Fantasia (1940)

Directors:

James Algar
Samuel Armstrong

Writers:

Joe Grant (story) &
Dick Huemer (story) ...

Release Date:

6 January 1942 (USA)

Genre:

Animation | Family | Fantasy | Music

Tagline:

Walt Disney's Technicolor FEATURE triumph

Plot:

A collection of animated interpretations of great works of Western classical music.

Plot Keywords:

Classical Music | Elephant | Orchestra | Sorcerer | Dinosaur

Awards:

5 wins & 1 nomination

Cast

Leopold Stokowski	...	Himself (Conductor, The Philadelphia Orchestra)
Deems Taylor	...	Narrator (1940 original)
rest of cast listed alphabetically:
Julietta Novis	...	Soloist (segment "Ave Maria") (voice)

Also Known As:

The Concert Feature (USA) (working title)
Walt Disney's Fantasia (USA) (poster title)

Runtime:

120 min | USA:124 min (restored roadshow version) | USA:125 min (original release) | USA:80 min (cut version)

Country:

USA

Language:

English

Color:

Color (Technicolor)

Aspect Ratio:

1.37 : 1

Sound Mix:

4-Track Stereo (1956 re-release) | 70 mm 6-Track (70 mm prints) | Dolby (35 mm prints) (re-release) | Fantasound (original release) | Mono (1941 roadshow screenings) | Mono (1947 re-release)

Certification:

Australia:G | USA:Approved (PCA #5920) | South Korea:All | Portugal:M/12 | USA:G (re-rating) (1969) | Netherlands:AL | Argentina:Atp | Canada:G | Chile:TE | Finland:K-10 | Germany:6 | Peru:PT | Sweden:11 (re-release) | Sweden:15 | UK:U | Brazil:Livre

Filming Locations:

Walt Disney Studios, Burbank, California, USA

Company:

Walt Disney Pictures

Trivia:

The first feature film to be shown in multichannel sound. The original prints featured soundtracks that were recorded in a process known as Fantasound, a four-track directional stereophonic system that was invented especially to record the soundtrack for the film by RCA and the Walt Disney Studios technical team, led by William E. Garity. The Leopold Stokowski-conducted orchestra audio was recorded onto eight separate soundtracks (six channels recorded individual sections of the orchestra, the seventh recorded a mix of the first six channels and the eighth recorded a distant pickup of the entire orchestra), which were then mixed down to three tracks (left, center and right). The three music tracks were optically matted with a fourth control track (containing signal tones that varied the speaker dynamics) onto a filmstrip separate from the projector print. Over 90 speakers were used for the playback of the Fantasound audio during the premiere of the film on 12 November 1940. A more typical Fantasound setup used three speakers behind the screen and 65 others placed around the other three walls of the theater. However, Fantasound was discontinued due to the amount of sound equipment required and the time necessary to make the installation. The advent of wartime conditions also precluded the possibility of developing mobile units that could have lessened installation time and costs. Therefore, only 12 venues ever played the original Fantasound version of the film, and only 16 Fantasound-equipped prints were ever created. When RKO took over distribution for the roadshow version in January 1941, the film was shipped with a conventional monaural track. Disney technicians recreated Fantasound for the 50th Anniversary release in 1990 using modern digital technology and the original sound cues from the Disney archives, and this mix was encoded into the subsequent VHS and laserdisc releases. This mix is active, and even aggressive at times, with music swirling or jumping around the room. However, the DVD's mix sounds considerably different. While no official verification can be found that it was changed, the DVD's surround mix is more passive, with the music in the front channels and only concert-hall reverb in the rear channels. The sound is cleaner, but it is not Fantasound as it was described in 1940 and as it appeared in 1990.

Goofs:

Factual errors: When introducing the "Pastoral" sequence, Deems Taylor gives explanations of Greek mythology, but uses many of the deities' Roman names.

Quotes:

[first lines]
Narrator: How do you do? My name is Deems Taylor, and it's my very pleasant duty to welcome you here on behalf of Walt Disney, Leopold Stokowski, and all the other artists and musicians whose combined talents went into the creation of this new form of entertainment...

Movie Connections:

Featured in "The Mouse Factory: Horses (#1.13)" (1972)

Soundtrack:

Ave Maria

Unusual & Very Creative

This unusual and very creative classic of animation combines a very interesting idea with quite a bit of imagination, plus visual effects that still hold up quite well. All but a couple of the sequences are quite enjoyable, and some especially so. Even the segments that don't work as well are usually at least interesting, since you can at least appreciate what they were trying to accomplish.

You don't really have to be all that familiar with the specific pieces of music for it to be worthwhile, since in several cases they chose to match the music with material that is rather different in nature from any original context that it may have had. And in any case, the animated sequences are intended to provide the context, in terms of the movie.

No doubt, everyone will have his or her own favorite segments, based on the music itself and on the choice of accompanying visual material. The "Sorcerer's Apprentice" sequence, with Mickey Mouse, is certainly one of the most memorable. The adaptation of "The Rite of Spring" is quite imaginative in using an entirely different setting for the music. "Night on Bald Mountain" has striking and sometimes bizarre visuals.

Many of the classic Disney features still hold up well as family entertainment, but "Fantasia" is unique for its combination of imaginative concept and visual creativity. Not every minute of it works, but that's the price of being willing to experiment. It's an enjoyable and satisfying feature that well deserves to be remembered.