Overview
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Release Date:
22 July 1936 (USA)
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Plot:
Sardonic detective Shane, thrown out of one town for bringing trouble, heads for home and his ex-partner's detective agency...
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Crew believed to be complete
Additional Details
Also Known As:
The Man in the Black Hat (USA) (working title)
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Runtime:
74 min
Aspect Ratio:
1.37 : 1
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Fun Stuff
Trivia:
The second of three film adaptations of
Dashiell Hammett's "The Maltese Falcon," this film has notable connections to both other versions. First, this film's screenwriter,
Brown Holmes, was also credited as a screenwriter on the 1931 version, directed by
Roy Del Ruth. Second, this film's cinematographer,
Arthur Edeson, was also the director of photography for
John Huston's version in 1941. Third,
Warren William, who plays the Sam Spade character (Ted Shane) in this film, also played Perry Mason in a series of films beginning in 1934, but was replaced in 1936 by
Ricardo Cortez - who had played Sam Spade in the 1931 "Maltese Falcon". Finally,
Bette Davis filled in for
Raymond Burr when he had to have surgery in "The Case of the Constant Doyle".
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Goofs:
Errors made by characters (possibly deliberate errors by the filmmakers): In his discussion with Madame Barabbas, Shane tells her the item she seeks is so valuable that it is worth her paying him plenty to find it. But actor Warren William muffs the line, saying "It's worth playing me plenty."
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Soundtrack:
Sweet Georgia Brown
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This was the film that Bette Davis finally walked out of Warner Brothers because she'd had enough. Satan Met A Lady is a comic version of the Dashiell Hammett novel, The Maltese Falcon it in fact is the second of three versions of the story that was filmed, all by Warner Brothers. It was that third one with Humphrey Bogart and Mary Astor that is the beloved classic come down to us.
I wouldn't be surprised, but that Bette might have thought that this was a straight version of the story, that she'd be doing the part that Mary Astor made famous. Instead the version she got was something that might have worked with Joan Blondell doing the part, but Bette was clearly unhappy and just going through the motions.
As for Warren William, his Ted Shayne is far different from the laconic and cynical Humphrey Bogart. He's one unapologetic rogue just breezing through the film as he did with so many others on charm and a Barrymore light profile.
Instead of the loyal and efficient Effie that we all remember Lee Patrick for, we get the scatterbrained and clueless Marie Wilson doing her usual shtick. The parts that Peter Lorre and Sydney Greenstreet made classic were done by Arthur Treacher and Allison Skipworth. I thought Arthur was going to offer some fish and chips to William at many points during the film.
The famous Hitchcockian McGuffin is not a black bird allegedly crusted over to hide a jeweled coat, but an old ram's horn, purportedly the trumpet that French legendary hero Roland sounded as he covered Emperor Charlemagne's retreat. It too was stuffed with jewels according to legend.
At the end of the film Warren William actually got a few notes out of the French horn. It blew well and some might say the film did also.