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| Videos |
| Ralph Cooper | ... | Duke Davis | |
| Lena Horne | ... | Ethel Andrews | |
| Laurence Criner | ... | Doc Dorando (as Lawrence Criner) | |
| Monte Hawley | ... | George Marshall | |
| Willie Covan | ... | Specialty Tap Dancer | |
| Neva Peoples | ... | Ella | |
| Vernon McCalla | ... | Mason (as Vernon McCallum) | |
| Edward Thompson | ... | Ferdie Fenton | |
| Johnny Taylor | ... | Dippy, 'Prince Alakazoo' | |
| Ray Martin | ... | Joe | |
| Guernsey Morrow | ... | Ed. Lake (as Guersney Morrow) | |
| Charles Hawkins | ... | Sam, the Stage Manager (as Charlie Hawkins) | |
| Basin Street Boys | ... | Speciality | |
| Rubberneck Holmes | ... | Specialty (as Rubber Neck Holmes) | |
| Cats and the Fiddle | ... | Speciality | |
| Marie Bryant | ... | Specialty | |
| Swing Band Harlemania Orchestra | ... | Speciality | |
| rest of cast listed alphabetically: | |||
| Everett Brown | ... | Sheriff | |
| Arthur Ray | ... | Druggist | |
| Mildred Boyd | ... | Chorus Girl / Dancer (uncredited) | |
| Joel Fluellen | ... | Tonic customer (uncredited) | |
| Louise Franklin | ... | Chorus Girl / Dancer (uncredited) | |
| Avanelle Harris | ... | Dancer (uncredited) | |
| Lillian Randolph | ... | Woman With Sciatica (uncredited) (unconfirmed) | |
Directed by | |||
| William L. Nolte | (as William Nolte) | ||
Writing credits(in alphabetical order) | ||
| Phil Dunham | writer | |
Produced by | |||
| Leo C. Popkin | .... | associate producer | |
Original Music by | |||
| Harvey Brooks | |||
| Ben Ellison | |||
Cinematography by | |||
| Robert E. Cline | (as Robert Cline) | ||
| J. Henry Kruse | (as Henry Kruse) | ||
Film Editing by | |||
| Alice Greenwood | |||
Production Management | |||
| Ralph Cooper | .... | production manager | |
| Walter Buck Jones | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Herman E. Webber | .... | assistant director (as Herman Webber) | |
Art Department | |||
| Vin Taylor | .... | set designer | |
Sound Department | |||
| Glen Glenn | .... | sound (as Glen Glen) | |
Editorial Department | |||
| Arthur A. Brooks | .... | supervising editor | |
Music Department | |||
| Lou Frohman | .... | musical director | |
| Phil Moore | .... | music arranger | |
Other crew | |||
| Lew Crawford | .... | ensemble numbers | |
| Halley Harding | .... | supervisor | |
| Harry M. Popkin | .... | presenter | |
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| Stage Struck | Twentieth Century | I Shot Jesse James | Cover Girl | The Muppets Take Manhattan |
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| Full cast and crew | Company credits | External reviews |
| IMDb Musical section | IMDb USA section | Add this title to MyMovies |
Black cinema has done far better than this. Even allowing for the constraints imposed by a low budget, there is very little here of entertainment value. The story lacks originality, the acting is stiff and self-conscious, the direction devoid of imagination. A half-dozen "specialty" acts are no better than passable; a very young Lena Horne had yet to develop her star qualities. The chorus girls' costumes looked suspiciously familiar (Warner Brothers?), and the two or three steps they learned for their routines have likewise been seen elsewhere. I hope the price of admission was cut-rate, too. Otherwise, the audience was short-changed.