Overview
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Release Date:
7 April 1939 (USA)
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Tagline:
A Story of Vengeful Thwarted Love
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Plot:
The story of unfortunate lovers Heathcliff and Cathy who, despite a deep affection for one another,...
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Awards:
Won Oscar.
Another 2 wins
&
7 nominations
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Crew verified as complete
Additional Details
Runtime:
104 min
Aspect Ratio:
1.37 : 1
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Sound Mix:
Mono (Western Electric Mirrophonic Recording)
Fun Stuff
Trivia:
Producer
Samuel Goldwyn felt that script was too dark for a romance movie, so he asked several writers to do a rewrite on the script, including a young
John Huston, who said that the script needed no rewrite, it was perfect as it was.
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Goofs:
Continuity: Cathy's muff disappears when she turns around after entering the room.
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Quotes:
Cathy:
Heathcliff, make the world stop right here. Make everything stop and stand still and never move again. Make the moors never change and you and I never change.
Heathcliff:
The moors and I will never change. Don't you, Cathy.
Cathy:
I can't. I can't. No matter what I ever do or say, Heathcliff, this is me now; standing on this hill with you. This is me forever.
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Soundtrack:
Piano Sonata in A major, K.331: Rondo alla Turca
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One of the finest romantic films ever filmed, this 1939 Samuel Goldwyn production rates with many - including myself - as being the most beloved version of Emily Bronte's haunting novel. Although it stops at chapter seventeen and the ending is seen as a bit trite by some, it's a brilliantly enacted, finely mounted production with beautiful photography and authentic period detail set-wise. Merle Oberon is well-cast as the selfish, vain and rather shallow Cathy. What makes her character so intriguing and interesting is that no matter what happens to her materially, she has an undying love for the gypsy-blooded heathen named Heathcliff. Laurence Olivier, never a great success in films prior to this, gives a brutally honest account of everything Bronte's Heathcliff should be: proud, bold, vengeful & darkly brooding -a tortured soul in general. Wyler's guiding hand is patent throughout: it was Olivier himself who gave credit to the meticulous director in teaching him the particular ropes of screen acting: it shows! Lady-like Isabella is well-played by the Irish Geraldine Page, while Ellen, the long-suffering servant is played sympathetically by the fine character actress Flora Robson. David Niven, ideally cast as the milquetoasty Edgar Linton, actually had a clause in his contract which freed him from having to do crying scenes! A timeless masterpiece of the "haunting" love story genre, this was Goldwyn's personal favourite of all his films.