The Bride Wore Red (1937)

User Rating:

6.0/10   

Director:

Dorothy Arzner

Writers:

Ferenc Molnár (play)
Tess Slesinger (screenplay) ...
(more)

Release Date:

8 October 1937 (USA)

Genre:

Comedy | Drama | Romance

Plot:

Count Armalia believes that the luck of birth is all that separates the rich from the poor. To test his theory...

Plot Keywords:

Singer | Clothes | Postman | Italy | Aristocracy

Cast

Joan Crawford	...	Anni Pavlovitch
Franchot Tone	...	Giulio
Robert Young	...	Rudi Pal
Billie Burke	...	Contessa di Meina
Reginald Owen	...	Admiral Monti
Lynne Carver	...	Maddelena Monti
George Zucco	...	Count Armalia
Mary Philips	...	Maria (as Mary Phillips)
Paul Porcasi	...	Signor Nobili
Dickie Moore	...	Pietro
Frank Puglia	...	Alberto
rest of cast listed alphabetically:
Nino Bellini	...	Cosmos Club Waiter (uncredited)
Agostino Borgato	...	Cordellera Bar Waiter (uncredited)
Adriana Caselotti	...	First Peasant Girl (uncredited)
Robert Cauterio	...	Hotel Clerk (uncredited)
Irene Coleman	...	Cosmos Club Hat Check Girl (uncredited)
Gino Corrado	...	Cosmos Club Croupier (uncredited)
Franco Corsaro	...	Hotel Chauffeur (uncredited)
Rita Gould	...	Saleslady (uncredited)
Geneva Hall	...	Tango Dancer (uncredited)
Charles Judels	...	Cordellera Bar Proprietor (uncredited)
Jean Lewis	...	Second Peasant Girl (uncredited)
Fred Malatesta	...	Rudi's Waiter (uncredited)
Francisco Marán	...	Cosmos Club Doorman (uncredited)
Alphonse Martell	...	Hotel Headwaiter (uncredited)
John Oliver	...	Page Boy (uncredited)
Ann Rutherford	...	Third Peasant Girl (uncredited)
Rafael Storm	...	Hotel Clerk (uncredited)
Mike Tellegen	...	Bar Patron (uncredited)
Harry Wilson	...	Sailor at Cordellera Bar (uncredited)

Directed by
Dorothy Arzner

Writing credits
Ferenc Molnár		(play "The Girl From Trieste") (as Ferenc Molnar)
Waldo Salt		(adaptation) uncredited and
Catherine Turney		(adaptation) uncredited
Tess Slesinger		(screenplay) and
Bradbury Foote		(screenplay)

Produced by
Joseph L. Mankiewicz	....	producer

Original Music by
Franz Waxman

Cinematography by
George J. Folsey		(photographed by) (as George Folsey)

Film Editing by
Adrienne Fazan

Art Direction by
Cedric Gibbons

Costume Design by
Adrian		(gowns)

Second Unit Director or Assistant Director
Edward Woehler	....	assistant director (uncredited)

Art Department
Daniel B. Cathcart	....	associate art director
Edwin B. Willis	....	associate art director

Sound Department
Douglas Shearer	....	recording director

Music Department
Paul Marquardt	....	orchestrator (uncredited)

Other crew
Val Raset	....	dances stager
Wallace Worsley Jr.	....	script clerk (uncredited)

Production Companies

• Metro-Goldwyn-Mayer (MGM) (controlled by Loew's Incorporated)

Distributors

• Metro-Goldwyn-Mayer (MGM) (1937) (USA) (theatrical) (as Loew's Incorporated)

Runtime:

103 min | Germany:99 min (TV)

Country:

USA

Language:

English

Color:

Black and White

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono (Western Electric Sound System)

Certification:

USA:Passed (National Board of Review) | USA:TV-G (TV rating) | Finland:S | USA:Approved (PCA #3582)

Filming Locations:

Austria

Company:

Metro-Goldwyn-Mayer (MGM)

Trivia:

This was the film that got Joan Crawford labeled "box office poison" after a series of flops.

Quotes:

Count Rudi Armalia: Waiters are notoriously better-mannered than those they serve.

Movie Connections:

Featured in Joan Crawford: The Ultimate Movie Star (2002) (TV)

Soundtrack:

Who Wants Love?

Dreams come true, but they don't last..

If this were the typical Cinderella tale, Anni (Joan Crawford), a beautiful but hardened prostitute from Trieste, would have been whisked away to the wealthy vacation resort with clothes and money to spare, and some rich and dashing prince in shining armor would have fallen in love and married her (social class issues notwithstanding). MGM tries their very best to make the film appear to be a Cinderella story of that sort, but I am not unhappy they failed.

The story does not turn out that way at all. We have Anni, given such a stellar characterization by Crawford (so perfect as hardened women who seek, but have been constantly been denied, love, in a quintessential role for her), but she is not simply a poor girl from the wrong side of the tracks. She is a prostitute in a dingy bar. We can see from the very first closeup that she is completely hopeless and disillusioned. Crawford's expression as she sings "Who Wants Love?" (an appropriately and brilliantly cynical love ballad which sets the tone for the film) is so brilliant, evocative, and controlled; the work of a great actress, indeed.

A very wealthy count discovers her and sets her up for a stay in a resort for other wealthy people, where she can pose as an heiress and possibly attract a man. The catch here is the count is not motivated by altruism; he simply wants to satisfy a bet with a friend that social class has nothing to do with breeding, but just luck. Although he is probably right, there is something unkind about the way he treats the girl. Although at first it seems a kind thing to do (and if this was the Cinderella story it would be), this is not a fantasy but the real world, and in the real world dreams can be broken..

The theme of the film is that of dreams being broken. Anni dreams of finding love, wealth, happiness, but eventually she learns no amount of posing or pretending or scheming can get her those things. The rich man she tries to snare turns out to be a cad, only interested in her as a mistress and not as a wife. Another dream is broken.. In the end, although in keeping with the Cinderella aspect of the story it appears she has fallen in love with the postal delivery man, it's obvious she has settled. She has thrown the childhood hopes to the wind, and is ready to accept love in practical terms. And when she settles, we know the biggest dream of all has broken, and Crawford, great actress that she was, shows us her heartbreak by registering extremely subtle emotions in her face, through her walk, and mannerisms.

A remarkable film. An undiscovered masterpiece; perhaps Dorothy Arzner's best work.