
| Earl Dwire | ... | Pete Davis (uncredited) | |
| Pat Flaherty | ... | Policeman Frank (uncredited) | |
| Eddie Hart | ... | Plainclothesman (uncredited) | |
| Marion Martin | ... | Evangeline - Louie's Blonde Associate (uncredited) | |
Directed by | |||
| Howard Hawks | |||
Writing credits | ||
| Charles Lederer | (screenplay) | |
| Ben Hecht | (play "The Front Page") and | |
| Charles MacArthur | (play "The Front Page") | |
Produced by | |||
| Howard Hawks | .... | producer (uncredited) | |
Original Music by | |||
| Sidney Cutner | (uncredited) | ||
| Felix Mills | (uncredited) | ||
Cinematography by | |||
| Joseph Walker | (director of photography) | ||
Film Editing by | |||
| Gene Havlick | |||
Art Direction by | |||
| Lionel Banks | |||
Costume Design by | |||
| Robert Kalloch | (gowns) (as Kalloch) | ||
Second Unit Director or Assistant Director | |||
| Cliff P. Broughton | .... | assistant director (uncredited) | |
Sound Department | |||
| Lodge Cunningham | .... | sound (uncredited) | |
Camera and Electrical Department | |||
| Cliff Shirpser | .... | assistant camera (uncredited) | |
Music Department | |||
| Morris Stoloff | .... | musical director (as M.W. Stoloff) | |
| Ben Oakland | .... | composer: stock music (uncredited) | |
Other crew | |||
| Jed Harris | .... | producer: stage play | |
| Chet La Roche | .... | script doctor (uncredited) | |
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Whoever had the bright idea to turn the Ben Hecht-Charles MacArthur play, The Front Page into a boy and girl comedy ought to get a Nobel Prize for comedy if such an award had been available at the time.
Of course it helps when one of your two main characters has an ambiguous first name like Hildy. Short for Hildreth when Pat O'Brien plays it, Rosalind Russell is all female in this one. Russell bites off a huge chunk of Katherine Hepburn career woman territory here and she digests it well.
She's the best reporter on the staff of the Morning Post and her editor Cary Grant doesn't want to lose her no way. At one time he even married her, but that didn't take. They're divorced now and Russell is fed up and decides she wants a home and children and security and Ralph Bellamy is going to give her all of that. Plus a home with his mother Alma Kruger for a year in Albany.
As her friendly rival reporter Regis Toomey says, there ain't no way that Russell could ever leave the newspaper game. She proves it when she goes to work on that one last assignment to cover an execution at the state penitentiary.
Even though Howard Hawks did add a romance into The Front Page he did not sacrifice one iota of the biting satire from Hecht and MacArthur. If you watch the either The Front Page or His Girl Friday or even the remake from the eighties Broadcast News you will swear the world is made up of boobs and nitwits and the only smart people around are journalists. Too often however that's proved to be the case.
Poor meek John Qualen who was listening to some radicals speaking and got caught up in the moment and accidentally shot a black police officer. Back then ethnic politics were played to the hilt and a law and order mayor, Clarence Kolb, wants to see Qualen executed. His brother-in-law, sheriff Gene Lockhart means to see the sentence is done.
Cary Grant's paper is against capital punishment at least for this poor schnook. Of course when Qualen escapes all kinds of complication arise and Russell's on the job to report them.
As he was in The Awful Truth, Ralph Bellamy is there to be the slightly befuddled doofus who loses the girl to fast talking Cary. Bellamy's performance is a brilliant piece of work itself. He's so funny because he plays the part absolutely straight and the humor falls around him.
Howard Hawks assembles a really grand cast of memorable character actors. My favorite however, brief though his scenes are is Billy Gilbert who is a messenger from the governor who is delivering a sentence commutation. The poor man gets waylaid and involved in all kinds of intrigue that is all going on over his head. You have to see him to believe how funny he is and he does it without a sneeze.
His Girl Friday successfully combines screwball romantic comedy with biting satire and no seams show it all in the stitching. It's a blueprint on how to do successful cinema comedy.