| Photos (see all 25 | slideshow) |
| Charles Chaplin | ... | Adenoid Hynkel (Dictator of Tomania) / A Jewish Barber | |
| Paulette Goddard | ... | Hannah | |
| Jack Oakie | ... | Benzini Napaloni (Dictator of Bacteria) | |
| Reginald Gardiner | ... | Commander Schultz | |
| Henry Daniell | ... | Garbitsch | |
| Billy Gilbert | ... | Field Marshal Herring | |
| Grace Hayle | ... | Madame Napaloni | |
| Carter DeHaven | ... | Spook (Bacterian ambassador) (as Carter De Haven) | |
| Maurice Moscovitch | ... | Mr. Jaeckel | |
| Emma Dunn | ... | Mrs. Jaeckel | |
| Bernard Gorcey | ... | Mr. Mann | |
| Paul Weigel | ... | Mr. Agar | |
| Chester Conklin | ... | Barber's Customer | |
| Esther Michelson | ... | Jewish Woman | |
| Hank Mann | ... | Storm Trooper | |
| Florence Wright | ... | Blonde Secretary | |
| Eddie Gribbon | ... | Tomanian Storm Trooper | |
| Rudolph Anders | ... | Tomanian Commandant at Osterlich (as Robert O. Davis) | |
| Eddie Dunn | ... | Whitewashed Storm Trooper | |
| Nita Pike | ... | Secretary | |
| George Lynn | ... | Commander of Storm Troopers (as Peter Lynn) | |
| rest of cast listed alphabetically: | |||
| Fred Aldrich | ... | Soldier (uncredited) | |
| Richard Alexander | ... | Tomainian Prison Guard in 1918 (uncredited) | |
| William Arnold | ... | Tomanian officer (uncredited) | |
| Sig Arno | ... | Compact parachute inventor (uncredited) | |
| Joe Bordeaux | ... | Ghetto Extra (uncredited) | |
| Don Brodie | ... | Reporter from International Press (uncredited) | |
| Hans Conried | ... | Bit Role (uncredited) | |
| Gino Corrado | ... | Sculptor (uncredited) | |
| John Davidson | ... | Hospital superintendent (uncredited) | |
| Max Davidson | ... | Jewish man (uncredited) | |
| Lew Davis | ... | Hospital orderly (uncredited) | |
| Francis Ernest Drake | ... | Stormtrooper (uncredited) | |
| Wheeler Dryden | ... | Heinrich Schtick (translator) (uncredited) | |
| Pat Flaherty | ... | Friendly Storm Trooper (uncredited) | |
| Bud Geary | ... | Storm Trooper (uncredited) | |
| Sam Harris | ... | Officer (uncredited) | |
| Leyland Hodgson | ... | Big Bertha gunnery officer (uncredited) | |
| William Irving | ... | Man seated on bed (uncredited) | |
| Charles Irwin | ... | Banquet Butler (uncredited) | |
| Ethelreda Leopold | ... | Blonde secretary (uncredited) | |
| Torben Meyer | ... | Bald barbershop customer (uncredited) | |
| Jules Michelson | ... | Man in ghetto (uncredited) | |
| Bert Moorhouse | ... | Hynkel's staff officer (uncredited) | |
| Nellie V. Nichols | ... | Jewish woman (uncredited) | |
| Manuel París | ... | Dance Extra at Ball (uncredited) | |
| Jack Perrin | ... | Jewish man (uncredited) | |
| Lucien Prival | ... | Storm Trooper officer (uncredited) | |
| Cyril Ring | ... | Officer Extra (uncredited) | |
| Henry Roquemore | ... | Soldier (uncredited) | |
| Tiny Sandford | ... | Soldier in 1918 Tomainia (uncredited) | |
| Hans Schumm | ... | Soldier (uncredited) | |
| Harry Semels | ... | Jewish Fruit Stand Proprietor (uncredited) | |
| Charles Sullivan | ... | Prison Guard (uncredited) | |
| Carl Voss | ... | Officer (uncredited) | |
| Leo White | ... | Hynkel's barber (uncredited) | |
| Harry Wilson | ... | Soldier in Field (uncredited) | |
Directed by | |||
| Charles Chaplin | |||
Writing credits(in alphabetical order) | ||
| Charles Chaplin | writer | |
Produced by | |||
| Charles Chaplin | .... | producer | |
| Carter DeHaven | .... | associate producer (uncredited) | |
Original Music by | |||
| Meredith Willson | |||
| Charles Chaplin | (uncredited) | ||
Cinematography by | |||
| Karl Struss | |||
| Roland Totheroh | |||
Film Editing by | |||
| Willard Nico | |||
Art Direction by | |||
| J. Russell Spencer | |||
Set Decoration by | |||
| Edward G. Boyle | (uncredited) | ||
Makeup Department | |||
| Ed Voight | .... | makeup artist (uncredited) | |
Production Management | |||
| Alfred Reeves | .... | production manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Wheeler Dryden | .... | assistant director | |
| Dan James | .... | assistant director | |
| Bob Meltzer | .... | assistant director | |
| Alex Finlayson | .... | assistant director (uncredited) | |
Art Department | |||
| William Bogdanoff | .... | construction foreman (uncredited) | |
| Clem Widrig | .... | property master (uncredited) | |
Sound Department | |||
| Glenn Rominger | .... | sound | |
| Percy Townsend | .... | sound | |
Special Effects by | |||
| Jack Cosgrove | .... | special photographic effects (uncredited) | |
| Ralph Hammeras | .... | special photographic effects (uncredited) | |
Stunts | |||
| Buster Wiles | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Frank Testera | .... | chief electrician (uncredited) | |
| William Wallace | .... | still photographer (uncredited) | |
Costume and Wardrobe Department | |||
| Wyn Ritchie | .... | costumer (uncredited) | |
| Ted Tetrick | .... | costume supervisor (uncredited) | |
Music Department | |||
| Meredith Willson | .... | musical director | |
| Al Kaye | .... | music librarian (uncredited) | |
| Meredith Willson | .... | conductor (uncredited) | |
Other crew | |||
| Henry Bergman | .... | production coordinator (uncredited) | |
| Kay Clement | .... | secretary (uncredited) | |
| Evelyn Earle | .... | script clerk (uncredited) | |
| Monroe Greenthal | .... | press representative (uncredited) | |
| Moody | .... | dailies projectionist (uncredited) | |
| Kathleen Pryor | .... | secretary (uncredited) | |
| Max Terr | .... | assistant: Mr. Willson (uncredited) | |
| Gene Testera | .... | filing clerk (uncredited) | |
| Carl Voss | .... | military advisor (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb top 250 movies | IMDb Comedy section |
| IMDb USA section | Add this title to MyMovies |
Released in 1940, "The Great Dictator" was the first Hollywood film that denounced Hitler directly (albeit in the guise of Adenoid Hynkel), took a virulent stand against fascism, and directly addressed Anti-Semitism.
Over-long, at times heavy-handed, it still has many wonderful sequences, including the famous dance with the globe, and all the scenes of Chaplin with Jack Oakie, each trying to out-do the other and prove his superiority.
One criticism that seems to occasionally rear its head is the implication that Chaplin's pre-World War II anti-fascism was somehow wrong-headed. The atrocities of the Holocaust weren't fully known to the world yet, so Chaplin's anti-Hitler diatribe is, in the minds of some, misguided. After the war this mindset would result in the debacle of the blacklist, when Chaplin, among others, were branded "pre-mature anti-fascists." In other words, it wasn't politically acceptable to be against Nazism until war broke out with the U.S. Hard to believe anyone could still see things that way now, but some do.
The film industry of the 1930s wanted no part of international politics, no matter how blatant the brutality of a given regime. Profits were at stake. It was little goyisha Charley Chaplin, playing a Jewish barber, who took a public stand.
While "The Great Dictator" may not among Chaplin's finest films, it may, historically, be his finest hour.