Jezebel (1938)

Director:

William Wyler

Writers:

Owen Davis (play)
Clements Ripley (screenplay) ...

Release Date:

26 March 1938 (USA)

Genre:

Drama | Romance

Tagline:

A Fearless Feminine Creature with a heart full of love !

Plot:

A haughty headstrong Southern Belle in Antebellum Louisiana loses her fiance due to her stubborn vanity and pride and vows to get him back.

Plot Keywords:

Southern Belle | Yellow Fever | 1850s | Vanity | Epidemic

Awards:

Won 2 Oscars. Another 1 win & 4 nominations

Cast

Bette Davis	...	Julie
Henry Fonda	...	Preston Dillard
George Brent	...	Buck Cantrell
Margaret Lindsay	...	Amy
Donald Crisp	...	Dr. Livingstone
Fay Bainter	...	Aunt Belle
Richard Cromwell	...	Ted
Henry O'Neill	...	General Bogardus
Spring Byington	...	Mrs. Kendrick
John Litel	...	Jean La Cour
Gordon Oliver	...	Dick Allen
Janet Shaw	...	Molly Allen
Theresa Harris	...	Zette
Margaret Early	...	Stephanie Kendrick
Irving Pichel	...	Huger

Runtime:

104 min (TCM print)

Country:

USA

Language:

English | French

Color:

Black and White

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono

Certification:

Australia:PG | USA:TV-PG | Sweden:15 | Argentina:16 | Chile:18 | Finland:K-16 | USA:Approved (PCA #3915)

Filming Locations:

Iverson Ranch, Chatsworth, Los Angeles, California, USA

Company:

Warner Bros. Pictures

Trivia:

Owen Davis's play opened on Broadway in New York City, New York, USA on 19 December 1933 and closed in January 1934 after 32 performances. The opening night cast included Miriam Hopkins as Julie, Joseph Cotten, Owen Davis Jr. (the writer's son), Cora Witherspoon and Lew Payton (who is also in the film).

Goofs:

Continuity: Early in the film, Preston storms up to Julie's bedroom and knocks hard on her door several times with his cane. The head of the cane seemingly leaves numerous dents in the wood. When Julie finally opens the door (inward into the bedroom), the dents have disappeared.

Quotes:

Buck Cantrell: I like my convictions undiluted, just like my bourbon.

Movie Connections:

Featured in Howard Hughes: His Women and His Movies (2000) (TV)

Soundtrack:

Pretty Quadroon

Gone with the Jezebel

It is 1850's New Orleans, and Julie Marsten (Davis), a head-strong young woman who doesn't find it the least improper to be late for her own engagement party because she feels like riding her horse instead, is getting married to Preston Dillard (Fonda). Unfortunately, Preston isn't at the party because he is hammering out business at his family's bank; when they are married, he and Julie will be moving north, an almost sacrilegious action during this time. Buck Cantrell (George Brent) is Julie's former beau, who remains a family friend and still defends Julie's honor. One day, when Preston doesn't drop everything to attend a dress fitting for Julie that he had originally promised to attend, she defiantly insists that she purchase a red dress, breaking the white dress only tradition for the ball they were attending. Despite the protestations of everyone she knows, including Preston, she wears the dress to the ball, causing her to be ostracized and the official break up of her engagement to Preston when he realizes that he cannot deal with her headstrong attitude. He leaves for the north without her, and comes back a year later with a surprise, and sees that Yellow Fever has gripped New Orleans, a peril that threatens everyone.

"Jezebel" is a tale of defiance, love and redemption. Davis plays her role so well that it is hard to determine whether you want to support her or marginalize her as a spoiled brat. I think that even when the film was made, (1938) the lines were still blurred as to how many freedoms and how much free-thinking should be afforded to women. It is easy for me to say that Julie's red dress was much ado about nothing, but then again, this is the millennium, when nothing is overtly shocking anymore. The mere fact that I thought so much about a classic film (which generally has throwaway plots) is a true testament to Davis' performance and the writing, under William Wyler's direction. "Jezebel" is essentially "Gone with the Wind" without the budget or the color, and was made the year before that film was released. Most of the characters are fairly throwaway, but the subject is Julie, and her development is amazing and very believable, despite the melodramatic genre. This is a film that most classic film lovers have seen, I'm sure (I am apparently a late bloomer in regard to this film) but if you are one and you haven't seen it, or are a Bette Davis fan, see this movie. Most of her late 30's to 1950 films are so spectacular just because of her performance (if the rest is good, it's gravy), and this is one of her best known performances. 7/10 --Shelly