Amazon.com video review:
Three doughboys--played by James Cagney, Humphrey Bogart, and Jeffrey
Lynn--meet in a foxhole in Europe just as World War I is ending. When they return
to the States, they are forgotten men, and after Eddie (Cagney) tries in
vain to get his old job back, his pal Danny (Frank McHugh) lets him drive
his cab at night. A fare asks unwitting Eddie to deliver bootleg liquor,
but Prohibition is in full swing and Eddie is arrested and thrown in the
slammer. Gallant Eddie won't rat out the woman to whom he delivered the
hooch, speakeasy owner Panama Smith, (whiskey-voiced Gladys George). She
bails him out and carries a torch for him for the rest of the movie, but he
only has eyes for sweet little Jean (Priscilla Lane). Panama introduces
Eddie to a life of crime, staking him in the bootleg business. Eddie's
grit and bluster suit him perfectly for this existence, and he's soon a
success, so he hires Army buddy Lloyd (Lynn) as consigliere, then teams up
with George (Bogart), a liquor smuggler who plays a much dirtier game.
Racketeering and murder are his methods, and he drags Eddie down with him.
When Prohibition ends and the stock market crashes, Eddie loses everything
and takes to the bottle himself.
The film is a bit schematic. The three stars are archetypes: Cagney the
good boy gone bad, Bogart the bad boy who stays bad, and Lynn the good boy
who stays good. Still, it packs quite an emotional wallop--Cagney shows
extraordinary range, going from green boy to swaggering gangster to broken
man, and Bogart has rarely seemed more purely evil than he does here. He
kills for the sheer pleasure of it; it's truly frightening to see. The
final scene is a stunning shootout between Cagney and Bogart. With lesser
actors this film could be pure hokum. With Cagney and Bogart, it attains
catharsis. Laura Mirsky
