| Lily Bouwmeester | ... | Willy Verhulst | |
| Nico De Jong | ... | Frits Verhulst | |
| Paul Steenbergen | ... | Alfred Herder | |
| Theo Frenkel Jr. | ... | Hans Daldrop (as Theo Frenkel) | |
| Chris Baay | ... | Bob | |
| Louis Gimberg | ... | De Raadt | |
| Guus Weitzel | ... | Omroeper | |
| Kommer Kleyn | ... | Regisseur radio-omroep | |
| Bob De Lange | ... | Kamphuis | |
| J.J.M. Liesting | ... | Chef boekhouding (as J. Liesting) | |
| Anton Roemer | ... | Gymnastiek-leraar | |
| Ko Arnoldi | ... | Examinator | |
| Fie Kohler | ... | Jutte Balman | |
| Adr. Van Der Horst | (as Adr. V.D. Horst) | ||
| Joke Bosch | ... | Mies Tuinders (as Joke Busch) | |
| Mien Duymaer Van Twist | ... | Tante Paula | |
| Lau Ezerman | |||
| Peronne Hosang | |||
| rest of cast listed alphabetically: | |||
| Aaf Bouber | |||
| Cor Dommelshuizen | (as Corn. Dommelshuizen) | ||
| Piet Köhler | |||
| Jo Vischer Sr. | (as Johan Visscher) | ||
| Jacques de Vos | |||
| Sophie Köhler-van Dijk | ... | (uncredited) | |
Directed by | |||
| Frederic Zelnik | |||
Writing credits | ||
| Annemarie Selinko | novel "Morgen wird alles besser" & | |
| Kees Bruynse | screenplay | |
| As Bruynse | screenplay | |
| Wim Kan | screenplay | |
Produced by | |||
| Rudolf Meyer | .... | producer | |
Original Music by | |||
| Max Tak | |||
Cinematography by | |||
| Otto Heller | (photography) | ||
| Frits Meyer | (photography) | ||
| Paul Dekeukelaire | (uncredited) | ||
Film Editing by | |||
| Jan Teunissen | |||
Makeup Department | |||
| D.H. Michels | .... | makeup artist | |
Art Department | |||
| A.H. Wegerif Gzn. | .... | set designer (as A.H. Wegeriff) | |
Sound Department | |||
| I.J. Citroen | .... | sound | |
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| Karakter | Start Cheering | Harry Potter and the Prisoner of Azkaban | Ausreisser | Thank You for Smoking |
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| Full cast and crew | Company credits | External reviews |
| IMDb Netherlands section | Add this title to MyMovies |
An interesting film with a rather thin storyline, about a not too smart schoolgirl who has to provide for herself. She struggles through her exams and starts looking for a job. The acting seems overdone and full of mannerisms, but that is my feeling today in 2006. I've seen people who were young in 1939, and some of them show the same mannerisms, so probably it was normal behaviour in 1939 to be tense, to allow people to snap at you or to submit to class distinction and sexism. The film is full of things that are thoroughly outdated, and very interesting because of that. The story gets more depth when you realize that the background is the despair people felt in the nineteen thirties-crisis. There was no help if you couldn't help yourself. Many people lived in extreme poverty and died early because of harsh living conditions. On top of that there was war looming large. The despair comes out in the worked-up jollity, and the frantic singing of the title song, Tomorrow will be better! sounds like a mantra.