IMDb > The Private Lives of Elizabeth and Essex (1939)
The Private Lives of Elizabeth and Essex
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The Private Lives of Elizabeth and Essex (1939) More at IMDbPro »

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Overview

User Rating:
7.1/10   1,989 votes
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Down 7% in popularity this week. See why on IMDbPro.
Director:
Writers:
Norman Reilly Raine (screenplay) and
Æneas MacKenzie (screenplay) ...
(more)
Contact:
View company contact information for The Private Lives of Elizabeth and Essex on IMDbPro.
Release Date:
11 November 1939 (USA) more
Tagline:
Elizabeth I's love for the Earl of Essex threatens to destroy her kingdom.
Plot:
This period drama frames the tumultuous affair between Queen Elizabeth I and the man who would be King of England... more | add synopsis
Plot Keywords:
Awards:
Nominated for 5 Oscars. more
NewsDesk:
(2 articles)
retro trailer: ‘The Private Lives of Elizabeth and Essex’
 (From FlickFilosopher. 27 September 2009, 12:53 AM, PDT)

Walter Hill: The Hollywood Interview
 (From The Hollywood Interview. 9 September 2009, 12:07 AM, PDT)

User Reviews:
New DVD version makes the film twice as compelling...fine performances... more (46 total)

Cast

  (in credits order) (verified as complete)

Bette Davis ... Queen Elizabeth

Errol Flynn ... Earl of Essex

Olivia de Havilland ... Lady Penelope Gray
Donald Crisp ... Francis Bacon
Alan Hale ... Earl of Tyrone

Vincent Price ... Sir Walter Raleigh
Henry Stephenson ... Lord Burghley
Henry Daniell ... Sir Robert Cecil
James Stephenson ... Sir Thomas Egerton
Nanette Fabray ... Mistress Margaret Radcliffe (as Nanette Fabares)
Ralph Forbes ... Lord Knollys
Robert Warwick ... Lord Mountjoy
Leo G. Carroll ... Sir Edward Coke
rest of cast listed alphabetically:
Guy Bellis ... Lord Charles Howard (uncredited)
Forrester Harvey ... Bit part (uncredited)
Holmes Herbert ... Majordomo (uncredited)

I. Stanford Jolley ... Spectator outside Whitehall Palace (uncredited)
Doris Lloyd ... Handmaiden (uncredited)
John Sutton ... Capt. Armand of the Queen's Guard (uncredited)
Rosella Towne ... Lady of the Court (uncredited)
Maris Wrixon ... Lady of the Court (uncredited)
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Directed by
Michael Curtiz 
 
Writing credits
Norman Reilly Raine (screenplay) and
Æneas MacKenzie (screenplay) (as Aeneas MacKenzie)

Maxwell Anderson (play)

Produced by
Robert Lord .... associate producer
Hal B. Wallis .... executive producer
 
Original Music by
Erich Wolfgang Korngold 
 
Cinematography by
Sol Polito (director of photography)
 
Film Editing by
Owen Marks 
 
Art Direction by
Anton Grot 
 
Costume Design by
Orry-Kelly 
 
Makeup Department
Perc Westmore .... makeup artist
 
Production Management
Jack L. Warner .... executive in charge of production
Frank Mattison .... unit manager (uncredited)
 
Second Unit Director or Assistant Director
Sherry Shourds .... assistant director (uncredited)
 
Sound Department
C.A. Riggs .... sound
Nathan Levinson .... special sound effects (uncredited)
 
Special Effects by
Byron Haskin .... special effects
Hans F. Koenekamp .... special effects (as H.F. Koenekamp)
 
Stunts
Buster Wiles .... stunts (uncredited)
 
Camera and Electrical Department
W. Howard Greene .... associate director of photography
 
Music Department
Leo F. Forbstein .... musical director
Hugo Friedhofer .... orchestrator
Milan Roder .... orchestrator
Faith Kruger .... singing voice: Olivia de Havilland (uncredited)
 
Other crew
Ali Hubert .... technical advisor
Natalie Kalmus .... technicolor color director
Stanley Logan .... dialogue director
Morgan Padelford .... associate technicolor color director
 
Crew verified as complete


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Additional Details

Also Known As:
Elizabeth and Essex
Elizabeth the Queen (USA) (TV title)
The Knight and the Lady (USA) (working title)
more
Runtime:
106 min
Country:
Language:
Color:
Color (Technicolor)
Aspect Ratio:
1.37 : 1 more
Sound Mix:
Mono (Vitaphone)

Fun Stuff

Trivia:
Bette Davis had originally wanted Laurence Olivier for the role of Lord Essex, claiming that Errol Flynn could not speak blank verse well. She remained extremely upset about this through the entire filming, and Flynn and Davis never worked again together in a film, but according to Olivia de Havilland, she and Davis screened the film again a short while before Davis's stroke. At film's end, Davis turned to de Havilland and declared that she had been wrong about Flynn, and that he gave a fine performance as Essex. more
Goofs:
Anachronisms: Essex twice compares Elizabeth to her father, speaking of Henry VIII as if from personal acquaintance, though Henry died in 1547 and Essex was born in 1565. more
Quotes:
Robert Devereux, Earl of Essex: [after being slapped hard by Queen Elizabeth I] I would not have taken that from your father the King; much less will I take it from a king in petticoats! more
Movie Connections:
Referenced in "This Is Your Life: Bette Davis" (1971) more
Soundtrack:
The Passionate Shepherd to His Love (Come Live With Me and Be My Love) more

FAQ

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17 out of 20 people found the following review useful.
New DVD version makes the film twice as compelling...fine performances..., 22 April 2005
7/10
Author: Neil Doyle from U.S.A.

Watching the newly restored DVD version of THE PRIVATE LIVES OF ELIZABETH AND ESSEX gives this viewer a new appreciation of the lavish attention to detail in sets, costumes--and even the performances surrounding BETTE DAVIS in her showcase role as the Queen who is unwilling to let the ambitious Earl of Essex share her throne. Flynn fans won't be disappointed either. He's never looked handsomer as Lord Essex.

Davis seems unwilling to let anyone else steal the thunder from her fidgety display of histrionics. Costumed in the most brilliant array of historically correct costuming ever dreamed up by the Warner costume department, she gives a commanding display of histrionics that will fascinate even those who will undoubtedly accuse her of overacting or chewing the scenery on occasion.

And what scenery! Seldom has the lavishness of a Warner costume epic been captured by cinematographers as here. All of the courtroom scenes have the stately dignity and majesty of inspired paintings. And yet, despite all the rich atmosphere of court settings, the performances stand out as uniquely individual characterizations, thanks to Michael Curtiz's firm direction.

ERROL FLYNN, despite a few weaker scenes in the film's final moments, does a sterling job as Essex, matching Davis' fiery temperament with a strong display of courage, cunning and nobility as Essex.

OLIVIA de HAVILLAND, while demoted to a supporting role by Jack Warner (who never forgave her for outwitting him in her move to play a loan-out role as Melanie in GWTW), is breathtakingly gorgeous and shows that beneath that demure surface lurked an actress with sparks of her own to share with Davis.

The glittering supporting cast includes such stalwarts as Vincent Price (handsomely attired as Sir Walter Raleigh), Henry Stephenson, Donald Crisp--and in an uncredited role as a member of the Queen's guard, John Sutton. Notable in a small but effective scene is Nanette Fabray, at the very start of her career on screen.

Not historically accurate as far as Maxwell Anderson's legend goes (there was no romance between Elizabeth and Essex), but this is a fascinating version of his stage play, "Elizabeth the Queen".

Alan Hale does a superb job in a brief role as Tyrone (with Irish accent), cast as Errol's foe for a change. Watch the color cinematography in the marshes scene--subtle shades of pastel amid the fog shrouded swamps.

A magnificent, pulsating background score by Erich Wolfgang Korngold adds to the intrigue. The film itself is not entirely flawless--there are several scenes that move much too slowly. But all in all, it captures the court intrigue and sympathetically reveals the demands that a Queen must face when her throne is challenged by men just as ambitious (and ruthless) as she is to rule.

Director Michael Curtiz keeps things visually stirring throughout, as is his customary practice.

A final note: It cannot be emphasized enough that the new DVD version brings out all of the detailed splendor of sets, costumes and photography and makes it all the more compelling to watch. In fact, the whole viewing experience is quite different from the VHS version.

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