| Photos (see all 19 | slideshow) |
| Fred Astaire | ... | Tony Flagg | |
| Ginger Rogers | ... | Amanda Cooper | |
| Ralph Bellamy | ... | Stephen Arden | |
| Luella Gear | ... | Aunt Cora | |
| Jack Carson | ... | Thomas Connors | |
| Clarence Kolb | ... | Judge Joe Travers | |
| Franklin Pangborn | ... | Roland Hunter | |
| Walter Kingsford | ... | Dr. Powers | |
| Kay Sutton | ... | Miss Adams | |
| The Robert Mitchell Boy Choir | ... | Choir (as Robert B. Mitchell and his St. Brendan's Boys) | |
| rest of cast listed alphabetically: | |||
| Harry A. Bailey | ... | Sponsor (uncredited) | |
| James P. Burtis | ... | Truck Driver (uncredited) | |
| Charles Coleman | ... | Doorman (uncredited) | |
| William Corson | ... | (uncredited) | |
| James Finlayson | ... | Man at Golf Course (uncredited) | |
| Edward Gargan | ... | Policeman (uncredited) | |
| Paul Guilfoyle | ... | Elevator Starter (uncredited) | |
| Grace Hayle | ... | (uncredited) | |
| Vinton Hayworth | ... | Elevator Operator (uncredited) | |
| Ray Hendricks | ... | Waiter (uncredited) | |
| Phyllis Kennedy | ... | (uncredited) | |
| Donald Kerr | ... | Repairman on Ladder (uncredited) | |
| Richard Lane | ... | Henry (uncredited) | |
| Hattie McDaniel | ... | Hattie (uncredited) | |
| Harold Minjir | ... | Radio Announcer (uncredited) | |
| Bert Moorhouse | ... | Country Club Member (uncredited) | |
| Frank Moran | ... | Cab Driver (uncredited) | |
| Jack Rice | ... | Man with cane who falls (uncredited) | |
| Marek Windheim | ... | Country Club Waiter (uncredited) | |
Directed by | |||
| Mark Sandrich | |||
Writing credits(in alphabetical order) | ||
| Marian Ainslee | story | |
| Guy Endore | story | |
| Dudley Nichols | story | |
| Ernest Pagano | writer | |
| Allan Scott | writer | |
| Hagar Wilde | story | |
Produced by | |||
| Pandro S. Berman | .... | producer | |
Original Music by | |||
| Robert Russell Bennett | (uncredited) | ||
Cinematography by | |||
| Robert De Grasse | (as Robert de Grasse) | ||
Film Editing by | |||
| William Hamilton | |||
Art Direction by | |||
| Van Nest Polglase | |||
Makeup Department | |||
| Mel Berns | .... | makeup artist (uncredited) | |
Second Unit Director or Assistant Director | |||
| Argyle Nelson | .... | assistant director | |
Art Department | |||
| Carroll Clark | .... | associate art director | |
| Darrell Silvera | .... | set dresser | |
Sound Department | |||
| Hugh McDowell Jr. | .... | sound recordist | |
Special Effects by | |||
| Vernon L. Walker | .... | special effects | |
Camera and Electrical Department | |||
| John Miehle | .... | still photographer (uncredited) | |
Costume and Wardrobe Department | |||
| Howard Greer | .... | gowns: Miss Rogers | |
| Edward Stevenson | .... | wardrobe | |
Music Department | |||
| Victor Baravalle | .... | musical director | |
| Robert Russell Bennett | .... | orchestrator (uncredited) | |
| Leonid Raab | .... | orchestrator (uncredited) | |
| Max Reese | .... | orchestrator (uncredited) | |
| Gene Rose | .... | orchestrator (uncredited) | |
| Conrad Salinger | .... | orchestrator (uncredited) | |
| Roy Webb | .... | composer: stock music (uncredited) | |
Other crew | |||
| Hermes Pan | .... | choreographer | |
| Fred Fleck | .... | assistant to producer (uncredited) | |
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| Shall We Dance | Swing Time | The Gay Divorcee | Top Hat | Follow the Fleet |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb USA section | Add this title to MyMovies |
Carefree marked the third collaboration of Fred Astaire and Ginger Rogers singing and dancing to an Irving Berlin score. Unfortunately it would prove to be the weakest of the films, the others being Top Hat and Follow The Fleet. One thing was that Irving Berlin wrote a lot less music for this than the other two.
The second thing was that it involved psychiatry and we'd have to wait for such musicals as Lady in the Dark and On A Clear Day before the subject was handled in any way responsibly.
I'm not sure the subject was the proper one for Astaire and Rogers. The plot has Rogers seeing Astaire professionally while she's engaged to Ralph Bellamy who is playing the typical Ralph Bellamy part. I guess because it's Ralph Bellamy liberties can be taken with the leading lady by a her psychiatrist.
It was a bit much to swallow, a man who gave up studying the dance to become a disciple of Sigmund Freud. But that's what Fred Astaire is in Carefree. Usually the two don't mix. I can't imagine Freud breaking out into an intricate Astaire dance routine.
I will say that Irving Berlin did give Fred and Ginger some good songs to sing and dance to. The print I have is totally black and white and the I Used To Be Color Blind dream sequence definitely loses something when not seen in color. Fred and Ginger are at their liveliest doing The Yam and the rest of the cast gets involved. In fact I was surprised at how nimble Clarence Kolb was on his feet.
Fred's plaintive plea for Ginger to Change Partners got an Oscar nomination for Best Song, but it lost to Bob Hope's perennial theme of Thanks for the Memory.
I could not quite enjoy Carefree as much I have other Astaire/Rogers collaborations. When you think about, Fred's using his professional training to mess with her mind. His heart may be in the right place, but his medical ethics stink.