La bête humaine (1938)

Director:

Jean Renoir

Writer:

Émile Zola (novel)

Release Date:

19 February 1940 (USA)

Genre:

Drama

Plot Keywords:

Strawberry | Betting | Rain | Cafe | St Lazare France

Awards:

1 nomination

Cast

  (Cast overview, first billed only)

Jean Gabin	...	Jacques Lantier
Simone Simon	...	Séverine Roubaud
Fernand Ledoux	...	Roubaud (as Ledoux Sociétaire de la Comédie Française)
Blanchette Brunoy	...	Flore
Gérard Landry	...	Le fils Dauvergne (as Gerard Landry)
Jenny Hélia	...	Philomène Sauvagnat (as Jenny Helia)
Colette Régis	...	Victoire Pecqueux (as Colette Regis)
Claire Gérard	...	Une voyageuse (as Claire Gerard)
Charlotte Clasis	...	Tante Phasie, la marraine de Lantier (as Germaine Clasis)
Jacques Berlioz	...	Grandmorin (as Berlioz)
Tony Corteggiani	...	Dabadie, le chef de section (as Cortegianni)
André Tavernier	...	Le juge d'instruction Denizet
Marcel Pérès	...	Un lampiste (as Perez)
Jean Renoir	...	Cabuche
Julien Carette	...	Pecqueux (as Carette)

Also Known As:

Judas Was a Woman (UK)
The Human Beast

Runtime:

100 min

Country:

France

Language:

French

Color:

Black and White

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono (RCA Sound System)

Certification:

Spain:18 | Finland:K-16 | Sweden:15 | UK:PG

Filming Locations:

Campagne normande, Seine-Maritime, France

Company:

Paris Film

Movie Connections:

Referenced in Histoire(s) du cinéma - 2A: Seul le cinéma (1997) (V)

Soundtrack:

Le coeur de Ninon

Porky and Bess

The point that you really could do with reading at least some of Zola's mammoth saga is well taken - I've only read Germinal so I'm afraid that lets me out. The many puzzling bits in the plot would probably not be: why such fleeting references to ancestral drunkeness and epilepsy, what happened to Cabuche, were Jacques and Bess in a serious sexual relationship?

Basically outraged and cuckolded middle-aged husband murders beautiful young wife's childhood ancient sugar daddy, she (Simon) drifts into stocky Gabin's and/or a lithe young man's arms, sex and violence result as surely as the earthy pre-War French trains ran on time. Some marvellously atmospheric nitrate b&w photography even when under the arc-lights, some scintillating and also some surprisingly clumsy framings from Renoir, some tremendous acting from the leads and trains, some brief but jarring full orchestral incidental music, and what are we left with all these decades later? A clever, well-made, entertaining and then-popular now relatively ignored (IMDB eg Bete Humaine 17 Amelie 1033) film applauded to the rafters as Art because it's Renoir. There could be no other outcome for this film - it was Fated to be Art after all!

It's very good and been one of my favourites for decades now, not as essential mind furniture but more as an enjoyably engrossing proto-noir romp with subtitles.