The Awful Truth (1937)

User Rating:

8.0/10   

Director:

Leo McCarey

Writers:

Viña Delmar (writer)
Arthur Richman (play)
(more)

Release Date:

21 October 1937 (USA)

Genre:

Comedy | Romance

Plot:

Unfounded suspicions lead a married couple to begin divorce proceedings, whereupon they start undermining each other's attempts to find new romance.

Plot Keywords:

Divorce | Remarriage | New York | Heiress | New York City

Awards:

Won Oscar. Another 1 win & 5 nominations

Cast

Irene Dunne	...	Lucy Warriner
Cary Grant	...	Jerry Warriner
Ralph Bellamy	...	'Dan' Leeson
Alexander D'Arcy	...	Armand Duvalle
Cecil Cunningham	...	Aunt Patsy
Molly Lamont	...	Barbara Vance
Esther Dale	...	Mrs. Leeson
Joyce Compton	...	Dixie Belle Lee
Robert Allen	...	Frank Randall
Robert Warwick	...	Mr. Vance
Mary Forbes	...	Mrs. Vance
rest of cast listed alphabetically:
Leonard Carey	...	Butler (scenes deleted)
Vernon Dent	...	Police Sergeant (scenes deleted)
Byron Foulger	...	Secretary (scenes deleted)
Bobby Watson	...	Hotel Clerk (scenes deleted)
Claud Allister	...	Lord Fabian (uncredited)
Asta	...	Mr. Smith (uncredited)
Al Bridge	...	Motor Cop (uncredited)
Wyn Cahoon	...	Mrs. Barnsley (uncredited)
Ruth Cherrington	...	(uncredited)
Dora Clement	...	(uncredited)
Kathryn Curry	...	Celeste (uncredited)
Edgar Dearing	...	Motor Cop (uncredited)
Sarah Edwards	...	Lucy's Attorney's Wife (uncredited)
Bess Flowers	...	Viola Heath (uncredited)
Mitchell Harris	...	Jerry's Attorney (uncredited)
Dell Henderson	...	Vance's Butler (uncredited)
Arthur Stuart Hull	...	(uncredited)
Scott Kolk	...	Mr. Barnsley (uncredited)
Bert Moorhouse	...	Nightclub Patron (uncredited)
Miki Morita	...	Armand's Japanese Servant (uncredited)
Edmund Mortimer	...	Lucy's Attorney (uncredited)
Zita Moulton	...	Lady Fabian (uncredited)
George C. Pearce	...	'Dad' (uncredited)
Edward Peil Sr.	...	Bailiff (uncredited)
Frances Raymond	...	(uncredited)
Bruce Sidney	...	(uncredited)
Paul Stanton	...	Judge (uncredited)
John Tyrrell	...	Hank (uncredited)
Lee Willard	...	(uncredited)
Frank C. Wilson	...	M.C. (uncredited)

Directed by
Leo McCarey

Writing credits (in alphabetical order)
Sidney Buchman		uncredited
Viña Delmar		writer
Arthur Richman		play

Produced by
Leo McCarey	....	producer
Everett Riskin	....	associate producer

Original Music by
Ben Oakland

Cinematography by
Joseph Walker		(photographed by)

Film Editing by
Al Clark

Art Direction by
Lionel Banks
Stephen Goosson		(as Stephen Goossón)

Costume Design by
Robert Kalloch		(gowns) (as Kalloch)

Makeup Department
Robert J. Schiffer	....	makeup artist (uncredited)

Second Unit Director or Assistant Director
William Mull	....	assistant director (uncredited)

Art Department
Babs Johnstone	....	interior decorator

Sound Department
Edward Bernds	....	sound engineer (uncredited)

Music Department
Morris Stoloff	....	musical director
Mischa Bakaleinikoff	....	composer: stock music (uncredited)
Arthur Morton	....	composer: stock music (uncredited)
George Parrish	....	composer: stock music (uncredited)
George Parrish	....	orchestrator (uncredited)
Louis Silvers	....	composer: stock music (uncredited)
William Grant Still	....	composer: stock music (uncredited)

Other crew
Dwight Taylor	....	screenplay constructor (uncredited)

Production Companies

• Columbia Pictures Corporation

Distributors

• Columbia Pictures (1937) (USA) (theatrical)
• Columbia TriStar Home Video (2003) (USA) (DVD)

Runtime:

91 min

Country:

USA

Language:

English

Color:

Black and White

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono (Western Electric Mirrophonic Recording)

Certification:

Australia:G | Finland:K-16 | Germany:12 | UK:U | USA:Approved (PCA #3602)

Filming Locations:

Big Bear Lake, California, USA

Company:

Columbia Pictures Corporation

Trivia:

Cary Grant was so convinced this film was not working, he begged to released during production. The film turned out to be a big hit.

Goofs:

Continuity: Just after Irene Dunne introduces herself as 'Lola' Warriner to the Vance family, she sits down next to Mrs. Vance, her handkerchief and purse quickly passed from her left hand to her right hand. As the camera shifts towards Grant, Dunne bends over, making a quiet exclamation ("Oh" or "Uh"), and appears to grab at something she has dropped on the floor. After the camera cuts back to Dunne, she is sitting up straight, her handkerchief in her left hand and caught underneath her left side.

Quotes:

[first lines]
Jerry Warriner: Come on, Haig, get that sun lamp ready.

Movie Connections:

Featured in AFI's 100 Years... 100 Passions (2002) (TV)

Soundtrack:

La Serenata

Another Irene Dunne original! Thank you, Lord!

'The Awful Truth' just came out on DVD and what a treat! I'd never seen it before. It's sort of a first draft of 'My Favorite Wife' (remade as 'Move Over Darling') and has all the patented screwball-romantic comedy-French farce elements of the 'Palm Beach Story' but in a less sophisticated form. Even though 'The Awful Truth' may have established a formula for all subsequent screwball comedies, let's face it, it's still rude and crude around the edges. But it probably was the 'There's something about Mary' of its time and Leo McCarey apparently got an Oscar for Best Director. Its gags and dialogue are at times so unexpected as to be termed "experimental". The movie is really all about the sexual tension between Cary Grant and Irene Dunne, married partners who wilfully dissolve their marriage over the husband's possible infidelity (barely alluded to) and his lack of confidence in his wife's virtue (a.k.a. jealousy). But this being 1937, sexuality has to be expressed in devious, contrived ways, including the occasional gratuitous slapstick. The Swiss clock ending is worth the price of admission in this respect. As is Cary Grant's date's obscene nightclub performance and his martial arts irruption into a society afternoon recital where his wife (Dunne) is singing an Italian aria that none of Grant's pratfalls can interrupt, except for one, memorable, epoch-making, anthology-ready second and a half towards the end that no other (singing) actress could have pulled off. What one has to remember, I guess, is that none of this nonsense had ever been attempted, seen or done on a screen before and it must have seemed terribly daring and innovative, thanks to the complicity and high spirits of a perfect cast, including Gee-shucks cowboy Ralph Bellamy, irrepressible faux-French charmer Alexander D'Arcy and worldly aunt Patsy (Cecil Cunningham). Irene Dunne, as usual, is a total original, and, by the way, Katharine Hepburn copied her comedy style and not the other way around (check your dates, guys).