Topper (1937)

User Rating:

7.4/10   

Director:

Norman Z. McLeod

Writers:

Thorne Smith (novel)
Jack Jevne (screenplay) ...

Release Date:

16 July 1937 (USA)

Genre:

Comedy | Fantasy | Romance

Tagline:

90 ROARING MINUTES OF LAUGHS! (original 11x14 title lobby card)

Plot:

A fun-loving couple, finding that they died and are now ghosts, decide to shake up the stuffy lifestyle of a friend of theirs.

Plot Keywords:

Ghost | Bank | Accident | Hotel | Nurse

Awards:

Nominated for 2 Oscars.

US TV Schedule:

Sun. July 26

10:30 AM

TCM

Cast

Constance Bennett	...	Marion Kerby
Cary Grant	...	George Kerby
Roland Young	...	Cosmo Topper
Billie Burke	...	Mrs. Clara Topper
Alan Mowbray	...	Wilkins
Eugene Pallette	...	Casey
Arthur Lake	...	Elevator Boy
Hedda Hopper	...	Mrs. Grace Stuyvesant
Virginia Sale	...	Miss Johnson
Theodore von Eltz	...	Hotel Manager
J. Farrell MacDonald	...	Policeman (as J. Farrell McDonald)
Elaine Shepard	...	Secretary
Doodles Weaver	...	Rustic
Si Jenks	...	Rustic
Three Hits and a Miss	...	Themselves - Vocal Quartette

Runtime:

97 min

Country:

USA

Language:

English

Color:

Black and White

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono (Western Electric Mirrophonic Recording)

Certification:

USA:Approved (PCA #3272) | USA:Passed (National Board of Review) | USA:TV-G (TV rating) | Finland:K-16 | Germany:o.Al.

Filming Locations:

Bullock's Wilshire Department Store - 3050 Wilshire Boulevard, Los Angeles, California, USA

Company:

Hal Roach Studios

Trivia:

The fancy finned-back car driven by the Kerbys was custom built by the Bohman & Schwartz Co. using a 1936 Buick Roadmaster chassis. Originally the producers had in mind to use a coffin-nosed Cord, but it wasn't large enough. In the custom-made Buick there were special compartments for camera equipment, etc. The Buick resembles a Cord, but the supercharger pipes on the side were just decorations (a Cord comes with an actual supercharger). After filming the Buick was bought by the Gilmore Oil Co. and was used for promotional purposes for many years. It was updated in 1954 with a Chrysler Imperial chassis and drive train. The car driven by Cosmo Topper is a 1936 Lincoln Model K.

Quotes:

Marion Kerby: Why don't you stop being a mummy for a few minutes and come to life? Of course, there's nothing wrong with being a mummy if you had any fun getting that way.
Cosmo Topper: But I... I didn't, you see.
Marion Kerby: No, I can tell that by the way you're staring at my knees.

Movie Connections:

Referenced in "Mystery Science Theater 3000: Beginning of the End (#6.17)" (1993)

Soundtrack:

Old Man Moon

The Kerbys in purgatory

"Topper", the delightful and original film directed by Norman Z McLeod, should be seen more often. It is one of the best things Hollywood ever produced at the height of the madcap comedy craze of the thirties. In fact, just to watch Roland Young, Constance Bennett and Cary Grant in the same film is a dream come true.

"Topper" has always been an old time favorite. We were treated the other night to watching it again, courtesy of TCM. The film's great black and white cinematography by Norbert Brodine looks good, even after these many years.

Constance Bennett and Cary Grant made a fabulous couple. Ms. Bennett had the uncanny gift of blending with all her leading men well. She was a charming actress with such a sense of style and an amazing figure to boot that made her an irresistible presence on the screen. Cary Grant is also seen at his best in the film as the careless and fun loving George Kerby.

Roland Young, in our humble opinion, steals the show! He plays the staid banker Cosmo Topper, who is all business until he starts being made the object of the Kerby's antics. Cosmo Topper's wife is the incomparable Billie Burke, one of the most gracious actresses of that era.

The rest of the cast is not too shabby. Alan Mowbray, Eugene Palette, Ward Bond, Hoagy Carmichael, and as an extra, Lana Turner could be seen backing the principals with their usual elegance and enormous screen presence.

"Topper" is a film that should be "rediscovered" by new audiences, as it shows how great Hollywood could be when it wanted to be original. But above all, "Topper" should be seen for the fantastic Roland Young, who is nothing short of perfection in the film!