The Wizard of Oz (1939)

User Rating:

8.3/10   

Director:

Victor Fleming

Writers:

Noel Langley (screenplay) and
Florence Ryerson (screenplay) ...

Release Date:

25 August 1939 (USA)

Genre:

Adventure | Family | Fantasy | Musical

Tagline:

"The Wizard" Musical Returns By Unprecedented Demand! [UK re-release]

Plot:

Dorothy Gale is swept away to a magical land in a tornado and embarks on a quest to see the Wizard who can help her return home.

Plot Keywords:

Wizard | Dog | Witch | Heart | Tornado

Awards:

Won 2 Oscars. Another 4 wins & 8 nominations

US TV Schedule:

Fri. Nov. 13	8:00 PM	TBS
Sat. Nov. 14	8:00 PM	TBS

Cast

Judy Garland	...	Dorothy Gale
Frank Morgan	...	Professor Marvel / The Gatekeeper / The Carriage Driver / The Doorman / The Wizard of Oz
Ray Bolger	...	Hunk / The Scarecrow
Bert Lahr	...	Zeke / The Cowardly Lion
Jack Haley	...	Hickory / The Tin Man
Billie Burke	...	Glinda
Margaret Hamilton	...	Elmira Gulch / The Wicked Witch of the West / The Wicked Witch of the East
Charley Grapewin	...	Uncle Henry
Pat Walshe	...	Nikko
Clara Blandick	...	Auntie Em
Terry	...	Toto (as Toto)
The Singer Midgets	...	The Munchkins (also as The Munchkins)

Runtime:

101 min

Country:

USA

Language:

English

Color:

Black and White (Sepiatone) | Color (Technicolor)

Aspect Ratio:

1.33 : 1

Sound Mix:

DTS (re-release) | Dolby Digital (re-release) | Mono (Western Electric Sound System) | SDDS (re-release)

Certification:

Singapore:G | Canada:F (Ontario) | Canada:G (Manitoba/Nova Scotia/Quebec) | Iceland:L | Portugal:M/6 (DVD rating) | South Korea:All | Philippines:G | Brazil:Livre | USA:Approved (certificate #5364) (original rating) | USA:G (re-rating) (1970) | Canada:G (video rating) | USA:Passed | New Zealand:G | Argentina:Atp | Australia:G | Chile:TE | Finland:S | France:U | Germany:o.Al. | Hong Kong:I | Netherlands:AL (video rating) | Norway:A | Peru:PT | Portugal:M/4 | Spain:T | Sweden:Btl | UK:U

Filming Locations:

Culver City, California, USA

Company:

Metro-Goldwyn-Mayer (MGM)

Trivia:

When the wardrobe department was looking for a coat for Frank Morgan (Professor Marvel / The Wizard), they decided they wanted one that looked like it had once been elegant but had since "gone to seed". They visited a second-hand store and purchased an entire rack of coats, from which Morgan, the head of the wardrobe department, and director Victor Fleming chose one they felt gave off the perfect appearance of "shabby gentility". One day, while he was on set in the coat, Morgan idly turned out one of the pockets and discovered a label indicating that the coat had been made for L. Frank Baum. Mary Mayer, a unit publicist for the film, contacted the tailor and Baum's widow, who both verified that the coat had at one time been owned by the author of the original "Wizard of Oz" books. After the filming was completed, the coat was presented to Mrs. Baum.

Goofs:

Continuity: Juxtaposition of the adventurers when they're about the run out of the castle.

Quotes:

[first lines]
Dorothy: She isn't coming yet, Toto. Did she hurt you? She tried to, didn't she? Come on. We'll go tell Uncle Henry and Auntie Em.

Movie Connections:

Referenced in "The Beverly Hillbillies: The Ghost of Clampett Castle (#7.5)" (1968)

Soundtrack:

Over the Rainbow

A Wiz of a film, if ever a Wiz there was

The NBC Peacock began unfolding its wings. "The following program is brought to you in living color--with portions in black & white--on NBC." That exclusive intro began my exposure to color television at Grandma's in 1968. When Dorothy stepped out into Technicolor, I'll bet my eyes just popped.

This is the Movie of All Time, folks--a status achieved during its long run as a huge annual TV event during that classic era whose programs now show up on TV Land network. In the 1970s, Peter Marshall once read the answer on Hollywood Squares as to the program seen more times by more people than anything else ever shown on television. It was "Oz." Likewise, no movie has the hold on popular culture that this one does. What lion character ever since (i.e., Snagglepuss) hasn't been an impersonation of Bert Lahr going, "Put 'em up, put 'em uuuuup!"

Few musicals offer an equal combination of lovable music and engaging story. Perhaps "The Sound of Music." Hard to think of many Hollywood musicals where the story gets as serious as it does here when the Witch informs Dorothy that, "The last to go will see the first three go before her...and her mangy little dog too!" Yikes! In contrast, even the best of other Hollywood musicals seem to serve up fluffy, forgettable story lines that are mere backdrop to the song numbers that typically put the plot on hold.

I can't say that "Oz" doesn't have technical flaws or story element inconsistencies. It's just that the astonishing production values all around so overwhelm the shortcomings. The tornado sequence is a 1939 special effects tour de force--incredible. And the Nutcracker-quality musical score offers songs tastefully interwoven with the action. Certain numbers like "Merry Old Land of Oz," I never get tired off, though I like each of the songs.

Oz should be viewed in the lightness of spirit that it deserves. I mean look, we have Frank Morgan as the Emerald City gatekeeper, then seconds later as the cabbie with the Horse of a Different Color, then the Wizard's palace guard, and then the voice of fire-and-smoke Wizard of Oz who bellows, "Step forward, Tin Man!" What other film could put an actor go through 4 quick-changes within 10 minutes to such an endearing result? "Oz" is as magic as those sparkling ruby shoes.

The early Technicolor process utilized triple nitrate negative strips--separately recording each primary color in light. This was done due to the lack of a suitable "color film" in 1939. That would quickly change--but films from years following suffered from hues that faded with the years, even original negatives. Because "Oz" was actually filmed on a black-and-white base film, the negatives never faded. So now we have home videos/DVDs of breathtaking color quality. Now, the tinted filters in the cameras that separated the colors onto the negative strips meant that intense illumination was required, rendering the filming experience miserably hot for the actors involved, especially Lahr. But they all hold up amazingly well.

"Oz" has a valuable message. As the pop group America once said, "No, Oz never did give nothin' to the Tin Man....that he didn't, didn't already have." If we have truly search, we can find within us--or create through trial, like the Lion's courage--what we think we most lack. The Wizard (like the Lord) helps those who find help within themselves.

I feel sorry for the Almira Gulches who can't treasure this film experience. They need to visit the Emerald City to get their own ticking Testimonials and find their hearts.

Didn't bring your broomsticks with you? Well, I'm afraid you'll have to walk.