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19 out of 20 people found the following comment useful :-
The Mysterious Bogie Man, 10 December 2003
Author: lugonian from Kissimmee, Florida

THE RETURN OF DOCTOR X (Warner Brothers, 1939) directed by Vincent Sherman, is in retrospect, not a sequel to the 1932 early two-strip Technicolor mystery, DOCTOR X (First National) starring Lionel Atwill and Fay Wray, but a Grade Z programmer surprisingly headed by a very interesting cast of non-horror actors, including Wayne Morris, Rosemary Lane, Dennis Morgan and Humphrey Bogart(!) working with second-hand material from a screenplay by Lee Katz. In spite of what is displayed on screen, in capable hands this might have worked as one of the finer "B" films of the horror or science fiction genre. Production values, though, are on a bigger scale than any poverty row horror film from Monogram Studios, and slightly beneath what Universal would have produced a few short years prior to distributing similar type quickies made by the mid 1940s. THE RETURN OF DOCTOR X, however, as the title indicates, is a story about a scientist, and the scientist in question is not Doctor X, but a Doctor Francis Flegg (John Litel), who may or may be the link to a series of mysterious murders, but the possibility in having some dark secret regarding his profession and his questionable experiments with blood.

The story begins with Walter Barnett (Wayne Morris), a hapless reporter from Wichita, Kansas, working for the Morning Dispatch in New York City arranging for an interview with a European actress named Angela Merrova (Lya Lys) who is currently staying at the Park Vista Hotel. Later that day, Barnett (whose spoken surname sounds more like Garrett) enters her hotel room to find her dead, with indications of being stabbed through the heart. After telephoning the news to the city editor about his discovery, the news about Merrova's death makes the front page. However, instead of landing a job promotion, Barnett is called to his editor's office to find not only Angela Merrova to be sitting there very much alive (in spite of her dead white appearance), but to be suing the Morning Dispatch for $100,000 for damages on her reputation. Fired from his job, Barnett comes to Jules Memorial Hospital where he tells his interne friend, Michael Rhodes (Dennis Morgan), of the situation, which he finds hard to believe. Stanley Rodgers (John Ridgely), a blood doaner specialist scheduled to arrive at the hospital for a transfusion prior to an operation to be performed by Doctor Francis Flegg (John Litel), is later found dead. Barnett notices Rodgers has died in the same fashion as Angela Merrova. Through a series of investigations, it is discovered that any patient with Type One blood (the same blood type of Rodgers) has disappeared from the hospital, leaving the victims drained of their blood. With Rhodes being lead to pay Doctor Flegg a visit, he is followed inconspicuously by Barnett. Before meeting up with Flegg, Rhodes is met by Flegg's laboratory assistant (Humphrey Bogart), whose ghost-like facial features and acquiring his icy cold handshake indicates that there is something entirely strange and mysterious about him. As for Barnett (peeking through the windows), who feels that he has seen this man before, decides to go through the file room of the Morning Dispatch looking for some answers, only to discover through some old newspaper clippings something even more mysterious about Flegg's assistant, who might be the legally executed Doctor X.

Featured in the supporting cast are: Rosemary Lane as Joan Vance, the student nurse; Huntz Hall as Pinky, the newspaper copy boy; Charles C. Wilson as Detective Roy Kincaid; and Vera Lewis as Nurse Sweetman. Olin Howland playing the morgue attendant is very amusing in his bit providing some very "dead on" humor.

Zombie-like creatures, including Bogart (billed as Marshall Quesne, but who refers himself to the name that sounds more like Kane, sporting glasses and a streak of white hair down his head) and Lya Lys, in desperate need for specific rare blood types in order to stay alive and roaming the city, not only makes THE RETURN OF DOCTOR X quite interesting in plot, if one can overlook some of its over abundance of "comedy relief" by Wayne Morris, which at times works out well here, but even more watchable with the odd casting of soon to be "superstar" Humphrey Bogart (the very same Bogey of such well known achieve classics as THE MALTESE FALCON and CASABLANCA), then a resident Warner Brothers stock player notable for his gangster roles, either playing the lead or in supporting status. While Boris Karloff, who specialized in playing such characters as this, was regularly appearing in program productions at Warners at this time, makes one wonder why he wasn't selected in the part given to Bogey himself. Had it been that way, then THE RETURN OF DOCTOR X would have been just another routine Karloff programmer. With Karloff assuming the part, this would be expected. But with Bogart, this would not, which makes THE RETURN OF DOCTOR X even more worthy of viewing, and really no harm done during its short span of 62 minutes. Another interesting thing to take notice is that Bogart is billed third during the opening credits, and listed first during the closing cast credits. With its sci-fi influence, THE RETURN OF DOCTOR X is campy, at times amusing, seldom scary, and does offer Rosemary Lane a rare on screen opportunity in finding herself strapped on an operating table by that ghoulish creature (played by Bogart) to belt out a good scream or two, but being no threat to Fay Wray who had her scream-a-thon fest in her most famous thriller, KING KONG (RKO, 1933). But in true Bogart fashion, the story does find time for some gun play. As for Dennis Morgan, who previously appeared in films for various studios billed as Stanley Morner, makes a fine serious-minded secondary character in this production. He would soon rise to lead performances throughout the 1940s, and being best known for his frequent teamings with Jack Carson in a series of musical-comedies.

THE RETURN OF DOCTOR X, which, to date, has never been distributed on video cassette, is currently available for viewing on the cable station of Turner Classic Movies, especially during October in collaboration of Halloween.

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17 out of 17 people found the following comment useful :-
Bogie's only horror film is a hoot., 28 March 2000
5/10
Author: Arthur Hausner (genart@volcano.net) from Pine Grove, California

You've got to see it to believe it. Bogie in makeup looking ghostly white with a white streak in his hair, in a combination Frankenstein and vampire horror film. It actually happened, due to knuckleheads at Warner Bros. who put him in this film against his wishes. I was amused as well as amazed throughout, and enjoyed watching Bogie stroke his pet rabbit and playing it all straight. Others in the cast (Wayne Morris, Rosemary Lane and Dennis Morgan) were fine, but Bogie is the only reason to see this movie. Be prepared to shake your head in disbelief.

The movie must have gone through some heavy editing, because there were many credit errors. First, the end credits bill Wayne Morris as Walter Barnett, but he is called Walter Garrett in the movie throughout and that name is also printed in newspapers several times. Next, Charles Wilson is billed as Detective Ray Kincaid, but he is called Roy throughout. Finally, many of the actors who were supposed to be in the movie never turn up, including two who were credited onscreen - Howard Hickman and Arthur Aylesworth.

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16 out of 18 people found the following comment useful :-
Bogart's Contribution to the First Horror Film Cycle, 12 October 2005
3/10
Author: theowinthrop from United States

This film is important because it shows that even Hollywood legends need huge amounts of luck to avoid film oblivion. Bogie had been in Hollywood for four years in the early 1930s, and never hit a good film (although he did appear for his one and only time in that period with the young Spencer Tracy). He went back to his stage work in New York City, appeared in THE PETRIFIED FOREST, and returned to Hollywood with his friend Leslie Howard to make the film version there. After the filming of THE PETRIFIED FOREST Bogie was taken seriously as a supporting actor, getting important roles (though as villains) in films like DEAD END and THE ROARING TWENTIES, but also appearing as the lead in films like BLACK LEGION. But his anger at not getting the roles he felt he deserved led to friction with Jack Warner. Warner was like many gifted studio head - producers: he knew that you groom an actor you admire for the right break-out parts. Bogie would not wait, so Warner would punish him by giving him dreck like SWING YOUR LADY. He decided to give him this film too - Warner's answer to the Universal horror and science fiction cycle, THE RETURN OF DOCTOR X.

If this film had been made by Universal with Boris Karloff it is possible that the film would have been a 7 or 8 out of 10. Karloff or Lugosi or Atwill were able to project a mixture of scientific interest, curiosity, and sinister twisting to their scientists and their characters. Maybe it was the sound of their voices (with their staginess or their accents). Bogart did not have this. He sounded like an average Joe with a slight lisp. He just did not project a scientific gambler.

The plot of THE RETURN OF DOCTOR X has nothing to do with an earlier film DOCTOR X that starred Atwill and Fay Wray. That film was pretty good. It was about a series of murders apparently connected with a medical center, where Atwill is one of the leading doctors, and one of the suspects. The plot of THE RETURN OF DOCTOR X is about a series of murders connected to apparent vampirism as the victims are drained of their blood. It turns upon the experiments of a Dr. Francis Flegg (John Litel - trying to be a crusading visionary, but hampered by poor dialog). Flegg is working on a study of human blood, with a way of possibly making an artificial version of it to extend life. However, he has had only one success - a strange man who works with him named Marshall Quesne (Bogart).

Bogart's make-up is the only really interesting thing about him. He has his hair parted in the center, with a white streak of hair in the middle, and wears pince-nez. His face is whitened to look like he is anemic. He tries to act self-deprecating, when talking to others like Wayne Morris (the reporter who is investigating the murders). But he only acts like he is sleep-walking through the lines. Except when he gets upset - at one point he notes part of Litel's blood experiment is failing (and he is very involved in making the experiment work). He starts yelling at Litel about this, much to Morris' interest. But those moments are few - too few.

If the rest of the film had anything going for it, Bogart's failure to make his character live would not matter. But it doesn't. Rosemary Lane and Dennis Morgan (and Morris) give good performances, but other actors (Fay Wray and Joel McCrae and Lee Tracy come to mind) would have vitalized the roles. Huntz Hall, as a newspaper copy-boy, has one good moment - he keeps teasing Morris for his theories regarding dead bodies of the victims in one scene by singing, "When a body meets a body coming through the rye" over and over again. But that said, the film is too flimsy to make one really care who did well in it. Fortunately for Bogie HIGH SIERRA and THE MALTESE FALCON would soon bring him his stardom, and CASABLANCA and THE TREASURE OF THE SIERRA MADRES ensured it.

I give the film only a 3 out of 10, for it's value as a curiosity. The only issue left for me is how would Karloff have been as Captain Queeg or Lugosi as Fred C. Dobbs.

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14 out of 15 people found the following comment useful :-
Bogart as the first punk rocker, 4 October 2005
6/10
Author: krorie from Van Buren, Arkansas

Bogart has been given a bad press for his role in "The Return of Doctor X." Why he even gave himself a bad press, saying the role was forced on him by the studio, a role intended for Boris Karloff. But actually Bogart's performance is one of the best ingredients in this campy flick. Bogart's two really terrible acting attempts were the same year in "The Oklahoma Kid," where he tried to play dastardly villain, Whip McCord, and "Dark Victory," where Bogart is completely miscast as an Irish horse trainer.

Nineteen thirty nine must have been Bogart's quirky year. He finally found himself in the early 1940's and with "The Maltese Falcon" became a screen icon. In "The Return of Doctor X," with his chalky makeup and streaked hair, Bogart resembles a punk rocker before his time.

The film is not bad entertainment. The weakest part is the attempt by Wayne Morris to be funny. He thinks falling into a room by leaning against a supposedly locked door which suddenly opens is hilarious. So much so that he does it twice. The funniest character is Huntz Hall early in his career. There is one funny line from Morris. After digging up Quesne's body and in a hurry to leave, morris tells the caretaker to "put it back," then rushes off.

The acting is top notch with the best performance coming from John Litel, closely matched by Bogart's left-field mad dead doctor. All in all a curious and worthwhile film, especially for Bogart fans.

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11 out of 12 people found the following comment useful :-
Average "B" thriller stands out do the presence of mis-cast Bogart., 12 August 2001
Author: jim riecken (youroldpaljim)

Had this film not cast Humphrey Bogart as the title mad scientist, this film would probably regarded as just another 1930's big studio "B" thriller. Bogart tries hard , but he is Bogart, and its just to hard to take seeing him playing an executed mad scientist brought back from the dead who is now a scientific vampire. Supposedly, Boris Karloff was slated to play the title role, but was not available.

I have to admit I was very impressed with the films art direction (credited to Esdras Hartley.) The laboratory of Dr. Flegg consists of a maze of glass tubes dripping a dark fluid in beakers, and has the look of a giant circulatory system, reflecting the films emphasis on blood.

Hollywood legend has it that Bogart was having trouble with WB brass at the time with the type roles they were giving him. The WB brass wanted to punish him by casting him in this and KING OF THE UNDERWORLD in order show Bogie who was boss.

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11 out of 15 people found the following comment useful :-
GREAT CAST OF CLASSIC FILM ACTORS !, 7 November 2003
10/10
Author: whpratt1 from United States

Many of these low budget films made by First National in the late 1930's, sort out many up and coming movie stars. There was other films called "The Strange Case of Dr. RX (Universal 1942) They knew that Humphrey Bogart was a great star in "Dead End" 1937, so they hired Bogart, who was willing to play any character he was offered at the time, when money was very hard to come by as an actor just starting out in films. Wayne Morris (Walter "Wichita" Garrett) played a dippy newspaper reporter, but in real life was a War Hero in WWII and starred in "Paths of Glory" which was a great success. If you look close, Huntz Hall (Pinky) who was one of the Bowery Boys and also appeared in "Dead End" '37 as "Dippy" all were starting their careers. No matter what you think of this film, you have to consider the background years when this film was made and enjoy seeing great actors JUST STARTING OUT IN LIFE !

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6 out of 6 people found the following comment useful :-
It's OK, But Not Much Of A 'Horror'' Film, 27 October 2006
6/10
Author: ccthemovieman-1 from Lockport, NY, United States

As others have pointed out, this really isn't a sequel to the 1932 film "Doctor X." Too bad....it might have been better had it been. Not that this is bad; it isn't, but isn't anything to write home about, either. Thanfully, it's only 62 minutes. Had this been 20 minutes longer, it would have been a yawner.

First, for a "horror" picture, this isn't much horror. Actually there is no horror, nothing in here that is going to frighten the most timid of souls. The only strange- looking person is Humphrey Bogart and all classic film buffs will do is laugh when they see "Bogie" in here. With a plastic-looking face and some weird hair coloring, you want to laugh out loud when you first see him.

Wayne Morris and Dennis Morgan are the real stars of the film. They are in almost every scene, with Morris as reporter "Walter 'Wichita' Garrett" and Morgan as "Dr. Mike Rhodes." John Litel plays a Dr. Frankenstein-type character in "Dr. Flegg," a key member of this cast.

This movie is almost all talk until the 59-minute mark when "Dr. X" makes a run for it and gets involved in gunfire. Yet, it's never boring, either. The scenes move quickly from place to place and plays more like a crime film than anything else. Typical of early '30s crime movies, we get some corny humor from one of the characters, in this case from Morris.

Kudos to the Hollywood Legends Of Horror series to make this DVD transfer so nice looking. It's part of an attractive package of 1930s horror films.

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6 out of 8 people found the following comment useful :-
Fright Night With Bogie, 2 August 2001
8/10
Author: telegonus from brighton, ma

This picture isn't bad at all, and is quite entertaining. It's problem is that it isn't very credible. In order to enjoy it one has to put oneself back into the spirit of the late thirties, as the nation was still reeling from the Depression and very much in need this sort of anodyne movie.

Basically it's a mad doctor movie mixed with the sort of breezy newspaper comedy (such as His Girl Friday) then popular. The story has little to do with the first Doctor X movie, which is quite different. Vincent Sherman directs his scenes for maximum suspense and energy, and makes a go at a contemporary horror film set in New York, with brownstones, hospitals and funeral parlors filling in for the usual old dark houses and castles. He succeeds very nicely.

The young leading players are likable but unexceptional. John Litel is, however, very fine as a sane doctor being manipulated by a mad one. The most notable casting is Humphrey Bogart as the resurrected Dr. X, and he is if nothing else visually striking, with his chalky face and hair with a white streak down the middle. He is altogether too familiar to be convincing in the role, which he handles competently.

Overall, I think it's fair to say the movie wasn't meant to be taken too seriously. It was made at a time when horror movies were made for fun as much as fright. Taken on its own terms it delivers the goods, and makes the Warners' standard issue New York streets look as spooky as a graveyard at Halloween.

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4 out of 5 people found the following comment useful :-
Silly B-picture, but mandatory viewing for one reason, 19 October 1998
4/10
Author: Alan Badger from San Francisco, Ca., USA

Fast, spry and completely forgettable except for one thing -- Humphrey Bogart, only months away from super-stardom, was assigned against his will to play the villain. His first appearance -- made up to look like a dime-store mannequin, cradling a rabbit in his arms -- is perhaps the most priceless entry in the huge gallery of star-embarrassments.

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3 out of 4 people found the following comment useful :-
I have created a Monster! May God forgive me, 8 October 2006
5/10
Author: sol1218 from brooklyn NY

*** This comment may contain spoilers ***

(Some Spoilers) Having discovered the miracle of life through the process of blood De-coagulation Dr.Francis Flegg,John Litel, made the mistake of bringing back to life his first subject the brilliant, but convicted murderer, hematologist Doctor Maurice Xavier, Humphrey Bogart. Feeling that he's much too valuable a person to be taken from the world of science despite his criminal record.

After being executed for murder in the electric chair at Sing Sing Dr. Flegg claimed Dr. X's, as Maurice Xavier is known in the movie, body and pumped a new life back into him. Dr.X now working as Dr. Flegg's assistant is seen moping around the laboratory cleaning up and making himself useful but also learning that he needs a rare blood-type to keep himself alive by having transfusions every few weeks when the blood, from unsuspecting donors, that he has in his system starts to go bad. Trying to perfect a permanent and lasting synthetic blood is something that the brilliant Dr. Flegg can't seem to come up with.This has a blood-thirsty Dr. X to go out hunting for people with his blood-type to keep himself from drying up and dying.

The film "The Return of Dr.X" has wisecracking reporter Walter Garrett, Wayne Morris, come across this amazing secret when an actress, with the same blood-type of Dr.X, that he's supposed to interview Angela Merrova, Lay Lys, is found murdered in her hotel room. Only to come back to life a few hours later due to Dr. Fleggs actions. Later with the help of his doctor friend Mike Rhodes, Dennis Morgan, they find another person with the same blood-type, called group #1 in the movie, professional blood donor Stanley Rodgers, John Ridgely, not only murdered but completely drained of his blood. It becomes apparent that their a link between the two Merrova & Rodgers.

It's later when a conscientious Dr. Flegg decides to stop his experiments in keeping the murderous Dr.X from getting his periodic blood-transfusions that he goes wild murdering Flegg. Later the brought back from the dead Angela Merrova, With the late Dr. Flegg's little black book of people with the rare group #1 blood, goes out looking for new customers to keep Dr. X well stocked and alive with their valuable bodily fluids. Kidnapping nurse Joan Vance, Rosemary Lane, who has blood group #1 Dr. X takes off in a taxi to his old hideout, a duck pub, in Jersey.Then he's then tracked down by Garrett, Joan's boyfriend, and the police and then gunned down in a wild shoot-out.

Humphrey Bogart in the most unusual role of his career as the zombie-like Dr.X who's as white as a sheet with a punk, or skunk, like hair-style is undoubtedly the star of the movie and really the only reason to watch it. You have to sit through the first 25 or so boring minutes of the film "The Return of Doctor X" to finally see him make his grand appearance but after that it's all up hill from then on.

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