| Photos (see all 9 | slideshow) |
| Edward G. Robinson | ... | Little John T. 'Johnny' Sarto | |
| Ann Sothern | ... | Florence 'Flo' Addams | |
| Humphrey Bogart | ... | Jack Buck | |
| Donald Crisp | ... | Brother Superior | |
| Ralph Bellamy | ... | Clarence P. Fletcher | |
| Allen Jenkins | ... | Willie 'The Knife' Corson | |
| Charles D. Brown | ... | Brother Wren | |
| Cecil Kellaway | ... | Brother Goodwin | |
| Morgan Conway | ... | Philadelphia Powell | |
| Richard Lane | ... | Mugsy O'Day | |
| Paul Guilfoyle | ... | Red Martin | |
| John Ridgely | ... | Texas Pearson | |
| Joseph Crehan | ... | Brother MacEwen | |
| Wilfred Lucas | ... | Brother MacDonald | |
| Tom Tyler | ... | Curley Matthews | |
| Dick Wessel | ... | Buffalo Burns (as Dick Wessell) | |
| Granville Bates | ... | Pattonsville superintendent | |
| Paul Phillips | ... | French Frank | |
| Don Rowan | ... | Al Muller | |
| Nanette Vallon | ... | Fifi (Flo's maid) | |
| Tim Ryan | ... | Turkey Malone | |
| Joe Caits | ... | Handsome Harry Edwards (as Joe Caites) | |
| Pat Gleason | ... | Dopey Perkins | |
| Tommy Baker | ... | Joseph | |
| rest of cast listed alphabetically: | |||
| Charles De Ravenne | ... | Stableboy (scenes deleted) | |
| John Qualen | ... | Mr. Pigeon (scenes deleted) | |
| Jimmy Aye | ... | Gangster (uncredited) | |
| Sidney Bracey | ... | Steward bringing briefcase (uncredited) | |
| Harlan Briggs | ... | Thomas A. Bailey, Acme Paving (uncredited) | |
| Louise Carter | ... | Scrub Woman at End (uncredited) | |
| Charles Coleman | ... | English diamond salesman (uncredited) | |
| G. Pat Collins | ... | Tim O'Hara (uncredited) | |
| Gino Corrado | ... | Artist (uncredited) | |
| Jean Del Val | ... | Frenchman (uncredited) | |
| Frank Faylen | ... | Parkway Biltmore Desk Clerk (uncredited) | |
| James Flavin | ... | Parking Attendant at Fat Dutchy's (uncredited) | |
| Mary Gordon | ... | Mrs. Sweeney, Flo's Landlady (uncredited) | |
| Creighton Hale | ... | Reporter #3 (uncredited) | |
| George Haywood | ... | Reporter #1 (uncredited) | |
| Max Hoffman Jr. | ... | Policeman #2 (uncredited) | |
| William Hopper | ... | 2nd Reporter on Return Ship (uncredited) | |
| Armand Kaliz | ... | Frenchman (uncredited) | |
| Jack Kenny | ... | Acquaintance (uncredited) | |
| Sam McDaniel | ... | Janitor triping Fire Alarms (uncredited) | |
| Edward McWade | ... | Aged brother (uncredited) | |
| Frank Moran | ... | Louie the Lug (uncredited) | |
| Leonard Mudie | ... | English diamond salesman (uncredited) | |
| Louis Natheaux | ... | Gangster (uncredited) | |
| Terry Nibert | ... | Girl (uncredited) | |
| Edgar Norton | ... | Meadows (London butler) (uncredited) | |
| Frank Orth | ... | Waiter at Fat Dutchy's (uncredited) | |
| Lee Phelps | ... | 1st Policeman at Buck's Hideout (uncredited) | |
| Paul Porcasi | ... | Warehouse manager (uncredited) | |
| Georges Renavent | ... | Cable Office clerk (uncredited) | |
| George Sorel | ... | Casino attendant (uncredited) | |
| Claude Wisberg | ... | Albert ('Al'; bellboy with dogs) (uncredited) | |
Directed by | |||
| Lloyd Bacon | |||
Writing credits | ||
| Richard Connell | (story) | |
| Earl Baldwin | (writer) | |
| Jerry Wald | uncredited & | |
| Richard Macaulay | uncredited | |
Produced by | |||
| Mark Hellinger | .... | associate producer | |
| Hal B. Wallis | .... | executive producer | |
Original Music by | |||
| Heinz Roemheld | |||
Cinematography by | |||
| Tony Gaudio | |||
Film Editing by | |||
| William Holmes | |||
Art Direction by | |||
| Max Parker | |||
Costume Design by | |||
| Howard Shoup | (gowns) | ||
Makeup Department | |||
| Perc Westmore | .... | makeup artist | |
Production Management | |||
| Jack L. Warner | .... | executive in charge of production | |
Second Unit Director or Assistant Director | |||
| Richard Maybery | .... | assistant director (uncredited) | |
Sound Department | |||
| C.A. Riggs | .... | sound recordist | |
Special Effects by | |||
| Byron Haskin | .... | special effects | |
| Willard Van Enger | .... | special effects | |
| Edwin B. DuPar | .... | special effects (uncredited) | |
Editorial Department | |||
| Robert Burks | .... | montage (uncredited) | |
| Don Siegel | .... | montage (uncredited) | |
Music Department | |||
| Leo F. Forbstein | .... | musical director | |
| Ray Heindorf | .... | orchestral arrangements | |
| Max Steiner | .... | composer: additional music cues (uncredited) | |
Other crew | |||
| Hugh Cummings | .... | dialogue director | |
| Recent Posts (updated daily) | User |
|---|---|
| Drama-comedy has a certain charm | suel41452 |
| 'Ya See' or 'See' | andywho2002 |
| DVD Release-- March 25, 2008 | dnscal |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb USA section | Add this title to MyMovies |
Edward G. Robinson shines in this unusual picture about Johnny Sarto, a mob boss who's greatest desire is to live in "real class"--a goal shared by so many self-made men. After making his fortune in the rackets, he departs for Europe, to live high on the hog and enjoy the first-class life. But, at every turn, it eludes him.
Out of money, he returns to his native land, to find his #2 man (Humphrey Bogart) has usurped his position, and is willing to kill to keep it. Wounded and on the lam, he winds up at a monastery, where he is nursed back to health.
Amongst the servants of God, he is tutored in the gentle arts of sharing and self-sacrifice. In one touching moment, the brothers are elated that the sales of their flowers will earn them a little extra money to buy a watermelon for dessert. A moment later, when the same money is spent to buy shoes for a local child, Sarto asks about the expected watermelon. "Watermelon?" Brother Superior (Donald Crisp) says in shock, "I never developed a taste for it!" Sarto (Robinson) slowly smiles, "I get it...".
Lured back to his old life by a newspaper headline detailing his fiancee (Ann Sothern)'s betrothal to a Texas cowboy (Ralph Bellamy) Robinson sets matters straight, and shows much of the same self-sacrifice he has learned in his 'retirement'. In one touching scene, he gives all of his money to cleaning woman and walks away without a cent to his name.
It's easy--and incorrect--to see this as a 'gangster movie' when the real purpose is to show the value of good works. While set in a film-noir world, Brother Orchid is an enchanting lesson about how the simple things in life are the best. As Robinson remarks in the final scene, "I always thought class came with having the right clothes or the right car. But this--this is the REAL class!"